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Educational Works – Studies<br />

Battanchon, Felix<br />

(1814–1893)<br />

12 Etudes in the Thumb<br />

Position for Solo Violoncello<br />

op. 25<br />

BA 9405 page 35<br />

Cofalik, Antoni<br />

Twardowski, Romuald<br />

At the Zoo for Cello and Piano<br />

BA 8124<br />

Duport, Jean-Louis<br />

(1749–1819)<br />

Sassmannshaus<br />

Cello Recital Album<br />

for cello and piano<br />

or two cellos<br />

Eds. M. Lusk, C. Sassmannshaus<br />

Each volume with score and<br />

part, plus additional cello part<br />

for the duet version<br />

BA 8994 Vol. 1 First Position<br />

BA 8995 Vol. 2 First Position<br />

The 18 pieces in Volume 1 can<br />

be used as a supplement to<br />

the Early Start on the Cello<br />

method, Volumes 1 and 2<br />

(BA 8996 and BA 8997) and are<br />

structured to follow the same<br />

progression of finger patterns<br />

introduced in the method.<br />

This systematic progression<br />

helps the student to solidify<br />

the hand position and improve<br />

intonation. The basic bowing<br />

techniques do not require<br />

changes in bow speed or<br />

sounding point. The young<br />

performer can focus on a<br />

straight and beautifully placed<br />

bow that produces a pleasing<br />

and clear sound.<br />

The 12 pieces in Volume 2<br />

can be used as a supplement<br />

to the Early Start on the Cello<br />

method, Volumes 2 and 3<br />

(BA 8997 and BA 8998) and are<br />

structured to follow the same<br />

progression of finger patterns<br />

introduced in the method.<br />

The later repertoire in this<br />

volume includes a careful<br />

introduction of downward<br />

and upward extensions.<br />

Charming collections of<br />

easy pieces in first position<br />

Each cello part is supported<br />

by a piano accompaniment<br />

for student performances<br />

Alternately a second cello<br />

part allows duo playing<br />

with the teacher during<br />

lessons. This early<br />

introduction to chamber<br />

music brings joy and<br />

satisfaction to the young<br />

cellist and teaches the<br />

student to hear the music<br />

as a whole.<br />

The two volumes are<br />

designed as companion<br />

publications to the Early<br />

Start on the Cello method.<br />

However, they work equally<br />

well as a supplement to any<br />

other cello method.<br />

A variety of rarely published<br />

works by well-known cellists<br />

and pedagogues such as<br />

Wilhelm Fitzenhagen, Hugo<br />

Schlemüller, and August<br />

Nölck make these<br />

publications attractive to<br />

teachers and students.<br />

21 Etudes for Violoncello<br />

with an Accompaniment<br />

of a 2 nd Violoncello (ad lib.)<br />

Score with part and text<br />

volume<br />

BA 6980 page 35<br />

Grützmacher, Friedrich<br />

(1832–1903)<br />

Technology of Violoncello<br />

Playing. Twenty-four Etudes<br />

for Violoncello Solo op. 38<br />

BA 6997 Score and text<br />

volume<br />

page 35<br />

Lee, Sebastian<br />

(1805–1877)<br />

40 Easy Etudes for Violoncello<br />

with an Accompaniment of a<br />

2 nd Violoncello (ad lib.) op. 70<br />

BA 9401 page 35<br />

Marton, Anna<br />

(*1928)<br />

Einführung in die Daumenlage<br />

New Perspectives in Thumb<br />

Position. 100 little exercises for<br />

violoncello (German text only)<br />

BA 6608<br />

“The volume covers all<br />

the material clearly and<br />

straightforwardly. The exercises<br />

are varied and appealing both<br />

musically and rhythmically ....<br />

a valuable addition to the<br />

teaching material for the cello.”<br />

(Schweizerische Musikzeitung)<br />

Einführung in das Lagenspiel<br />

New Perspectives in Position<br />

Playing. 125 little exercises for<br />

violoncello (German text only)<br />

BA 6649<br />

79

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