SPA234_Strings_2018_2019_web_mit_Links
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Educational Works – Studies<br />
Battanchon, Felix<br />
(1814–1893)<br />
12 Etudes in the Thumb<br />
Position for Solo Violoncello<br />
op. 25<br />
BA 9405 page 35<br />
Cofalik, Antoni<br />
Twardowski, Romuald<br />
At the Zoo for Cello and Piano<br />
BA 8124<br />
Duport, Jean-Louis<br />
(1749–1819)<br />
Sassmannshaus<br />
Cello Recital Album<br />
for cello and piano<br />
or two cellos<br />
Eds. M. Lusk, C. Sassmannshaus<br />
Each volume with score and<br />
part, plus additional cello part<br />
for the duet version<br />
BA 8994 Vol. 1 First Position<br />
BA 8995 Vol. 2 First Position<br />
The 18 pieces in Volume 1 can<br />
be used as a supplement to<br />
the Early Start on the Cello<br />
method, Volumes 1 and 2<br />
(BA 8996 and BA 8997) and are<br />
structured to follow the same<br />
progression of finger patterns<br />
introduced in the method.<br />
This systematic progression<br />
helps the student to solidify<br />
the hand position and improve<br />
intonation. The basic bowing<br />
techniques do not require<br />
changes in bow speed or<br />
sounding point. The young<br />
performer can focus on a<br />
straight and beautifully placed<br />
bow that produces a pleasing<br />
and clear sound.<br />
The 12 pieces in Volume 2<br />
can be used as a supplement<br />
to the Early Start on the Cello<br />
method, Volumes 2 and 3<br />
(BA 8997 and BA 8998) and are<br />
structured to follow the same<br />
progression of finger patterns<br />
introduced in the method.<br />
The later repertoire in this<br />
volume includes a careful<br />
introduction of downward<br />
and upward extensions.<br />
Charming collections of<br />
easy pieces in first position<br />
Each cello part is supported<br />
by a piano accompaniment<br />
for student performances<br />
Alternately a second cello<br />
part allows duo playing<br />
with the teacher during<br />
lessons. This early<br />
introduction to chamber<br />
music brings joy and<br />
satisfaction to the young<br />
cellist and teaches the<br />
student to hear the music<br />
as a whole.<br />
The two volumes are<br />
designed as companion<br />
publications to the Early<br />
Start on the Cello method.<br />
However, they work equally<br />
well as a supplement to any<br />
other cello method.<br />
A variety of rarely published<br />
works by well-known cellists<br />
and pedagogues such as<br />
Wilhelm Fitzenhagen, Hugo<br />
Schlemüller, and August<br />
Nölck make these<br />
publications attractive to<br />
teachers and students.<br />
21 Etudes for Violoncello<br />
with an Accompaniment<br />
of a 2 nd Violoncello (ad lib.)<br />
Score with part and text<br />
volume<br />
BA 6980 page 35<br />
Grützmacher, Friedrich<br />
(1832–1903)<br />
Technology of Violoncello<br />
Playing. Twenty-four Etudes<br />
for Violoncello Solo op. 38<br />
BA 6997 Score and text<br />
volume<br />
page 35<br />
Lee, Sebastian<br />
(1805–1877)<br />
40 Easy Etudes for Violoncello<br />
with an Accompaniment of a<br />
2 nd Violoncello (ad lib.) op. 70<br />
BA 9401 page 35<br />
Marton, Anna<br />
(*1928)<br />
Einführung in die Daumenlage<br />
New Perspectives in Thumb<br />
Position. 100 little exercises for<br />
violoncello (German text only)<br />
BA 6608<br />
“The volume covers all<br />
the material clearly and<br />
straightforwardly. The exercises<br />
are varied and appealing both<br />
musically and rhythmically ....<br />
a valuable addition to the<br />
teaching material for the cello.”<br />
(Schweizerische Musikzeitung)<br />
Einführung in das Lagenspiel<br />
New Perspectives in Position<br />
Playing. 125 little exercises for<br />
violoncello (German text only)<br />
BA 6649<br />
79