SPA234_Strings_2018_2019_web_mit_Links

violoncello
Rachmaninoff, Sergei
(1873–1943)
Sonata op. 19,
Prélude et Danse orientale
op. 2,
Lied for piano and violoncello
Urtext / Ed. D. Macchione
BA 9994 Score with part
NEW 2018
This is the first scholarly-critical
edition of Rachmaninoff’s
works for piano and
violoncello. Prélude et Danse
orientale op. 2 (1892) and the
Sonate op. 19 (1901) were
dedicated to the cello virtuoso
Anatoly Brandoukoff, the
teacher of Piatygorski.
Lied (1890) is a short lyrical
piece that places light
demands on technique.
Prélude et Danse orientale op. 2
dates from Rachmaninoff’s
early years and the Sonate
was written after he had
successfully recovered from a
depression accompanied by a
“creative paralysis”. One of the
major cello works of the 20 th
century, the Sonate is written
in the same expressive vein
as the Second Piano Concerto
op. 18.
Detailed bilingual
Foreword (Eng/Ger)
and Critical Commentary
(Eng)
With Brandoukoff’s
performance instructions
Large format
(25.5 cm x 32.5 cm)
Rieding, Oskar
(1840–1918)
Concerto in B min op. 35
Transposed to D min and
arranged for cello and piano
Bärenreiter’s Concert Pieces
BA 8984
page 83
Saint-Saëns, Camille
(1835–1921)
Allegro Appassionato
in B min op. 43
for violoncello and piano
Urtext / Ed. C. Baur
BA 9047 Score with parts
This is the first ever critical
edition of Saint-Saëns‘ popular
work. It includes readings
from the version for orchestra
rendered as ossias and
contains an enlightening
preface (Eng/Ger/Fr). Two
solo parts are included:
an unmarked Urtext part and
a second part with fingering
and bowing by M. Edmondson.
The solo parts are generously
laid out with a fold-out page.
Saint-Saëns, Camille
(1835–1921)
Sonata in D maj
for violoncello and piano
Incomplete
Urtext / Ed. D. Herlin
FIRST EDITION
BA 10910 Score with part
This first publication of the
Sonata in D major is based on
Bärenreiter’s series Camille
Saint-Saëns Œuvres
instrumentales complètes.
Although we know from
correspondence that two
complete autographs existed,
only an incomplete autograph
source containing the 1 st
movement and part of the
2 nd movement, which breaks
off, have come down to us. In
his final work for violoncello
Saint-Saëns juxtaposes highly
rhythmical episodes with more
poetic ones. These contrasts
are reinforced by bold shifts
of harmonic colouring and a
highly inventive thematic
development.
Sassmannshaus
Cello Recital Album
for cello and piano
or two cellos
NEW 2017
Eds. M. Lusk, C. Sassmannshaus
Each volume with score and
part, plus additional cello part
for the duet version
BA 8994 Vol. 1 First Position
BA 8995 Vol. 2 First Position
page 79
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