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Facsimiles – English Books
Facsimiles –
English Books
Mozart, Wolfgang Amadeus
(1756–1791)
Elgar, Edward
(1857–1934)
Concerto in E min for
Violoncello and Orchestra op. 85
Facsimile based on the
autograph score at the Royal
College of Music, London
MS 402.
Edition in English and German.
Documenta musicologica II/36.
With an introduction by
Jonathan Del Mar and a
preface by Steven Isserlis
(2007). 164 pages; hardback
ISBN 978-3-7618-1928-9
When asked what significance
the Cello Concerto had, Elgar
replied: “a person’s attitude
to life”. Today it is one of the
most popular works in the
cello repertoire.
True to the original, this
facsimile reproduces Elgar’s
numerous coloured corrections
and additions; preparations for
the printed version of the score
and last minute corrections, no
doubt reflecting his experience
in rehearsals, performances
and recordings.
The edition includes an
introduction by Jonathan
Del Mar who has also prepared
the Urtext edition of this work
as well as a preface by the
renowned cellist Steven Isserlis.
No distribution rights for France.
Handel, George Frideric
(1685–1759)
The Musick for the Royal
Fireworks
HWV 351. Concertos HWV 335a
and 335b. British Library
Manuscript R.M. 20.g.7.
Facsimile. Edition in English
and German.
Documenta musicologica II/32.
Edited and supplied with an
introduction by Christopher
Hogwood (2004).
96 pages; hardback
ISBN 978-3-7618-1666-0
This edition is rounded off
with a contemporary account
of the fireworks, décor and
rockets employed, thereby
conveying something of the
majesty and magnificence of
the occasion. It is also
illustrated with various
engravings showing the
extravagant sets for the
fireworks display.
Bärenreiter Notes
NEW 2017
Eine kleine Nachtmusik K. 525
Facsimile of the autograph
With a commentary by
Wolfgang Rehm.
Documenta musicologica
II/46. 14 pages of facsimile
(individually trimmed) and
with an approx. 24-page
accompanying booklet
(Eng/Ger); presented
in a silk-covered box
ISBN 978-3-7618-2282-1
“Eine kleine NachtMusick” is
how Mozart entered the
Serenade in G major in his
personal catalogue of works
on 10 August 1787. It was
written without any known
incentive or commission
during the time that Mozart
was composing Don
Giovanni, a time when he
was celebrating his greatest
success as an opera composer.
The manuscript was inaccessible
to the public for almost half a
century, but eventually
Bärenreiter received exclusive
permission to produce a
facsimile of Mozart’s original.
• A student lesson book
• A general notebook
• A gift
Format: A 6 (10.5 cm x 14.8 cm /
4.1 inches x 5.8 inches)
32 pages · binding stapled
BA 8100 red
BA 8100-24 green
BA 8100-27 blue
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