SPA234_Strings_2018_2019_web_mit_Links

Chamber Music
Beethoven, Ludwig van
(1770–1827)
Concerto in C maj
for Pianoforte, Violin,
Violoncello and Orchestra
op. 56 “Triple Concerto”
Urtext / Ed. J. Del Mar
BA 9027-90 ° Piano reduction
BA 9027-40 Critical
Commentary
Bärenreiter’s Urtext edition of
Beethoven’s Triple Concerto is
a completely fresh revision of
this beautiful showpiece.
Errors abounded in all previous
editions, but with the
assistance of three newlydiscovered
sources, editor
Jonathan Del Mar has cleaned
up the text, corrected wrong
notes and rhythms and (for
the first time since 1807)
presented the work in a way
that a musician of Beethoven’s
day might have recognized,
with all necessary information
for directing the piece
included in the solo piano part.
Piano reduction with
separate parts for all
three soloists
Correction of many errors
found in previous editions
“In fact, the recent urtext
edition is a monument to the
era of scholarship …”
(Strings)
Berwald, Franz
(1796–1868)
Septet for clarinet, bassoon,
horn, violin, viola, violoncello
and double bass
Urtext / Ed. E. Eppstein
BA 8514 Parts in slipcover
Brahms, Johannes
(1833–1897)
Trio for Violin, Horn (Viola or
Violoncello) and Piano op. 40
Urtext / Ed. C. Hogwood
BA 9435 Score with parts
Brahms’ famous Horn Trio
op. 40, composed in 1865 for
the natural horn, is a work of
considerable significance.
Hogwood draws on a newly
discovered source for this
publication, a source that has
not been available for any
previous edition. We now learn
that Brahms wrote at least the
trio part of the Scherzo
movement some twelve years
earlier – in 1853 – and that it
was originally intended for solo
piano. This piano movement
is printed in the appendix.
This Urtext edition offers
not only the standard
instrumentation of violin,
horn and piano but also the
alternative scorings for
violoncello or viola instead of
horn. The variants found in the
violoncello and viola parts are
shown as ossias in the score.
Includes alternative parts
for violoncello and viola
Brahms, Johannes
(1833–1897)
Trio for Clarinet
(Viola), Violoncello and Piano
op. 114
Urtext / Ed. C. Hogwood
BA 9438 Score with parts
Brahms’ Clarinet Trio,
composed in 1891, was
inspired by the exceptional
musicality of clarinettist
Richard Mühlfeld. As he did
for his horn trio, Brahms
prepared a viola part as a
possible alternative to the
clarinet. Both scorings were
rehearsed (the viola part being
played by Joseph Joachim)
prior to the premiere and
publication of the work.
Viola part included as an
alternative to the clarinet
part
Geminiani, Francesco
(circa 1680–1762)
Sonata in E min
for oboe (flute/violin) and bc
Ed. H. Ruf
HM 178 Score with part
Haydn, Joseph
(1732–1809)
The London Trios Hob. IV: 1-4
for two flutes and violoncello
Ed. L. Balet
BA 6897 Parts in slipcover
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