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Chamber Music<br />

Mozart, Wolfgang Amadeus<br />

(1756–1791)<br />

Adagio and Fugue in C min<br />

for <strong>Strings</strong> K. 546<br />

Urtext / Ed. W. Plath<br />

BA 5378 Score with parts:<br />

V I, V II, Va, Vc, Cb<br />

Piano Trio<br />

Violin, Violoncello<br />

and Piano<br />

Elgar, Edward<br />

(1857–1934)<br />

Serenade for <strong>Strings</strong> op. 20<br />

Urtext / Ed. C. Hogwood<br />

BA 9041 ° Score, string parts<br />

Modern editions of the<br />

Serenade have always suffered<br />

from an enormous number of<br />

inconsistencies between the<br />

score and parts and unclear<br />

divisi and unison passages.<br />

The editor has clarified these<br />

discrepancies, drawing on<br />

Elgar’s version of the work for<br />

piano four hands (the original<br />

version) and the autograph<br />

manuscript of the first<br />

movement. The edition also<br />

contains a facsimile showing<br />

the original ending of the third<br />

movement as well as an<br />

informative foreword (Ger/<br />

Eng) and a Critical<br />

Commentary (Eng).<br />

No distribution rights<br />

for France.<br />

Krenek, Ernst<br />

(1900–1991)<br />

Five Short Pieces for <strong>Strings</strong><br />

op. 116 (1948)<br />

BA 6154 ° Study score, string<br />

parts<br />

“Eine kleine Nachtmusik”<br />

in G maj K. 525<br />

for strings<br />

Urtext / Ed. E. Schmid<br />

BA 4701 ° Score<br />

TP 19 Study score<br />

Three Divertimenti for <strong>Strings</strong><br />

K. 136-138 (125a-c)<br />

Urtext / Ed. K. H. Füssl<br />

BA 4857 ° Score, string parts<br />

Fantasia in F min for <strong>Strings</strong><br />

(1799) after Ein Orgelstück<br />

für eine Uhr K. 608<br />

Ed. C. Hogwood<br />

BA 9505 Score<br />

BA 9505-22 Parts in slipcover<br />

Almost unknown music<br />

from Mozart’s final year<br />

Additional double bass part<br />

provided to allow<br />

performances with chamber<br />

orchestra<br />

With detailed preface,<br />

Critical Commentary<br />

(Eng/Cz/Ger) and facsimiles<br />

Suk, Josef<br />

(1874–1935)<br />

Meditation on the Old Czech<br />

Hymn “St. Wenceslas” op. 35a<br />

for string orchestra<br />

Urtext / Ed. Z. Nouza<br />

BA 9584 ° Score, string parts<br />

The string quartet version of<br />

the single-movement<br />

Meditation was performed<br />

for the first time in September<br />

1914; the premiere of the<br />

version for string orchestra<br />

followed in November of the<br />

same year, played by the Czech<br />

Philharmonic. The hymn’s<br />

message consists of a plea for<br />

the well-being of the Czech<br />

people, directed at their patron<br />

saint.<br />

Brahms, Johannes<br />

(1833–1897)<br />

Trio op. 87<br />

Urtext / Ed. C. Hogwood<br />

BA 9436 Score with parts<br />

Trio op. 101<br />

Urtext / Ed. C. Hogwood<br />

BA 9437 Score with parts<br />

Piano Trio after the Sextet<br />

in B-flat maj op. 18<br />

arranged by Theodor Kirchner<br />

(1823–1903)<br />

Urtext / Ed. C. Hogwood<br />

BA 9441 Score with parts<br />

Brahms’ contemporary and<br />

friend Theodor Kirchner<br />

arranged the composer’s<br />

String Sextet op. 18 for piano<br />

trio. Simrock, Brahms’<br />

publisher, issued it in 1883.<br />

Brahms responded to the<br />

arrangement of his sextet<br />

with total enthusiasm and<br />

praise for the skills of his<br />

friend Kirchner.<br />

61

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