SPA234_Strings_2018_2019_web_mit_Links
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Chamber Music<br />
Mozart, Wolfgang Amadeus<br />
(1756–1791)<br />
Adagio and Fugue in C min<br />
for <strong>Strings</strong> K. 546<br />
Urtext / Ed. W. Plath<br />
BA 5378 Score with parts:<br />
V I, V II, Va, Vc, Cb<br />
Piano Trio<br />
Violin, Violoncello<br />
and Piano<br />
Elgar, Edward<br />
(1857–1934)<br />
Serenade for <strong>Strings</strong> op. 20<br />
Urtext / Ed. C. Hogwood<br />
BA 9041 ° Score, string parts<br />
Modern editions of the<br />
Serenade have always suffered<br />
from an enormous number of<br />
inconsistencies between the<br />
score and parts and unclear<br />
divisi and unison passages.<br />
The editor has clarified these<br />
discrepancies, drawing on<br />
Elgar’s version of the work for<br />
piano four hands (the original<br />
version) and the autograph<br />
manuscript of the first<br />
movement. The edition also<br />
contains a facsimile showing<br />
the original ending of the third<br />
movement as well as an<br />
informative foreword (Ger/<br />
Eng) and a Critical<br />
Commentary (Eng).<br />
No distribution rights<br />
for France.<br />
Krenek, Ernst<br />
(1900–1991)<br />
Five Short Pieces for <strong>Strings</strong><br />
op. 116 (1948)<br />
BA 6154 ° Study score, string<br />
parts<br />
“Eine kleine Nachtmusik”<br />
in G maj K. 525<br />
for strings<br />
Urtext / Ed. E. Schmid<br />
BA 4701 ° Score<br />
TP 19 Study score<br />
Three Divertimenti for <strong>Strings</strong><br />
K. 136-138 (125a-c)<br />
Urtext / Ed. K. H. Füssl<br />
BA 4857 ° Score, string parts<br />
Fantasia in F min for <strong>Strings</strong><br />
(1799) after Ein Orgelstück<br />
für eine Uhr K. 608<br />
Ed. C. Hogwood<br />
BA 9505 Score<br />
BA 9505-22 Parts in slipcover<br />
Almost unknown music<br />
from Mozart’s final year<br />
Additional double bass part<br />
provided to allow<br />
performances with chamber<br />
orchestra<br />
With detailed preface,<br />
Critical Commentary<br />
(Eng/Cz/Ger) and facsimiles<br />
Suk, Josef<br />
(1874–1935)<br />
Meditation on the Old Czech<br />
Hymn “St. Wenceslas” op. 35a<br />
for string orchestra<br />
Urtext / Ed. Z. Nouza<br />
BA 9584 ° Score, string parts<br />
The string quartet version of<br />
the single-movement<br />
Meditation was performed<br />
for the first time in September<br />
1914; the premiere of the<br />
version for string orchestra<br />
followed in November of the<br />
same year, played by the Czech<br />
Philharmonic. The hymn’s<br />
message consists of a plea for<br />
the well-being of the Czech<br />
people, directed at their patron<br />
saint.<br />
Brahms, Johannes<br />
(1833–1897)<br />
Trio op. 87<br />
Urtext / Ed. C. Hogwood<br />
BA 9436 Score with parts<br />
Trio op. 101<br />
Urtext / Ed. C. Hogwood<br />
BA 9437 Score with parts<br />
Piano Trio after the Sextet<br />
in B-flat maj op. 18<br />
arranged by Theodor Kirchner<br />
(1823–1903)<br />
Urtext / Ed. C. Hogwood<br />
BA 9441 Score with parts<br />
Brahms’ contemporary and<br />
friend Theodor Kirchner<br />
arranged the composer’s<br />
String Sextet op. 18 for piano<br />
trio. Simrock, Brahms’<br />
publisher, issued it in 1883.<br />
Brahms responded to the<br />
arrangement of his sextet<br />
with total enthusiasm and<br />
praise for the skills of his<br />
friend Kirchner.<br />
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