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Wednesday <strong>September</strong> 7 <strong>2016</strong><br />
BAY HARBOUR<br />
PAGE 25<br />
Travel<br />
Exploring the beauty of <strong>Bay</strong>on<br />
• By Mike Yardley<br />
SIEM REAP is the launch pad to<br />
over 50 Angkor temple ruin sites,<br />
reclaimed from the jungle and<br />
swooned on by tourists.<br />
Further afield, many others are<br />
still submerged and out of bounds<br />
because of the insidious presence<br />
of land mines.<br />
With such a bewildering array<br />
of temple-touring options on<br />
offer, knowing what to see and<br />
where to go, to get a rich flavour<br />
of Angkor’s diverse delights,<br />
needs expert guidance.<br />
Enter Wendy Wu Tours and<br />
my exuberant guide Mao, who<br />
deftly led me around a curated<br />
selection of enticing temple ruins.<br />
After taking in the obligatory<br />
sunrise spectacle at Angkor Wat,<br />
we hot-footed it north to Angkor<br />
Thom before the heaving hordes<br />
descended on the scene.<br />
Translating as “great city”, this<br />
walled and moated royal capital<br />
was the last constructed under<br />
the Khmer empire, by King Jayavarman<br />
VII, in the 12th-century.<br />
Mao led me to the staggering<br />
South Gate, where on either side<br />
of the road, a stone causeway<br />
is festooned in 108 sculptured<br />
demons and gods, locked in a tug<br />
of war with a nine-headed snake,<br />
in a scene played out from Hindu<br />
MONUMENTAL: The <strong>Bay</strong>on Temple. Moats were created around the temple as an engineering<br />
measure, not as a means of fortification.<br />
mythology.<br />
Like Angkor Wat, Angkor<br />
Thom is surrounded by moats,<br />
which were principally designed<br />
as an engineering measure – not<br />
as fortification. The body of water<br />
helped maintain the structural<br />
balance of the sandstone foundations<br />
of the temple complex,<br />
combating the threat of stones<br />
cracking and slumping.<br />
Once inside the South Gate,<br />
shafts of golden sunlight<br />
streamed through the leafy forest,<br />
as cicadas droned lustily,<br />
cheeky monkeys scampered and<br />
elephants stood sentinel, awaiting<br />
the another day’s toil lugging lazy<br />
tourists about. Mao strongly dissuaded<br />
me about recommending<br />
these treks – sadly these graceful,<br />
lumbering animals are atrociously<br />
treated.<br />
Beyond the forest glade, I stood<br />
before the prize draw, <strong>Bay</strong>on<br />
Temple, stunned and bedazzled.<br />
It is like nothing else in the land.<br />
A magical, eerie, and mysterious<br />
place, where 54 sculpted towers<br />
pierce the skyline, extravagantly<br />
carved with curiously smiling<br />
faces, as enigmatic as Mona Lisa.<br />
In fact, many locals refer to <strong>Bay</strong>on<br />
as the Mona Lisa of Southeast<br />
Asia.<br />
No fewer than 216 carved faces,<br />
in deep-relief, infuse the temple<br />
with a soothing, feel-good calm.<br />
It’s the same face, masterfully<br />
replicated, with a broad forehead,<br />
slightly curved lips, downcast<br />
eyes and wide nostrils. The face<br />
is believed to be a depiction of the<br />
king, himself.<br />
The large central tower, or<br />
Prang, is pockmarked with 16<br />
small coves, where kings and high<br />
priests would meditate.<br />
After being abandoned in the<br />
16th-century, in 1933, French<br />
archaeologist George Groslier<br />
excavated the main prang only<br />
to unearth a colossal statue of<br />
King Jayavarman hidden underneath.<br />
As we continued exploring<br />
the temple, we interacted with<br />
beaming elderly matrons selling<br />
Buddhist incense sticks, giving<br />
you the opportunity to make<br />
offerings, in a very non-pushy,<br />
Buddhist way.<br />
I also lapped up the bas-relief<br />
galleries speckling the temple,<br />
depicting an empire full of stories<br />
and legends, illustrating warfare<br />
and spirituality. Check out the<br />
grisly images of crocodiles eating<br />
the carcasses of fallen soldiers.<br />
What a way to go.<br />
You’ll glimpse spear-toting<br />
Khmer soldiers riding elephants,<br />
a crouching lady getting burned<br />
on a fire, a man handing a turtle<br />
to a chef and soldiers sacrificing<br />
a buffalo to ensure good luck in<br />
battle. As much as Angkor Wat<br />
is monumentally magnificent,<br />
it’s the humanity and personality<br />
of <strong>Bay</strong>on that make it such a<br />
heart-stealer – and my favourite<br />
Angkor temple.<br />
Ferrymead<br />
A House Without Windows<br />
by Nadia Hashimi<br />
For two decades, Zeba was a loving wife, a patient mother, and a peaceful<br />
villager. But her quiet life is shattered when her husband, Kamal, is found<br />
brutally murdered in the courtyard of their home. Nearly catatonic with shock,<br />
Zeba is unable to account for her whereabouts at the time of his death. Barely<br />
escaping a vengeful mob, Zeba is arrested and jailed. Awaiting<br />
trial, she meets a group of women, Nafisa, Latifa, and<br />
Mezhgan, whose own misfortunes have led them to<br />
these bleak cells. For these women, the prison is both<br />
a haven and a punishment, and there they form an<br />
indelible sisterhood. Is Zeba a cold-blooded killer, her<br />
cellmates wonder, or has she been imprisoned, like<br />
them, for breaking some social rule. Has she truly<br />
inherited her mother’s powers of jadu-witchcraft-which<br />
can bend fate to her will. Can she save herself or them. A<br />
moving look at the lives of modern Afghan women, A House<br />
Without Windows is astonishing, unforgettable, and triumphant.<br />
WIN THIS BOOK<br />
ENTER TO<br />
WIN<br />
THIS BOOK<br />
Southern Ruby<br />
by Belinda Alexandra<br />
Forbidden love. Family secrets. A twist of fate. The stunning new generational<br />
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Gardenia. In New Orleans - the city of genteel old houses and ancient oak<br />
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of race and class and the fury of nature, but has never given up hope.<br />
book<br />
release<br />
We have one copy of A House Without Windows by Nadia Hashimi to give away, courtesy of Take Note<br />
Ferrymead. To be in the draw, email giveaways@starmedia.kiwi with A House Without Windows in the subject<br />
line or write to Take Note Book Giveaway (A House Without Windows), Star Media, PO Box 1467, Christchurch<br />
8140. To be eligible for the draw, all entries must include your name, address and contact number. Entries<br />
close Tuesday, 20th <strong>September</strong>, <strong>2016</strong>. Winner of ‘The Black Widow by Daniel Silva’ is Penny & Ron Beardsley<br />
of Mairehau.<br />
ALERT TO CHRISTCHURCH<br />
HOMEOWNERS:<br />
EQC is now asking homeowners<br />
to assess own damage.<br />
"Remedial works letters"<br />
sent to those who've<br />
complained about repair work<br />
carried out by Fletchers EQR<br />
Ask yourself: Why after 6 years<br />
does EQC give you just 30 days to<br />
assess your own damage? We say<br />
it's to reduce EQC's liabilities through<br />
homeowners not really knowing full<br />
quake or repair damage.<br />
• Do you know anything about<br />
foundation damage to your home?<br />
• Can you determine any damage to<br />
your slab under carpets?<br />
• Or if your piles need replacing?<br />
Do you know if your ring foundation<br />
is cracked on the inside?<br />
DON’T SIGN<br />
ANYTHING<br />
UNTIL YOU<br />
TALK TO US<br />
To help you stand up to EQC we<br />
are offering a fREE damage<br />
assessment to all clients who sign<br />
with us in the next 30 days.*<br />
Ph: 03 377 8855 | 127 Ferry Road, Christchurch City<br />
E: reception@earthquakeservices.co.nz | W: www.earthquakeservices.co.nz<br />
*Conditions apply<br />
NO WIN<br />
NO FEE