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Bay Harbour: September 07, 2016

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Wednesday <strong>September</strong> 7 <strong>2016</strong><br />

BAY HARBOUR<br />

PAGE 25<br />

Travel<br />

Exploring the beauty of <strong>Bay</strong>on<br />

• By Mike Yardley<br />

SIEM REAP is the launch pad to<br />

over 50 Angkor temple ruin sites,<br />

reclaimed from the jungle and<br />

swooned on by tourists.<br />

Further afield, many others are<br />

still submerged and out of bounds<br />

because of the insidious presence<br />

of land mines.<br />

With such a bewildering array<br />

of temple-touring options on<br />

offer, knowing what to see and<br />

where to go, to get a rich flavour<br />

of Angkor’s diverse delights,<br />

needs expert guidance.<br />

Enter Wendy Wu Tours and<br />

my exuberant guide Mao, who<br />

deftly led me around a curated<br />

selection of enticing temple ruins.<br />

After taking in the obligatory<br />

sunrise spectacle at Angkor Wat,<br />

we hot-footed it north to Angkor<br />

Thom before the heaving hordes<br />

descended on the scene.<br />

Translating as “great city”, this<br />

walled and moated royal capital<br />

was the last constructed under<br />

the Khmer empire, by King Jayavarman<br />

VII, in the 12th-century.<br />

Mao led me to the staggering<br />

South Gate, where on either side<br />

of the road, a stone causeway<br />

is festooned in 108 sculptured<br />

demons and gods, locked in a tug<br />

of war with a nine-headed snake,<br />

in a scene played out from Hindu<br />

MONUMENTAL: The <strong>Bay</strong>on Temple. Moats were created around the temple as an engineering<br />

measure, not as a means of fortification.<br />

mythology.<br />

Like Angkor Wat, Angkor<br />

Thom is surrounded by moats,<br />

which were principally designed<br />

as an engineering measure – not<br />

as fortification. The body of water<br />

helped maintain the structural<br />

balance of the sandstone foundations<br />

of the temple complex,<br />

combating the threat of stones<br />

cracking and slumping.<br />

Once inside the South Gate,<br />

shafts of golden sunlight<br />

streamed through the leafy forest,<br />

as cicadas droned lustily,<br />

cheeky monkeys scampered and<br />

elephants stood sentinel, awaiting<br />

the another day’s toil lugging lazy<br />

tourists about. Mao strongly dissuaded<br />

me about recommending<br />

these treks – sadly these graceful,<br />

lumbering animals are atrociously<br />

treated.<br />

Beyond the forest glade, I stood<br />

before the prize draw, <strong>Bay</strong>on<br />

Temple, stunned and bedazzled.<br />

It is like nothing else in the land.<br />

A magical, eerie, and mysterious<br />

place, where 54 sculpted towers<br />

pierce the skyline, extravagantly<br />

carved with curiously smiling<br />

faces, as enigmatic as Mona Lisa.<br />

In fact, many locals refer to <strong>Bay</strong>on<br />

as the Mona Lisa of Southeast<br />

Asia.<br />

No fewer than 216 carved faces,<br />

in deep-relief, infuse the temple<br />

with a soothing, feel-good calm.<br />

It’s the same face, masterfully<br />

replicated, with a broad forehead,<br />

slightly curved lips, downcast<br />

eyes and wide nostrils. The face<br />

is believed to be a depiction of the<br />

king, himself.<br />

The large central tower, or<br />

Prang, is pockmarked with 16<br />

small coves, where kings and high<br />

priests would meditate.<br />

After being abandoned in the<br />

16th-century, in 1933, French<br />

archaeologist George Groslier<br />

excavated the main prang only<br />

to unearth a colossal statue of<br />

King Jayavarman hidden underneath.<br />

As we continued exploring<br />

the temple, we interacted with<br />

beaming elderly matrons selling<br />

Buddhist incense sticks, giving<br />

you the opportunity to make<br />

offerings, in a very non-pushy,<br />

Buddhist way.<br />

I also lapped up the bas-relief<br />

galleries speckling the temple,<br />

depicting an empire full of stories<br />

and legends, illustrating warfare<br />

and spirituality. Check out the<br />

grisly images of crocodiles eating<br />

the carcasses of fallen soldiers.<br />

What a way to go.<br />

You’ll glimpse spear-toting<br />

Khmer soldiers riding elephants,<br />

a crouching lady getting burned<br />

on a fire, a man handing a turtle<br />

to a chef and soldiers sacrificing<br />

a buffalo to ensure good luck in<br />

battle. As much as Angkor Wat<br />

is monumentally magnificent,<br />

it’s the humanity and personality<br />

of <strong>Bay</strong>on that make it such a<br />

heart-stealer – and my favourite<br />

Angkor temple.<br />

Ferrymead<br />

A House Without Windows<br />

by Nadia Hashimi<br />

For two decades, Zeba was a loving wife, a patient mother, and a peaceful<br />

villager. But her quiet life is shattered when her husband, Kamal, is found<br />

brutally murdered in the courtyard of their home. Nearly catatonic with shock,<br />

Zeba is unable to account for her whereabouts at the time of his death. Barely<br />

escaping a vengeful mob, Zeba is arrested and jailed. Awaiting<br />

trial, she meets a group of women, Nafisa, Latifa, and<br />

Mezhgan, whose own misfortunes have led them to<br />

these bleak cells. For these women, the prison is both<br />

a haven and a punishment, and there they form an<br />

indelible sisterhood. Is Zeba a cold-blooded killer, her<br />

cellmates wonder, or has she been imprisoned, like<br />

them, for breaking some social rule. Has she truly<br />

inherited her mother’s powers of jadu-witchcraft-which<br />

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We have one copy of A House Without Windows by Nadia Hashimi to give away, courtesy of Take Note<br />

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line or write to Take Note Book Giveaway (A House Without Windows), Star Media, PO Box 1467, Christchurch<br />

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close Tuesday, 20th <strong>September</strong>, <strong>2016</strong>. Winner of ‘The Black Widow by Daniel Silva’ is Penny & Ron Beardsley<br />

of Mairehau.<br />

ALERT TO CHRISTCHURCH<br />

HOMEOWNERS:<br />

EQC is now asking homeowners<br />

to assess own damage.<br />

"Remedial works letters"<br />

sent to those who've<br />

complained about repair work<br />

carried out by Fletchers EQR<br />

Ask yourself: Why after 6 years<br />

does EQC give you just 30 days to<br />

assess your own damage? We say<br />

it's to reduce EQC's liabilities through<br />

homeowners not really knowing full<br />

quake or repair damage.<br />

• Do you know anything about<br />

foundation damage to your home?<br />

• Can you determine any damage to<br />

your slab under carpets?<br />

• Or if your piles need replacing?<br />

Do you know if your ring foundation<br />

is cracked on the inside?<br />

DON’T SIGN<br />

ANYTHING<br />

UNTIL YOU<br />

TALK TO US<br />

To help you stand up to EQC we<br />

are offering a fREE damage<br />

assessment to all clients who sign<br />

with us in the next 30 days.*<br />

Ph: 03 377 8855 | 127 Ferry Road, Christchurch City<br />

E: reception@earthquakeservices.co.nz | W: www.earthquakeservices.co.nz<br />

*Conditions apply<br />

NO WIN<br />

NO FEE

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