Selwyn Times: March 07, 2017
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4 Tuesday <strong>March</strong> 7 <strong>2017</strong><br />
Latest Christchurch news at www. .kiwi<br />
News<br />
District alcohol<br />
decision looms<br />
• From page 1<br />
The police and Canterbury<br />
Medical Officer of Health<br />
Alistair Humphrey had been<br />
strong supporters of the 1am<br />
closing time for taverns.<br />
But that policy was appealed<br />
by Foodstuffs South Island<br />
Ltd, The Mill Retail Holdings<br />
and Independent Liquor Ltd,<br />
Progressive Enterprises, Lincoln<br />
Golf Club, the Hospitality Association<br />
of New Zealand and<br />
Super Liquor Holdings Ltd,<br />
which argued that it was too<br />
restrictive.<br />
In May 2015 the appeal was<br />
heard by the Alcohol Regulatory<br />
and Licensing Authority which<br />
asked the district council to<br />
reconsider the policy.<br />
Dr Humphrey said <strong>Selwyn</strong><br />
was one of a number of councils<br />
which had been strong-armed<br />
into changing its policy by the<br />
alcohol industry which was<br />
better resourced to fight a battle<br />
in the courts.<br />
“I think we just have to keep<br />
our fingers crossed that we don’t<br />
see too much harm in <strong>Selwyn</strong><br />
as a consequence of that extra<br />
hour,” he said.<br />
“I dearly hope that nobody<br />
gets hurt at that time but I am<br />
sure people will be, and every<br />
time someone dies in a car crash<br />
as a consequence of alcohol<br />
or every time someone gets<br />
assaulted, every time someone<br />
gets raped because someone has<br />
had that extra bit of booze at<br />
that time of night is something<br />
that I hope will weigh on the<br />
consciences of those who made<br />
that decision to push it out for<br />
an extra hour.”<br />
Hospitality Association<br />
South Island area manager<br />
Amy McLellan-Minty said Mr<br />
Humphrey’s comments were<br />
inaccurate, ill informed, inflammatory<br />
and damaging to an<br />
industry which took responsible<br />
drinking and the safety of its<br />
patrons seriously.<br />
“The lack of compelling<br />
evidence from police and health<br />
about alcohol related harm in<br />
the <strong>Selwyn</strong> district is more likely<br />
the reason for the council<br />
decision,” she said.<br />
A spokeswoman for the<br />
district council said it would not<br />
comment on the policy before<br />
tomorrow’s meeting.<br />
The district council first consulted<br />
on its draft Local Alcohol<br />
Policy in July 2013 and received<br />
67 submissions.<br />
Concert organisers look ahead<br />
• By Tom Doudney<br />
ORGANISERS OF the <strong>Selwyn</strong><br />
Sounds concert are already<br />
looking to next year’s event after<br />
a crowd estimated at more than<br />
7500 packed the Lincoln Domain<br />
on Saturday.<br />
Event organiser David Parlane<br />
said he didn’t have final crowd<br />
numbers in yet, but estimated it<br />
would be between 7500 and 8000<br />
people.<br />
The line up included Mi-Sex,<br />
Dragon, The Jordan Luck Band,<br />
Jason Kerrison, Annie Crummer,<br />
Debbie Harwood, Margaret<br />
Urlich and Sharon O’Neill, as<br />
well as other acts.<br />
Mr Parlane said it had been an<br />
astounding success.<br />
“We got the perfect day, the<br />
perfect weather, the perfect<br />
people and it just went to plan,”<br />
Mr Parlane said.<br />
He was talking to several international<br />
acts about playing at the<br />
event next year, but couldn’t give<br />
away any names at this stage.<br />
Mayor Sam Broughton said<br />
the event’s success was good for<br />
<strong>Selwyn</strong>.<br />
“There are a number of existing<br />
events which draw large<br />
crowds but it’s nice to have new<br />
events which also attract people<br />
not only from within the district,<br />
but from outside the district as<br />
PARTY: More than 7500 people enjoyed the <strong>Selwyn</strong> Sounds<br />
concert on Saturday.<br />
PHOTO: GEOFF SLOAN<br />
well, with plenty of people from<br />
Christchurch enjoying a day in<br />
<strong>Selwyn</strong>,” he said.<br />
“We have got a population now<br />
that can support large events and<br />
also proximity to surrounding<br />
districts and locations that are<br />
desirable for large events.”<br />
Mr Broughton said the organisers<br />
had clearly put in a massive<br />
effort to make the event a<br />
success.<br />
“There were a few concerns<br />
from neighbours around sound<br />
and parking and things, but the<br />
reports I have heard is that it all<br />
went well.”<br />
SELWYN TIMES<br />
Event operations manager Stuart<br />
Dwight said there had been<br />
no problems with disorder at the<br />
concert and no one was arrested<br />
on the day.<br />
“We ran hourly meetings with<br />
the police and fire brigade,” he<br />
said.<br />
“The people that had a little bit<br />
too much to drink were asked to<br />
stop and a couple of them just<br />
left on their own accord.”<br />
Mr Parlane said there had also<br />
been some “learnings” from the<br />
event and next year they would<br />
be likely to include more toilets.<br />
•More photos, pages 12-13<br />
NINa COOk - OpeNINg<br />
Nina Cook was born in Whakatane in 1967. She was educated in Wanganui and<br />
then at Christchurch Polytechnic School of Art and Design where she received<br />
a Bachelor of Design. In 20<strong>07</strong> Nina established the studio from which she<br />
currently works. Nina’s latest exhibition named ‘Opening’ takes place at Little<br />
River Gallery from <strong>March</strong> 11th until April 5th.<br />
Ian Clothier writes about Nina Cook’s new works from the exhibition<br />
‘Opening’.<br />
“…Sumptuously indulgent, some of the paintings have sensual cavities<br />
accompanied by extravagant displays of form and colour that come close to<br />
gorging the eyes. Words such as colour, spectrum and visual feast apply equally<br />
to the paintings as they do to the tail of peacocks. Such<br />
as the collection of thoughts about feathers, colour<br />
and visual luxury that assemble on reflection of Nina<br />
Cook’s Opening works.”<br />
Nina writes about her own work.<br />
“The narrative/impetus for this series of works is deeply personal. Broadly, it is<br />
about a cycle of profound hurt to intense release. Opening: to force an opening<br />
(to breach) through to Opening: to release and truly open up.<br />
The process is integral and is one of concentrated, open-minded patience,<br />
requiring me to stay alert to paint (viscosity, brush loading, etc) and<br />
compositional characteristics in much the same way<br />
as fully abstract works demand. These cannot<br />
be rushed, nor the movements/marks allowed<br />
to become repetitively mechanical. To do so<br />
would be to undermine the intention of the work.<br />
The works initially appear highly decorative and<br />
orderly – feathers mean birds. But on closer inspection, these are not any birds<br />
you’d recognise. Their physiology is different (wrong? altered?). The colours<br />
and intensity are emotive, the mark-making intense. These irregularities draw<br />
you in, encourage observation and contemplation. But ultimately you are<br />
released to once again to simply enjoy the decorative qualities of these jewels.<br />
That they are designed to be hung at any angle, allows the image to be<br />
changed/refreshed at will. This allows the viewer input into the relationship<br />
each work has with its surroundings. The round paintings are very effective in<br />
groupings, allowing differences between the works to intensify each other.”<br />
nina cook<br />
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LITTLE RIVER GALLERY<br />
www.littlerivergallery.com<br />
11 MARCH - 5 APRIL <strong>2017</strong><br />
Main Rd, Little River | 03 325 1944 | art@littlerivergallery.com<br />
RICHARD GRAY<br />
ANITA MOLLOY-ROBERTS