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EXBERLINER Issue 168, February 2018

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WHAT’S ON — Berlinale <strong>2018</strong><br />

Isle of Dogs<br />

PREVIEW<br />

Don’t Worry, He Won’t Get Far on Foot<br />

Human, Space, Time and Human<br />

On <strong>February</strong> 15, the Berlin Film Festival’s 68th edition takes over the city for<br />

10 days of movies, politics and glamour, bringing a splash of “carpet red” to<br />

our winter grey. Here’s our insider’s guide to the controversies, the celebrities<br />

and the hidden treasures in the 350-film programme. By Paul O’Callaghan<br />

The Berlinale tends to generate more handwringing<br />

than flag-waving among jaded critics<br />

and hard-to-please industry insiders. No matter<br />

where you side on last November’s big scandal<br />

– 79 high-profile directors publicly rebuking the<br />

festival leadership and calling for a new start (see page<br />

22) – there’s a sense among professionals that director<br />

Dieter Kosslick is heading into this <strong>2018</strong> edition, his<br />

second to last, with something to prove.<br />

The rest of us, meanwhile, can still count on the<br />

Berlinale to have us glowing with civic pride at the<br />

bleakest time of year. Those who dismiss it as Cannes’<br />

poor cousin often overlook the fact that the festivals<br />

operate on entirely different terms – Berlin hosts<br />

audiences 10 times as large as those of its elitist,<br />

glamour-obsessed rival. Kosslick has been criticised<br />

for his seemingly scattershot approach to curation,<br />

but Berliners continue to lap up what the festival has<br />

to offer – a smattering of red-carpet glitz and afterhours<br />

hedonism, a healthy dose of politics and a vast,<br />

thematically and geographically diverse programme.<br />

At the very least, it looks like this year’s festival, which<br />

boasts Berlin’s own Tom Tykwer as jury president, will<br />

get off to a more auspicious start than in 2017, when<br />

pedestrian biopic Django hit a resounding bum note on<br />

opening night. This year, Berlinale veteran Wes Anderson<br />

returns with Isle of Dogs, his second foray into stopmotion<br />

animation after 2009’s Fantastic Mr. Fox. Aside<br />

from looking rather delightful, the film delivers in terms<br />

of raw star power, something conspicuously lacking last<br />

year, with a stellar voice cast including Bryan Cranston,<br />

Ed Norton, Bill Murray and Scarlett Johansson.<br />

While this hotly anticipated world premiere is undoubtedly<br />

a coup, some of the other buzziest Englishlanguage<br />

titles will be old news by the time they hit<br />

Potsdamer Platz, having received world premieres at<br />

Sundance a month earlier. This year’s batch of sloppy<br />

seconds includes Don’t Worry, He Won’t Get Far on Foot<br />

SECTION GUIDE<br />

C: Competition<br />

The 24 international<br />

contenders for the<br />

coveted Golden<br />

Bear award.<br />

P: Panorama<br />

Arthouse gems by<br />

international auteurs,<br />

curated by auteurin-his-own-right<br />

Wieland Speck.<br />

F: Forum<br />

Experimental,<br />

avant-garde and<br />

otherwise risky flicks<br />

from little-known upand-comers.<br />

G: Generation<br />

Films that might be<br />

youth-centric, but<br />

definitely aren’t just<br />

for kids.<br />

20<br />

<strong>EXBERLINER</strong> <strong>168</strong>

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