EXBERLINER Issue 168, February 2018
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WHAT’S ON — Music<br />
Jim Kroft<br />
“<br />
Album release<br />
Just go with it<br />
Laura Winkler, the Austrian-born singer of<br />
Berlin jazz-pop outfit Holler My Dear, speaks<br />
about the political themes of third album<br />
Steady As She Goes before this month’s release<br />
party at Kantine am Berghain.<br />
The album came together<br />
while touring internationally<br />
thanks to the ‘New<br />
Austrian Sound of Music’ cultural<br />
programme. We were welcomed<br />
very openly everywhere. In Tehran,<br />
random people approached us in<br />
the streets wanting to show that<br />
there’s a gap between people and<br />
politics. In workshops, we also<br />
met a bunch of open, young people<br />
with whom we’d write songs during<br />
the day, and at night, they’d<br />
drive us around to the best restaurants.<br />
That contributed to the<br />
political spirit of our album.<br />
It’s also still very Berlin. The city’s<br />
open-mindedness, its liberal, colourful<br />
and queer spirit, influences us<br />
every day. And the song “Afterword”<br />
deals with the city’s gentrification<br />
problems, and what remains when<br />
a beautiful place is suddenly gone.<br />
For us, it was a classic story: we were<br />
kicked out of our rehearsal room like<br />
so many other musicians we know,<br />
and what are they building there<br />
now? A hostel, of course. And so<br />
many bars and clubs we know have<br />
had to fight for their survival and<br />
lost. We shot a video in one of them<br />
before it closed down, and its doorbell<br />
inspired the song. However, the<br />
album title, which we decided on very<br />
early in the process, is a reminder to<br />
also welcome change, to ride with the<br />
waves and not against them. A ship<br />
doesn’t just sail forward in a straight<br />
line, it has to find its balance, be flexible<br />
and respond to the waves; to find<br />
steadiness in the unsteady.<br />
We don’t want to point any fingers,<br />
and we don’t want it to be too heavy.<br />
We want it to be a fun experience. If<br />
the message of a song is important<br />
to me, I’ll announce it beforehand.<br />
Otherwise, the audience is invited to<br />
just go with the flow.” —MH<br />
Holler My Dear album release<br />
w/Oko Feb 8, 21:00 Kantine am<br />
Berghain; Steady As She Goes (Traumton)<br />
out Feb 2<br />
DON’T MISS<br />
Nightmares on Wax<br />
The British electro<br />
virtuoso and Warp<br />
legend George Evelyn<br />
brings the latest<br />
groovy endeavours<br />
off his new album<br />
Shape the Future to<br />
Yaam. Feb, 23, 21:00<br />
Jamila Woods<br />
Laid-back but no less<br />
political neo-soul<br />
from one of Chica<br />
go’s most promising<br />
voices, live at Kantine<br />
am Berghain.<br />
Feb 24, 21:00<br />
Tips<br />
Rieko Okuda<br />
CTM: Hitmakerchinx & DJ Aaron<br />
Classical and<br />
Contemporary<br />
Rieko Okuda<br />
Usually known for her eclectic collaborations,<br />
the experimental pianist<br />
and composer now celebrates the<br />
release of her solo album with a<br />
concert at Ausland. Also performing:<br />
cellist Leila Bordreuil and contrabassist<br />
Zach Rowden. Feb 23, 20:30<br />
Poppy Ackroyd<br />
With electronically manipulated<br />
piano, harpsichord, violin and spinet,<br />
the classically trained multi-instrumentalist<br />
creates dreamy neoclassical<br />
soundscapes. Catch her live at<br />
Roter Salon. Feb 27, 20:00<br />
Clubbing<br />
CTM: New Turf/Native Sketches<br />
Dancehall and reggaeton meets<br />
baile funk and hip hop from all<br />
corners of the globe with Equiknoxx<br />
Music, Hitmakerchinx &<br />
DJ Aaron, Bad Gyal and our local<br />
Hoe_mies at Yaam. Feb 3, 23:00<br />
Owiny Sigoma Soundsystem +<br />
Habibi Funk<br />
Kenyan/British Owiny Sigoma<br />
Band’s DJ alter ego shares the<br />
decks with Berlin’s Arabic funk<br />
importer no. 1, Habibi Funk, and<br />
Eli Pavel at Gretchen. Feb 9,<br />
23:59<br />
34<br />
<strong>EXBERLINER</strong> <strong>168</strong>