EXBERLINER Issue 168, February 2018
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WHAT’S ON — Music<br />
DON’T MISS<br />
Annabel Allum<br />
Having discovered a<br />
more indie rockinfused<br />
sound as an<br />
outlet, the UK singersongwriter<br />
dropped<br />
the folk attitude on<br />
her latest EP All That<br />
for What and hits the<br />
stage at Monarch with<br />
plenty of distortion.<br />
Feb 3, 20:00<br />
Omar Souleyman<br />
Syrian superstar<br />
meets historic GDR<br />
chic when the former<br />
wedding singer<br />
takes the stage with<br />
his most recent<br />
album To Syria, with<br />
Love at Funkhaus.<br />
Feb 3, 20:30<br />
Interview<br />
“ We’re a society<br />
within ourselves”<br />
Pavel Mezihorák<br />
East London buzz band Superorganism finally<br />
emerges from the shadows. By Jenny Browne and Michael Hoh<br />
Imagine uploading your first track<br />
to Soundcloud and the rest of the<br />
world goes bonkers because they<br />
think Damon Albarn’s behind it. Signing<br />
to Domino Records mid-2017, the<br />
fun pop eight-piece Superorganism<br />
has since kept a pretty exclusive profile,<br />
playing only a handful of shows<br />
throughout the entire year. With<br />
the release of their self-titled debut<br />
album (out Mar 2), they embark on a<br />
long-awaited cross-continental tour,<br />
including a stop at Festsaal Kreuzberg<br />
on Feb 23. Co-founder and guitarist<br />
Christopher “Harry” Young (photo,<br />
far left) gave us some insight into the<br />
band’s mystique.<br />
You dropped your first single<br />
over a year before your album<br />
came out... was that a plannedout<br />
move? We’d finished the song,<br />
and decided to put it out – it was<br />
honestly that simple. It wasn’t a<br />
calculated decision because we’d<br />
only made that one song, we didn’t<br />
know whether or not anyone would<br />
be interested. This whole thing has<br />
been so crazy and fast; we’ve not<br />
really had time to sit back and get<br />
freaked out by it yet.<br />
The band met online. How does<br />
living together in London now<br />
influence your music-making?<br />
It’s a pretty small house [in Hackney],<br />
considering how many people<br />
are living in it. [Singer] Orono’s<br />
taken over the living room so we all<br />
have to congregate in the kitchen<br />
now. We’ve all got similar tastes<br />
and humour – it’s fun. Sometimes,<br />
I’ll be in the kitchen making dinner<br />
and [visual artist] Robert will just<br />
burst through and be like, “Hey can<br />
you give me an opinion on this?”<br />
and I can give him a fresh perspective<br />
there and then. But we’re not<br />
geographically tied together, and<br />
that’s one of the coolest things<br />
about this project. Maybe Soul is in<br />
Australia or Orono’s in Japan visiting<br />
family, but we can still continue<br />
working together as long as we’ve<br />
got an internet connection. In the<br />
old days you used to be consigned<br />
to who you met in your local area,<br />
but we have a shared WhatsApp<br />
and fire ideas out when and where<br />
inspiration strikes.<br />
What’s up with all the whales<br />
in your videos? It was an image<br />
that Robert brought to the band.<br />
They are so majestic and gentle, but<br />
also massive and imposing. We all<br />
identified with that. A whale tends<br />
to have lots of other little creatures<br />
around it, it’s its own ecosystem. We<br />
liked the idea that the whale itself<br />
is the centre of all these organisms<br />
working together. Thematically, we<br />
tend to work around the internet,<br />
space and the ocean, so the whale fit<br />
perfectly into that framework.<br />
What’s your relationship to the<br />
1990s you borrow from? Not<br />
all of you were alive back then.<br />
Orono has just turned 18; she’s the<br />
youngest. I’d be surprised if she<br />
remembered dial-up internet. The<br />
oldest is 32, I think. That plays a role<br />
in the creation of the music, because<br />
we have a breadth of different<br />
experiences. We’re introducing each<br />
other to different music all the time.<br />
Orono can show Tucan something<br />
brand new and modern, whilst he<br />
has knowledge of 1980s metal that<br />
she wouldn’t, for example.<br />
Initially you wanted actors to<br />
do all your interviews. What<br />
does band identity and self-image<br />
mean to you? We remained<br />
anonymous for a while because<br />
our priority was figuring out who<br />
we were as a band. We’re a bit of<br />
a society within ourselves, and we<br />
wanted to focus on our art without<br />
the heat of attention. We live in an<br />
era where so much is caught up in<br />
the cult of personality, social media<br />
etc. whilst our aesthetic tries to focus<br />
on the image of the whole band.<br />
Obviously Orono gets attention for<br />
being the lead singer, but we don’t<br />
necessarily put her out in front of<br />
everyone else. We’re a family. n<br />
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