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EXBERLINER Issue 168, February 2018

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WHAT’S ON — Music<br />

DON’T MISS<br />

Annabel Allum<br />

Having discovered a<br />

more indie rockinfused<br />

sound as an<br />

outlet, the UK singersongwriter<br />

dropped<br />

the folk attitude on<br />

her latest EP All That<br />

for What and hits the<br />

stage at Monarch with<br />

plenty of distortion.<br />

Feb 3, 20:00<br />

Omar Souleyman<br />

Syrian superstar<br />

meets historic GDR<br />

chic when the former<br />

wedding singer<br />

takes the stage with<br />

his most recent<br />

album To Syria, with<br />

Love at Funkhaus.<br />

Feb 3, 20:30<br />

Interview<br />

“ We’re a society<br />

within ourselves”<br />

Pavel Mezihorák<br />

East London buzz band Superorganism finally<br />

emerges from the shadows. By Jenny Browne and Michael Hoh<br />

Imagine uploading your first track<br />

to Soundcloud and the rest of the<br />

world goes bonkers because they<br />

think Damon Albarn’s behind it. Signing<br />

to Domino Records mid-2017, the<br />

fun pop eight-piece Superorganism<br />

has since kept a pretty exclusive profile,<br />

playing only a handful of shows<br />

throughout the entire year. With<br />

the release of their self-titled debut<br />

album (out Mar 2), they embark on a<br />

long-awaited cross-continental tour,<br />

including a stop at Festsaal Kreuzberg<br />

on Feb 23. Co-founder and guitarist<br />

Christopher “Harry” Young (photo,<br />

far left) gave us some insight into the<br />

band’s mystique.<br />

You dropped your first single<br />

over a year before your album<br />

came out... was that a plannedout<br />

move? We’d finished the song,<br />

and decided to put it out – it was<br />

honestly that simple. It wasn’t a<br />

calculated decision because we’d<br />

only made that one song, we didn’t<br />

know whether or not anyone would<br />

be interested. This whole thing has<br />

been so crazy and fast; we’ve not<br />

really had time to sit back and get<br />

freaked out by it yet.<br />

The band met online. How does<br />

living together in London now<br />

influence your music-making?<br />

It’s a pretty small house [in Hackney],<br />

considering how many people<br />

are living in it. [Singer] Orono’s<br />

taken over the living room so we all<br />

have to congregate in the kitchen<br />

now. We’ve all got similar tastes<br />

and humour – it’s fun. Sometimes,<br />

I’ll be in the kitchen making dinner<br />

and [visual artist] Robert will just<br />

burst through and be like, “Hey can<br />

you give me an opinion on this?”<br />

and I can give him a fresh perspective<br />

there and then. But we’re not<br />

geographically tied together, and<br />

that’s one of the coolest things<br />

about this project. Maybe Soul is in<br />

Australia or Orono’s in Japan visiting<br />

family, but we can still continue<br />

working together as long as we’ve<br />

got an internet connection. In the<br />

old days you used to be consigned<br />

to who you met in your local area,<br />

but we have a shared WhatsApp<br />

and fire ideas out when and where<br />

inspiration strikes.<br />

What’s up with all the whales<br />

in your videos? It was an image<br />

that Robert brought to the band.<br />

They are so majestic and gentle, but<br />

also massive and imposing. We all<br />

identified with that. A whale tends<br />

to have lots of other little creatures<br />

around it, it’s its own ecosystem. We<br />

liked the idea that the whale itself<br />

is the centre of all these organisms<br />

working together. Thematically, we<br />

tend to work around the internet,<br />

space and the ocean, so the whale fit<br />

perfectly into that framework.<br />

What’s your relationship to the<br />

1990s you borrow from? Not<br />

all of you were alive back then.<br />

Orono has just turned 18; she’s the<br />

youngest. I’d be surprised if she<br />

remembered dial-up internet. The<br />

oldest is 32, I think. That plays a role<br />

in the creation of the music, because<br />

we have a breadth of different<br />

experiences. We’re introducing each<br />

other to different music all the time.<br />

Orono can show Tucan something<br />

brand new and modern, whilst he<br />

has knowledge of 1980s metal that<br />

she wouldn’t, for example.<br />

Initially you wanted actors to<br />

do all your interviews. What<br />

does band identity and self-image<br />

mean to you? We remained<br />

anonymous for a while because<br />

our priority was figuring out who<br />

we were as a band. We’re a bit of<br />

a society within ourselves, and we<br />

wanted to focus on our art without<br />

the heat of attention. We live in an<br />

era where so much is caught up in<br />

the cult of personality, social media<br />

etc. whilst our aesthetic tries to focus<br />

on the image of the whole band.<br />

Obviously Orono gets attention for<br />

being the lead singer, but we don’t<br />

necessarily put her out in front of<br />

everyone else. We’re a family. n<br />

32 <strong>EXBERLINER</strong> <strong>168</strong>

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