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Albemarle Tradewinds August 2015 Web Final

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No, I only want to reference the rank and file soldier whose wives, children and grandchildren<br />

wanted to honor the service and memory of these men with a simple monument on the public<br />

square. How important was it for the post- war Southern Culture to recognize the rank and file<br />

soldiers of the Confederate Army? Many families could only give 15 cents per year or less to their<br />

hometown monument committee. These nominal amounts of money represented an entire year’s<br />

worth of disposable income in most cases because the entire south was living under the military<br />

occupation and economic despotism of reconstruction. The Elizabeth City monument was erected<br />

in 1911, the memories still fresh of the war and the occupation in many a person’s mind.<br />

This article has attempted to create a synopsis of the many conversations I overheard as a child<br />

of these Confederate Veteran’s children and grand-children. I wanted their voices to heard and in<br />

some small way enter the current social conversation modern America is having over the<br />

Confederacy. It’s hard for a modern reader to understand North Carolina’s reluctance. And how it<br />

could have given so many soldiers and lost 40,275 lives to a cause of which most wouldn’t benefit<br />

from its outcome either way.<br />

<br />

<br />

<br />

<br />

<br />

<br />

Most Confederate Veterans who were lucky enough to survive and rebuild had one lesson to pass<br />

on to their children and families: “It was a rich man’s war, and poor man’s fight.” These<br />

monuments all over the South represent the memories and honor of that “Poor Man’s fight”.<br />

<br />

<br />

<br />

<br />

<br />

No time for social media....<br />

give Scott a call<br />

Wilfred Edward Salter Owen MC (18 March 1893 – 4 November 1918)<br />

was an English poet and soldier, one of the leading poets of the First<br />

Soldiers’s Dream<br />

World War. His shocking, realistic war poetry on the horrors of trenches<br />

By Wilfred Owen<br />

and gas warfare was heavily influenced by his friend and mentor Siegfried<br />

Sassoon, and stood in stark contrast both to the public perception of war at<br />

the time and to the confidently patriotic verse written by earlier war poets<br />

I dreamed kind Jesus fouled the big-gun gears; such as Rupert Brooke. Among his best-known works – most of which<br />

And caused a permanent stoppage in all bolts; were published posthumously – are “Dulce et Decorum est”,<br />

And buckled with a smile Mausers and Colts; “Insensibility”, “Anthem for Doomed Youth”, “Futility” and<br />

And rusted every bayonet with His tears. “Strange Meeting”. Owen is regarded by many as the greatest poet of the<br />

First World War, known for his war poetry on the horrors of trench and<br />

And there were no more bombs, of ours or Theirs, gas warfare. He had been writing poetry for some years before the war, himself dating his poetic<br />

Not even an old flint-lock, not even a pikel. beginnings to a stay at Broxton by the Hill, when he was ten years old. The Romantic poets Keats<br />

But God was vexed, and gave all power to Michael; and Shelley influenced much of Owen’s early writing and poetry. His great friend, the poet<br />

And when I woke he’d seen to our repairs. Siegfried Sassoon, later had a profound effect on Owen’s poetic voice, and Owen’s most famous<br />

poems (“Dulce et Decorum est” and “Anthem for Doomed Youth”) show direct results of<br />

Picture and Biography Sources: Wikipedia Sassoon’s influence. Manuscript copies of the poems survive, annotated in Sassoon’s handwriting.<br />

Owen’s poetry would eventually be more widely acclaimed than that of his mentor.<br />

facebook.com/<strong>Albemarle</strong>TradingPost <strong>Albemarle</strong> <strong>Tradewinds</strong> <strong>August</strong> <strong>2015</strong> 31

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