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BeatRoute Magazine [AB] print e-edition - [March 2018]

BeatRoute Magazine is a monthly arts and entertainment paper with a predominant focus on music – local, independent or otherwise. The paper started in June 2004 and continues to provide a healthy dose of perversity while exercising rock ‘n’ roll ethics.

BeatRoute Magazine is a monthly arts and entertainment paper with a predominant focus on music – local, independent or otherwise. The paper started in June 2004 and continues to provide a healthy dose of perversity while exercising rock ‘n’ roll ethics.

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VISIONS OF COMICS<br />

Artistic interpretations of comic themes<br />

30 | MARCH <strong>2018</strong> • BEATROUTE<br />

BY CAROLINE REYNOLDS<br />

Honouring late art critic with comically inclined interpretations.<br />

Stationed on cozy reading couches in the to the long lasting nature of comics.”<br />

sunny Happy Harbor Comics, <strong>BeatRoute</strong> sat Using modernization as an example he clarifies,<br />

down with storeowner Jay Bardyla and general<br />

“it goes from Peter Parker looking in little<br />

manager Corinne Simpson to chat about their tiny microscopes, to Peter Parker using high<br />

upcoming Visions of Comics art show kicking tech computers to analyze things in a lab.”<br />

off <strong>March</strong> 2. The art show is in its seventh rendition<br />

Just one archetype shift to keep up with new<br />

since the launch in 2009 and is in memorial audiences.<br />

to Gilbert Bouchard, a friend and inspirational As Bardyla and Simpson reminisce about<br />

CBC arts critic. After many contributions to installations from previous shows (which can be<br />

Edmonton’s art community, he passed away in viewed on the shop’s web page) it seems obvious<br />

2008. Along with the art installations, the opening<br />

that challenging comic based artists to step<br />

night will feature guest speaker Emily Chu, outside the walls of graphic novel illustration<br />

an instructor at Edmonton Digital Arts College. can lead to engaging concepts.<br />

Tactful yet welcoming, Bardyla dove right into “There are people who do the very straight<br />

his passion and inspiration for putting on the forward conventional approach, but then there<br />

show.<br />

are people that like to look for other ways that<br />

“The point of it is not to just do a standard tool can be utilized,” Bardyla says. “We see a<br />

art show but to challenge artists who love comics<br />

range in mediums; some might do sculptures or<br />

to think about the various aspect of comics,” interactive pieces or even immersive pieces as<br />

he explains. “We want them to interpret things we are going to do this year.”<br />

in different ways and then translate that into an Immersive referring to the live, made on the<br />

art piece.”<br />

spot piece Simpson will be part of at the opening<br />

Each year the show is themed around<br />

night event. The piece will be “the live birth<br />

comic book tropes. This year’s theme transpired of a hero.” As Simpson moonlights as a makeup<br />

through integrating the motif from their 2016 artist, she’ll be doing a full body paint on a live<br />

<strong>edition</strong>, dubbed In Conclusion. The organizers model. It’s family friendly, of course.<br />

agreed it was a natural to follow it up with a “It will be like watching a live action origin<br />

good origin story and have focused the <strong>2018</strong> story unfold before you,” Simpson explains,<br />

rendition on the topic.<br />

beaming.<br />

“This years theme revolves around origin Visions of Comics takes place at Happy<br />

stories, which is a very strong conventional tool Harbor on <strong>March</strong> 2 at 7 p.m. (Edmonton). The<br />

in comics,” says Bardyla. “Not only do comics event installation runs until <strong>March</strong> 15 and is free<br />

constantly use an origin story, it is constantly to attend. Donations will be accepted to benefit<br />

being updated and shifted, which is a testament the Bruce Peel Special Collections Library.<br />

GRIZZLY TRAIL<br />

blinded by friendship; punks carry on<br />

Apparently farts are still funny. That may<br />

be the main take-away from an interview<br />

with northern Alberta based punks Grizzly<br />

Trail. It’s been at least two and half years since<br />

we last spoke with the four piece that have<br />

experienced literal trial by fire in the years<br />

following the release of their debut EP Dead<br />

Standing Sessions.<br />

Their hometown of Fort McMurray went<br />

up in flames in May 2016, scorching nearly<br />

6000 square kilometers of land and displacing<br />

over 80,000 in the costliest disaster in<br />

Canadian history. Drummer Stephen Payne’s<br />

apartment then caught on fire in Edmonton.<br />

Eventually, they had to find a new guitar<br />

player and it took a few tries to put their new<br />

album Chesterfield together. Despite the<br />

obvious tribulations, going on tour last year<br />

was the straw that nearly broke the proverbial<br />

camel’s back.<br />

“We were almost done as a band,” says<br />

guitarist Dave Millar, with a hint of exasperation<br />

in his voice.<br />

“The stress of tour, guitar player problems,<br />

this label we were supposedly part of… Everything<br />

came to a head. We called an emergency<br />

meeting and talked stuff out that hadn’t<br />

been talked about. Payne quit the band a few<br />

times that day, but we all calmed down and<br />

he stayed.”<br />

The emergency band meeting seems to<br />

have worked. Tour went forward as planned<br />

and they even managed to weird out their<br />

touring bands by cracking jokes about<br />

farts. While line-up changes are not entirely<br />

exciting to discuss within any band ever,<br />

Grizzly Trail ditched what may have been a<br />

potentially toxic member for someone who<br />

most of them have loved for years, guitarist<br />

Andy Alfred. Alfred formerly played in A<br />

New Rhetoric as well as hardcore bands with<br />

New album brings punk dudes closer together.<br />

BY BRITTANY RUDYCK<br />

bassist Robbie Egan.<br />

“He was actually going to sell merch for us<br />

on that tour,” Millar says, laughing.<br />

“My favourite part of Andy being in the<br />

band is that he told us he would be in our<br />

band a long time ago. Years ago when we first<br />

started he came up and told us, ‘I’m gunna<br />

be in your band.’ We just laughed at him. But<br />

look at him now. He’s even wearing a Grizzly<br />

Trail t-shirt.”<br />

Laughter goes hand-in-hand with Grizzly<br />

Trail, which is why it was a tad surprising<br />

to hear a subdued maturity on the new<br />

tracks. They didn’t go full Blink-182 on their<br />

self-titled album serious, but the sentiment<br />

is there. Songs like “Marble Mouth,” a tribute<br />

to fallen friend Joey-D, is justifiably somber<br />

and gloomy, but for the remainder of the<br />

tracks, Grizzly Trail does not lose their fast<br />

paced pop-punk sound. It’s likely due to the<br />

situation surrounding the recording: the<br />

pre-production was conducted in Alfred’s<br />

sweaty apartment last summer mainly without<br />

shirts because (and we’ll paraphrase) it’s<br />

hot in August and drinking inspires people to<br />

get naked.<br />

“We did all the real production sober,” says<br />

Egan with a laugh.<br />

“The new album has more of a hardcore<br />

feel I would say,” says Millar.<br />

“It’s really all over the map.”<br />

As Millar finished his thought he noticed a<br />

renegade eyelash on Alfred’s face and gently<br />

brushed it away.<br />

The world needs more punk bands that<br />

care about each other.<br />

Join Grizzly Trail for their album release party<br />

at the Starlite Room on <strong>March</strong> 24 [Edmonton].<br />

They will perform alongside Belvedere, Downway<br />

and the Nielsens.<br />

photo: Kali Jahelka<br />

ROCKPILE

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