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BeatRoute Magazine [AB] print e-edition - [March 2018]

BeatRoute Magazine is a monthly arts and entertainment paper with a predominant focus on music – local, independent or otherwise. The paper started in June 2004 and continues to provide a healthy dose of perversity while exercising rock ‘n’ roll ethics.

BeatRoute Magazine is a monthly arts and entertainment paper with a predominant focus on music – local, independent or otherwise. The paper started in June 2004 and continues to provide a healthy dose of perversity while exercising rock ‘n’ roll ethics.

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KING WOMAN<br />

queen of the harpies<br />

BY CHRISTINE LEONARD<br />

This Month<br />

In METAL<br />

There’s not enough space in these pages<br />

to cover even a third of the great<br />

heavy music acts coming through<br />

Western Canada.<br />

American power metallers Iced Earth<br />

will perform at the Starlite Room on <strong>March</strong><br />

2 [Edmonton] and at the Marquee Beer<br />

Market & Stage on <strong>March</strong> 3[Calgary].<br />

Industrial crossover act Soulfly will perform<br />

as Nailbomb, delivering the entirety of<br />

their groundbreaking album Point Blank at<br />

Dickens on <strong>March</strong> 5 [Calgary].<br />

John Garcia of legendary space rockers<br />

Kyuss will perform at Distortion on <strong>March</strong><br />

10 [Calgary].<br />

Accept vocalist Udo Dirkschneider<br />

will perform at the Marquee Beer Market<br />

& Stage on <strong>March</strong> 15 [Calgary] and at the<br />

Starlite Room on <strong>March</strong> 16 [Edmonton].<br />

Despite our best efforts, we were not able<br />

to get him on the horn.<br />

Hazzerd, Blackest Sin, Meggido, Pervcore,<br />

and more will play at Distortion on<br />

<strong>March</strong> 16 [Calgary].<br />

Manitoba Metalfest <strong>2018</strong> goes down<br />

on <strong>March</strong> 16 – <strong>March</strong> 17 at the Park<br />

Theatre [Winnipeg]. Bands performing<br />

include legendary death thrashers<br />

Demolition Hammer, as well as sets<br />

by Skeletal Remains, Cancer Bats, and<br />

Damascus, who are doing a “one time<br />

only reunion show.”<br />

Local stoner rockers Woodhawk perform<br />

at the Ship & Anchor on <strong>March</strong> 21<br />

[Calgary]. The following evening they’ll be<br />

performing alongside Wolfrik and Highbernation<br />

at the Starlite Room [Edmonton].<br />

Seattle death metal act Fetid will<br />

perform with Vern’s on <strong>March</strong> 23 [Calgary]<br />

alongside Messiahlator, Pathetic, Cultist<br />

and Full/Choke. The following evening,<br />

head to the Sewing Machine Factory [Edmonton]<br />

for Fetid with Begrime Exemious,<br />

Pathetic, and Lutheran.<br />

The second rendition of Covenant Montreal<br />

will begin at La Sala Rossa on <strong>March</strong><br />

29 and runs until <strong>March</strong> 31 [Montreal]. The<br />

fantastic black and death metal oriented<br />

line-up includes Dead Congregation, Ruins<br />

of Beverast, Thantifaxath, Auroch, Adversarial,<br />

and more.<br />

• Sarah Kitteringham<br />

King Woman creates order out of chaos.<br />

photo: Rob Williamson<br />

It has been almost a decade since vocalist detailed numbers that have become their<br />

Kristina Esfandiari founded the groundbreaking<br />

calling card.<br />

doom and drone crossover act<br />

King Woman’s brooding debut full-<br />

King Woman. During that time, what began length Created in the Image of Suffering,<br />

as a bold solo project has blossomed into recorded at Jack Shirley’s Atomic Garden,<br />

an even grander quartet featuring guitarist appeared in 2017 via Relapse Records and<br />

Colin Gallagher, bassist Peter Arensdorf and earned much critical acclaim. Still, Esfandiari,<br />

drummer Joey Raygoza. Known for questioning<br />

who has collaborated with shoegazers<br />

convention and pushing their melancholic Whirr in addition to sustaining her own<br />

melodies into traditionally vascular heavy alter ego solo-project Miserable, felt that<br />

metal territory, King Woman has gained comparisons<br />

King Woman had yet to find the right<br />

to SubRosa and Ides of Gemini while management. Enter Sargent House (home<br />

crafting a lush and evocative dark wave sound to Russian Circles, Earth, Mutoid Man,<br />

that is entirely their own.<br />

Chelsea Wolfe, etc), who according to the<br />

King Woman’s debut EP, Doubt (2014), vocalist “has been really amazing and kind<br />

set off a volley of water-testing singles and of the perfect fit for us.”<br />

EPs from the band and most recently a<br />

As they embark on the next stage of<br />

self-released cover of the Stone Roses track “I their journey, Esfandiari credits her steady<br />

Wanna be Adored.” Unfortunately, Canadian bandmates for allowing their art to evolve at a<br />

fans were denied the opportunity adore King gradual pace. In her mind the most gratifying<br />

Woman when the group had to cancel their aspect of King Woman’s refusal to shy away<br />

slot at Calgary’s 2017 installment of the Sled from discussing difficult subjects, such as<br />

Island Music & Arts Festival due to a medical religious abuse and mental health, is how<br />

emergency.<br />

that honesty has proven to be a source of<br />

“Our guitarist had cancer, so he had to go inner strength and inspiration for artist and<br />

in for surgery and we had to cancel all our audience alike.<br />

tour dates. It was very sudden. He’s still with “We’re currently working on new material<br />

the band and he’s fine now, but it was a very and have already written about four songs for<br />

emotional time for us,” explains Esfandiari. our new record,” she divulges.<br />

“It just brought us together. We’re really, “It’s still being formed and coming into<br />

really close and good at communicating as view. There’s some really deeply personal stuff<br />

a band. And we were like, ‘His health is our from my childhood that I’ve never talked<br />

priority right now and we’re not going to do about before that I’m incorporating into the<br />

anything to stress him out.’ Last year was a bit songs. My favourite thing is being able to<br />

hard, but now things are great. I would just emote and connect with the audience. It’s just<br />

describe it as a sweet and sour low with lots of exciting to reveal the concepts behind new<br />

different highs and lows and uncertainties, but albums and expose a new part of myself.”<br />

we’ve regrouped and we’re in a good place.”<br />

Recovered and ready to move forward King Woman performs with Russian Circles on<br />

with their hypnotic storytelling, King Woman Wednesday, April 4 at Dickens [Calgary] and<br />

has continued to produce the dramatic and Thursday, April 5 at Starlite Room [Edmonton].<br />

SHRAPNEL BEATROUTE • MARCH <strong>2018</strong> | 45

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