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WHAT’S ON — Music<br />
Editor’s Choice<br />
Battling for the<br />
right reasons<br />
The month, we take stock of the current state of hip hop in<br />
Germany as well as on the other side of the pond.<br />
By Michael Hoh<br />
Aldo Gutierrez Chacon<br />
MUSIC NEWS<br />
Going south<br />
Compiled by Rio<br />
de Janeiro native<br />
Ed Motta, the fifth<br />
volume of Markus<br />
Liesenfeld a.k.a. DJ<br />
Supermarkt’s Too<br />
Slow To Disco series<br />
goes Brazil. Out on<br />
City Slang, <strong>May</strong> 4<br />
Geo experiments<br />
After a pre-taster single,<br />
“Tar”, in February,<br />
Berlin experimental<br />
sound artist Lucrecia<br />
Dalt releases her geo<br />
inspired album<br />
Anticlines via Cargo<br />
Records on <strong>May</strong> 4<br />
Birthday bash<br />
Pop the corks!<br />
Chicks on Speed,<br />
which today comprises<br />
Alex Murray-<br />
Leslie and Melissa<br />
Logan, turned 20 last<br />
year, and throw a<br />
belated party at the<br />
Volks-bühne on<br />
<strong>May</strong> 10<br />
Is German hip hop in trouble? If<br />
you look at current mainstream<br />
media stories revolving around<br />
Kollegah and Farid Bang’s win at this<br />
year’s Echo, which awards Germany’s<br />
best-selling acts and albums,<br />
and the associated accusations of<br />
antisemitism, you might get that impression.<br />
TV channel WDR recently<br />
aired a documentary about the “dark<br />
side of German rap”, examining antisemitic<br />
tendencies in local scenes,<br />
and even for Bild the whole ordeal<br />
was welcoming front page fodder.<br />
German mainstream hip hop has<br />
certainly come a long way since Die<br />
Fantastischen Vier first blurted out<br />
their nonsensical “Die da?” rhymes<br />
all over MTV in the early 1990s. And<br />
with protagonists spewing misogynist,<br />
homophobic and antisemitic<br />
rhymes at their listeners, parts of the<br />
genre truly took a turn to the dark<br />
side, reinforcing outdated stereotypes<br />
presented as battle rap under<br />
the banner of artistic freedom. But<br />
given that the self-proclaimed Anti-<br />
Deutschrapper of Antilopen Gang<br />
also reigned the charts with their<br />
album Anarchie & Alltag, it seems<br />
that not all hope is lost. Or take Berlin<br />
rapper Ahzumjot, who will take<br />
the stage at Lido this month. On his<br />
latest album, he is more about Luft<br />
& Liebe than on-the-ground insult<br />
battle rap these days.<br />
But what about the state of<br />
hip hop in the United States?<br />
In Germany, hip hop falls behind<br />
rock, pop and Schlager on<br />
the country’s “favourite genre”<br />
list, but just looking at the last<br />
Grammy Awards, hip hop clearly<br />
spearheads mainstream music<br />
culture across the pond. Seun<br />
Kuti, who follows in the footsteps<br />
of his father, afrobeat pioneer Fela<br />
Kuti, taking the stage at Festsaal<br />
Kreuzberg this month together<br />
with Egypt 80 and his new album<br />
Black Times, has his doubts about<br />
the genre’s developments over the<br />
years: “There’s no distinguishing<br />
line between hip hop and pop,<br />
between gangsta rap and Celine<br />
Dion, with their autotune and all<br />
that,” he said in an interview with<br />
OkayAfrica. “I loved hip hop because<br />
I thought it was the music<br />
for change. The time for saying<br />
something relevant is gone.”<br />
That might ring true for the<br />
mainstream-y bulk, but luckily<br />
there’s more below the surface.<br />
Take Big Freedia (pictured), for<br />
instance, who made bounce<br />
music, a highly energetic hip hop<br />
subgenre, popular outside of the<br />
New Orleans city proper via a<br />
guest appearance on RuPaul’s 2013<br />
single “Peanut Butter”. Cross the<br />
Gulf of Mexico from New Orleans<br />
in a straight line and you’ll eventually<br />
hit Guatemala. There, Rebeca<br />
Lane is one of the most outspoken<br />
rappers against machismo and<br />
misogyny. In the past, the sociology<br />
graduate called out fellow MCs<br />
for misogynist raps in her song<br />
“Bandera Negra” and even offered<br />
workshops before her concerts to<br />
educate her audience about the<br />
political climate in Guatemala –<br />
talk about getting your money’s<br />
worth. And here’s a tip for all your<br />
clubbing needs: to dance away all<br />
that battle anger, don’t hesitate<br />
to check out Ratchet at St. Georg<br />
with Caramel Mafia and Shug La<br />
Sheedah - or Tasty at Schwuz with<br />
performances by Prens Emrah and<br />
Haidar Darwish, two of Berlin’s hip<br />
hop parties approaching the genre<br />
from a queer angle. n<br />
Ahzumjot <strong>May</strong> 4, 20:00 Lido, Kreuzberg | Ratchet <strong>May</strong> 5, 23:30 St. Georg, Kreuzberg<br />
| Rebeca Lane <strong>May</strong> 7, 20:00 Kantine am Berghain, Friedrichshain | Tasty<br />
<strong>May</strong> 11, 23:00 Schwuz, Neukölln | Seun Kuti & Egypt 80 <strong>May</strong> 19, 20:00 Festsaal<br />
Kreuzberg, Treptow | Big Freedia <strong>May</strong> 22, 21:00 Club Gretchen, Kreuzberg<br />
30<br />
EXBERLINER <strong>171</strong>