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Exberliner Issue 171 May 2018

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WHAT’S ON — Music<br />

Editor’s Choice<br />

Battling for the<br />

right reasons<br />

The month, we take stock of the current state of hip hop in<br />

Germany as well as on the other side of the pond.<br />

By Michael Hoh<br />

Aldo Gutierrez Chacon<br />

MUSIC NEWS<br />

Going south<br />

Compiled by Rio<br />

de Janeiro native<br />

Ed Motta, the fifth<br />

volume of Markus<br />

Liesenfeld a.k.a. DJ<br />

Supermarkt’s Too<br />

Slow To Disco series<br />

goes Brazil. Out on<br />

City Slang, <strong>May</strong> 4<br />

Geo experiments<br />

After a pre-taster single,<br />

“Tar”, in February,<br />

Berlin experimental<br />

sound artist Lucrecia<br />

Dalt releases her geo<br />

inspired album<br />

Anticlines via Cargo<br />

Records on <strong>May</strong> 4<br />

Birthday bash<br />

Pop the corks!<br />

Chicks on Speed,<br />

which today comprises<br />

Alex Murray-<br />

Leslie and Melissa<br />

Logan, turned 20 last<br />

year, and throw a<br />

belated party at the<br />

Volks-bühne on<br />

<strong>May</strong> 10<br />

Is German hip hop in trouble? If<br />

you look at current mainstream<br />

media stories revolving around<br />

Kollegah and Farid Bang’s win at this<br />

year’s Echo, which awards Germany’s<br />

best-selling acts and albums,<br />

and the associated accusations of<br />

antisemitism, you might get that impression.<br />

TV channel WDR recently<br />

aired a documentary about the “dark<br />

side of German rap”, examining antisemitic<br />

tendencies in local scenes,<br />

and even for Bild the whole ordeal<br />

was welcoming front page fodder.<br />

German mainstream hip hop has<br />

certainly come a long way since Die<br />

Fantastischen Vier first blurted out<br />

their nonsensical “Die da?” rhymes<br />

all over MTV in the early 1990s. And<br />

with protagonists spewing misogynist,<br />

homophobic and antisemitic<br />

rhymes at their listeners, parts of the<br />

genre truly took a turn to the dark<br />

side, reinforcing outdated stereotypes<br />

presented as battle rap under<br />

the banner of artistic freedom. But<br />

given that the self-proclaimed Anti-<br />

Deutschrapper of Antilopen Gang<br />

also reigned the charts with their<br />

album Anarchie & Alltag, it seems<br />

that not all hope is lost. Or take Berlin<br />

rapper Ahzumjot, who will take<br />

the stage at Lido this month. On his<br />

latest album, he is more about Luft<br />

& Liebe than on-the-ground insult<br />

battle rap these days.<br />

But what about the state of<br />

hip hop in the United States?<br />

In Germany, hip hop falls behind<br />

rock, pop and Schlager on<br />

the country’s “favourite genre”<br />

list, but just looking at the last<br />

Grammy Awards, hip hop clearly<br />

spearheads mainstream music<br />

culture across the pond. Seun<br />

Kuti, who follows in the footsteps<br />

of his father, afrobeat pioneer Fela<br />

Kuti, taking the stage at Festsaal<br />

Kreuzberg this month together<br />

with Egypt 80 and his new album<br />

Black Times, has his doubts about<br />

the genre’s developments over the<br />

years: “There’s no distinguishing<br />

line between hip hop and pop,<br />

between gangsta rap and Celine<br />

Dion, with their autotune and all<br />

that,” he said in an interview with<br />

OkayAfrica. “I loved hip hop because<br />

I thought it was the music<br />

for change. The time for saying<br />

something relevant is gone.”<br />

That might ring true for the<br />

mainstream-y bulk, but luckily<br />

there’s more below the surface.<br />

Take Big Freedia (pictured), for<br />

instance, who made bounce<br />

music, a highly energetic hip hop<br />

subgenre, popular outside of the<br />

New Orleans city proper via a<br />

guest appearance on RuPaul’s 2013<br />

single “Peanut Butter”. Cross the<br />

Gulf of Mexico from New Orleans<br />

in a straight line and you’ll eventually<br />

hit Guatemala. There, Rebeca<br />

Lane is one of the most outspoken<br />

rappers against machismo and<br />

misogyny. In the past, the sociology<br />

graduate called out fellow MCs<br />

for misogynist raps in her song<br />

“Bandera Negra” and even offered<br />

workshops before her concerts to<br />

educate her audience about the<br />

political climate in Guatemala –<br />

talk about getting your money’s<br />

worth. And here’s a tip for all your<br />

clubbing needs: to dance away all<br />

that battle anger, don’t hesitate<br />

to check out Ratchet at St. Georg<br />

with Caramel Mafia and Shug La<br />

Sheedah - or Tasty at Schwuz with<br />

performances by Prens Emrah and<br />

Haidar Darwish, two of Berlin’s hip<br />

hop parties approaching the genre<br />

from a queer angle. n<br />

Ahzumjot <strong>May</strong> 4, 20:00 Lido, Kreuzberg | Ratchet <strong>May</strong> 5, 23:30 St. Georg, Kreuzberg<br />

| Rebeca Lane <strong>May</strong> 7, 20:00 Kantine am Berghain, Friedrichshain | Tasty<br />

<strong>May</strong> 11, 23:00 Schwuz, Neukölln | Seun Kuti & Egypt 80 <strong>May</strong> 19, 20:00 Festsaal<br />

Kreuzberg, Treptow | Big Freedia <strong>May</strong> 22, 21:00 Club Gretchen, Kreuzberg<br />

30<br />

EXBERLINER <strong>171</strong>

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