Sun-Earth-Man - PlasmaResources

10 SUN-EARTH-MAN: AMESH OFCOSMIC OSCILLATIONS II. EXAMPLE AVAIL STEN TIMES MORE THAN PRECEPT 11
Fien 2: The It!hngraph 'Urawng Hands ' hy Umnrs Cometis Ewrher -a repmmtdhon 01 "strangc loop" whch
act-urdin~ to D. Hnrstrdrer create a tangW h~erarchy 7he SUII and the planets emtody P U L a ~ f&-bdck system
Richter.'' Mathematically expressed, it is a Julia set; Peitgen and Richter call it
seahorse tail. It winds down and down, going on forever. There is infinite
regression of detail. The large tail encompasses complete smaller seahorses
that show different features, thus representing a wealth of explicit forms.
One of the peculiar things about the boundary is its self-similarity. If we
look at any one of the fractal corners or bays, we notice that the same shape
is found at another place in another size. An arbitrary piece of the boundary
contains all the essential structure of the whole boundary. The boundary is
invariant under this transformati~n.'~ This mathematical theorem was
expressed by Gaston Julia and Pierre Fatou as early as 1919. It supports an
astrologica1 thesis, the dictum of the Emerald Tablet: "Qund est inferius, est sicuf
quod est superius. Et quad est superius, esf sicut quod est inferius, ad perpet~undn
rnirucula rei unius": As below, so above, as above, so below; this accomplishes
the wonders of oneness.
Figure J: Boundary patlern. called Julia set, elaborated by I I. 0. Peltgen and P. H. Richter, Jul~a sets carry incredibly
complex dynamics emerging from boundanes between domains ofantagonrsbc attractors that compete for influence.
In border regions with polar tens~on transihon h m one form of existence to another takes place: {ran ordrr to
disorder, magnetic to non-magnetic state, or however the opposite entities are to be interpreted that meet at the
buundary.
At the core of those creative patterns that grow out of the boundary region
there exists a central form that represents the implicit order as we find it in
cell nuclei. Zooming in for a close computer look discloses it. It is shown in
Figure 4 elaboratedby Peitgen and Richter. I3 Mathematicians call it Mandelbrot
set after its discoverer. It regulates the form of Julia sets and thus may be
considered as a pre-image of central regulation. The proportions of the
Mandelbrot set provide a wealth of clues to musical harmony including the
major perfect chord. It will be shown in a tater chapter that even the ratios of
harmonics of cosmic cycles are precisely reflected in this core structure. There
is mathematical proof that all Mandelbrot sets that emerge in the universe of
the complex plane are interconnected, though there is an infinity of them.
Everything is held together by extremely thin lines. Thus the infinite set of
Mandelbrot sets may viewed as a pre-image of the unity of all core structures
in the universe, a special reflection of the wholeness of the universe proved
by the violation of the Bell inequality.