Inspiring Women Summer 2018
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as I’m trying to solve different problems with my<br />
own writing. And so many of my books are<br />
marked up and written in and underlined and<br />
have sticky notes all over them, and all those<br />
markings are like a roadmap of the people I’ve<br />
been. If I had all my poetry books on an e-<br />
reader then I could cheat and say I’d save the<br />
e-reader, but the act of marking up poetry<br />
texts is too important to me to move away from<br />
my paper books. But at the moment the<br />
answer to this question is my copy of Forest<br />
Primeval by Vievee Francis, which has been a<br />
pivotal book for me the past two years or so in<br />
terms of learning how to write more deeply into<br />
truth and a radical vulnerability. Vievee Francis<br />
is one of the best poets writing today, her work<br />
moves me deeply as a reader and teaches me<br />
something new as a writer every time I read it.<br />
What is your favorite word and why?<br />
Chuchichäschtli. It’s a Swiss-German word for<br />
kitchen cabinets. I love its sounds and rhythm<br />
and the open vowels and that it is so, so, so<br />
very Swiss. My goal in life is to use<br />
Chuchichäschtli in a poem.<br />
If you could meet one writer, dead or alive,<br />
what question would you ask them and why? I<br />
would love to talk with Anne Sexton. I don’t<br />
really have a specific question, I would just love<br />
to talk with her about being a woman writer<br />
and writing through motherhood and mental<br />
illness and the work of being a woman claiming<br />
her space in the world. I’d love to just sit and<br />
drink wine with Anne Sexton and we could talk<br />
about whatever she wanted.<br />
“None of us<br />
want to be in<br />
calm waters all<br />
of our lives.”<br />
Jane Austen<br />
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