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Inspiring Women Summer 2018

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as I’m trying to solve different problems with my<br />

own writing. And so many of my books are<br />

marked up and written in and underlined and<br />

have sticky notes all over them, and all those<br />

markings are like a roadmap of the people I’ve<br />

been. If I had all my poetry books on an e-<br />

reader then I could cheat and say I’d save the<br />

e-reader, but the act of marking up poetry<br />

texts is too important to me to move away from<br />

my paper books. But at the moment the<br />

answer to this question is my copy of Forest<br />

Primeval by Vievee Francis, which has been a<br />

pivotal book for me the past two years or so in<br />

terms of learning how to write more deeply into<br />

truth and a radical vulnerability. Vievee Francis<br />

is one of the best poets writing today, her work<br />

moves me deeply as a reader and teaches me<br />

something new as a writer every time I read it.<br />

What is your favorite word and why?<br />

Chuchichäschtli. It’s a Swiss-German word for<br />

kitchen cabinets. I love its sounds and rhythm<br />

and the open vowels and that it is so, so, so<br />

very Swiss. My goal in life is to use<br />

Chuchichäschtli in a poem.<br />

If you could meet one writer, dead or alive,<br />

what question would you ask them and why? I<br />

would love to talk with Anne Sexton. I don’t<br />

really have a specific question, I would just love<br />

to talk with her about being a woman writer<br />

and writing through motherhood and mental<br />

illness and the work of being a woman claiming<br />

her space in the world. I’d love to just sit and<br />

drink wine with Anne Sexton and we could talk<br />

about whatever she wanted.<br />

“None of us<br />

want to be in<br />

calm waters all<br />

of our lives.”<br />

Jane Austen<br />

46

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