亞洲現代與當代藝術 Modern and Contemporary Asian Art

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“My art originates from hallucinations only I can see, I translate the hallucinations and obsessional images that plague me into sculptures and paintings.” - Yayoi KUSAMA As the most influential female artist within the Asian contemporary art scene, Yayoi Kusama’s status on the international art stage cannot be ignored. Her works minutely and truthfully bear the weight of her past, and of nightmares she cannot rid. Kusama makes use of painting, sculpture, performance art, and other techniques to represent the universe residing in her mind from a surreal psychological perspective. Her highly saturated contrasting colors has left a mark on the visual arts, music, and fashion. Revealing an unconcealed soul, she is herself an “idol”. Having shown artistic talent since childhood, she studied nihonga, pastel, and other traditional Japanese painting techniques in her hometown. In 1957, encouraged by the American artist Georgia O’Keeffe, she moved to New York, where she learnt the value of creative freedom. Kusama’s work is very diverse, including paintings, soft sculptures, performance art, installations, videos. It covers movements, such as pop art, feminism, surrealism, Art Brut, expressionism, and Happening Art. In 1993 she represented Japan at the 45th Venice Biennale. From then on, her pumpkinthemed works became famous, leading to the creation of largescale installations, such as the outdoor sculpture at Fukuoka Art Museum. Inspiration for the “pumpkin” theme originated from the artist’s childhood. During the war, Kusama’s home was filled with pumpkins. She said, “When I was a child I used to play in the plant nursery outside my house. The pumpkins I picked would talk to me. The shape of a pumpkin is way too cute…what attracts me is its bare swollen belly, and the strong sense of mental stability”. Through continuous production of a great number of artworks, a life of pain is turned into a peaceful beauty. Kusama’s paintings reveal her unique way of thinking and autobiographical connotations. When she picks up the brush, she gets in contact with a mysterious world through fortuitous and unpredictable motives. Her inner strength and subconscious thoughts display a vast universe. An endless passion for painting and a religious reverence towards art have helped her battle mental illness for a long time. Kusama uses art to heal her wounds. Therefore, all her works are an expression of her deepest feelings. Similar to many of her other works, Pumpkin gathers the visual elements of each of her series and presents the hallucinations that trouble the artist. Using big and small black dots, Kusama arranges the shape of her pumpkin, making the bright yellow surface stand out, and creating a contrast that brings about a great visual shock. The yellow lines in the background form an “infinity net”, which highlights the pumpkin’s plump figure and reflects her endlessly growing artistic vitality. Kusama’s painting does not fall into being just a compositional pattern. Instead, she portrays objects as particles, which aggregate and then dissipate into dots and lines. The center of the so-called picture is completely untraceable. This entirely overwhelming practice matches with the style of Jackson Pollock, the master of American abstract expressionism. Emphasizing the material factors involved in the act of painting is also an extreme manifestation of the infinite. This painting is the direct record of a behavior dominated by emotions, and of that freestyle filled with rhythm which characterizes her painting process.
223 Yayoi KUSAMA (Japanese, b. 1929) Pumpkin 1997 Acrylic on canvas 22 x 27.3 cm Signed on the reverse Yayoi Kusama in English, titled Pumpkin in Japenese and dated 1997 This painting is to be sold with a registration card issued by Yayoi Kusama Studio NT$ 9,000,000-16,000,000 HK$ 2,426,000-4,313,000 US$ 310,000-551,200 RMB 1,952,000-3,471,000 1997 22 x 27.3 cm Yayoi Kusama 1997 148
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SPRING AUCTION 2018 TAIPEI
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Arthur Wang Chairman Flora Fu Pr
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RAVENEL STAFF AND SERVICES FOR THIS
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藝術家索引 / Index A Yoshi
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102 Yoshitomo NARA (Japanese, b. 19
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104 Madoka TAKAGI (Japanese, b. 198
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106 Yayoi KUSAMA (Japanese, b. 1929
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108 Takashi MURAKAMI (Japanese, b.
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110 KAWS (Brian Donnelly) (American
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112 Hiroshi OHASHI (Japanese, b.196
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114 Andy WARHOL ( American, b. 1928
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118 LEE Kyoung-mi (Korean, b. 1977)
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122 Andy WARHOL ( American, b.1928
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30Kaikai Kiki Gallery Yoshitomo Nar
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Akio OHMORI O As a memb
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135 Yuki INOUE (Japanese, b. 1972)
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137 Jeff KOONS (American, b. 1955)
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201 SANYU (Chinese-French, 1895 - 1
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207 SANYU Standing Nude (Chinese-Fr
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209 LIU Kuo-sung (Taiwanese, b. 193
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RED SUN ZAO Wou-ki 我畫我自
Page 103: 211 CHU Teh-chun (Chinese-French, 1
Page 106 and 107: THE ADVENTURE LEADS TO A RIVERSIDE,
Page 109: 213 PANG Jiun (Taiwanese, b. 1936)
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Page 116: 215 ZAO Wou-ki (Chinese-French, 192
Page 122: WHAT SHALL I SAY OF THE GREAT PEAK?
Page 127 and 128: FLORA ZHOU Chunya 1989 90
Page 130 and 131: 我畫石頭並不是出於
Page 132: 219 CHU Teh-chun (Chinese-French, 1
Page 136 and 137: The highest realm in the pursuit of
Page 140 and 141: 5.11.62 ZAO Wou-ki 我可以毫
Page 142: “I dare say my painting is a roma
Page 147 and 148: 09.07.73 ZAO Wou-ki 在我成為
Page 150: 222 Yayoi KUSAMA (Japanese, b. 1929
Page 158 and 159: YAYOI KUSAMA PUMPKIN “She created
Page 160 and 161: 152
Page 162: 225 Yayoi KUSAMA (Japanese, b. 1929
Page 165 and 166: “The way I see it, by living in a
Page 169 and 170: YOSHITOMO NARA MONKEY BABY GO-GO
Page 171 and 172: 227 JU Ming (Taiwanese, b. 1938) Ta
Page 173 and 174: The highest excellence is blessing
Page 177: 230 Walasse TING (Chinese-American,
Page 183: 232 Walasse TING (Chinese-American,
Page 189 and 190: 176
Page 191: 235 SHIY De-jinn (Taiwanese, 1923 -
Page 197: 237 PANG Jiun (Taiwanese, b. 1936)
Page 203 and 204: 239 Walasse TING (Chinese-American,
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188
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242 T’ANG Haywen (TANG Then Phuoc
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我喜歡繪畫多留空白
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246 WANG Pan-youn (Taiwanese, 1912-
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248 ZAO Wou-ki (Chinese-French, 192
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249 CHUANG Che (Taiwanese, b. 1934)
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251 CHEN Ting-shih (Taiwanese, 1916
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253 CHU Teh-chun (Chinese-French, 1
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255 YANG Chihung (Taiwanese, b. 194
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257 HSIAO Chin (Taiwanese, b. 1935)
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259 CHIU Ya-tsai (Taiwanese, 1949 -
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261 CHIU Ya-tsai (Taiwanese, 1949 -
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263 Chiu Ya-tsai (Taiwanese, 1949-2
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WULAI WATERFULL Tzu-chi YEH 第
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265 JU Ming (Taiwanese, b. 1938) Ta
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267 LI Chen (Taiwanese, b. 1963) Wi
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WISDOM BODHISATTVA & FULFILLMENT BO
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269 HUNG Yi (Taiwanese, b. 1970) Lu
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271 Chang Chia-ying (Taiwanese, b.
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272 KWON Kyung Yup (Korean, b.1975)
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274 HSU Yu-jen (Taiwanese, b. 1951)
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276 Cindy Ng Sio Ieng (Macau, b. 19
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278 CHIU Tze-yan (Taiwanese, 1961 -
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280 Max LIU (Taiwanese, 1912 - 2002
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282 YEE Bon (Chinese, 1905 - 1995)
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284 Lu Shun (Chinese, b. 1966) Floa
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286 XIA Junna (Chinese, b. 1971) Th
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288 JAN Chin-shui (Taiwanese, b. 19
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290 KUO Wei-kuo (Taiwanese, b. 1960
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292 LIEN Chien-hsing (Taiwanese, b.
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294 Shinjyuko (Japanese, b. 1968) Y
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296 YOON Jongseok (Korean, b. 1970)
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298 Ayako ROKKAKU (Japanese, b. 198
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300 HAN Young Wook (Korean, b. 1963
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302 Chen Chun-Hao (Taiwanese, b. 19
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304 Yuyu YANG (YANG Ying-feng) (Tai
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306 REN Zhe (Chinese, b. 1983) Maje
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308 Poren HUANG (Taiwanese, b. 1970
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310 JU Ming (Taiwanese, b. 1938) Bu
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給予買家的重要通知
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委託競投表格委託競
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業務規則下述規則 ,
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Transaction Agreement The following
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亞洲現代與當代藝術 Modern and Contemporary Asian Art

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