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亞洲現代與當代藝術 Modern and Contemporary Asian Art

羅芙奧2018春季拍賣會 亞洲現代與當代藝術 Ravenel Spring Auction 2018 Modern and Contemporary Asian Art

羅芙奧2018春季拍賣會 亞洲現代與當代藝術 Ravenel Spring Auction 2018 Modern and Contemporary Asian Art

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229<br />

Walasse TING<br />

(Chinese-American, 1929 - 2010)<br />

Pink Diamond Girl<br />

1986<br />

Acrylic on canvas<br />

74.5 x 99.5 cm<br />

Signed on the reverse Ting in English, titled Pink Diamond girl<br />

<strong>and</strong> dated 86 Amsterdam<br />

<br />

<br />

1986<br />

<br />

74.5 x 99.5 cm<br />

Pink Diamond girl ting 86 Amsterdam<br />

<br />

<br />

PROVENANCE<br />

Present ower acquired directly from Gallery Delaive,<br />

Amsterdam, Netherl<strong>and</strong>s<br />

NT$ 3,800,000-4,800,000<br />

HK$ 1,024,000-1,294,000<br />

US$ 130,900-165,300<br />

RMB 824,000-1,041,000<br />

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Ting had spent his entire lifetime in the<br />

pursuit of female beauty. He attracted the viewer’s attention with<br />

vividly colored portrayals of gorgeous feminine bodies in paintings<br />

that are direct manifestations of his excessively romantic nature,<br />

while the women he portrayed evince a charm <strong>and</strong> delicacy like<br />

the resplendent, ambrosial blossoms of springtime. “Pink Diamond<br />

Girl” is a signature work the artist painted during his years in New<br />

York. The liberal, unrestrained artistic atmosphere of the era later<br />

played a major role in the formulation of Ting’s distinctive personal<br />

style. Thence, his paintings transitioned from abstract to figurative<br />

art, <strong>and</strong> his state of mind underwent drastic transformations as he<br />

began to devote himself to a lifelong passion for female portrait<br />

painting.<br />

Outlined with bold, confident brushstrokes, this painting<br />

demonstrates the artist’s expert deftness complemented by<br />

an unruly sense of assurance—a freedom <strong>and</strong> spontaneity<br />

characteristic of Fauvism artworks. The woman in the painting<br />

leaned comfortably on her back, perfectly composed <strong>and</strong><br />

unabashed as she displays her feminine<br />

beauty. In the background, powerful<br />

splashes <strong>and</strong> drippings of hue invoke<br />

the influence of abstract expressionism<br />

while blending perfectly into the<br />

chunks of highly saturated colors. The<br />

boundless creative energy <strong>and</strong> streaming<br />

vitality that burst forth is moreover a<br />

succinct <strong>and</strong> powerful statement of<br />

Ting’s extraordinary artistic expression,<br />

<strong>and</strong> imbues the artwork with an air<br />

of delighted bliss. This portrait of a<br />

nude women references the classicism<br />

paintings of Titian, Manet, Modigliani,<br />

Matisse, <strong>and</strong> others who created countless masterpieces in similar<br />

composition. In Walasse Ting’s work, a posture of classical painting<br />

is translated into one of utmost passion <strong>and</strong> zeal. It reveals the<br />

heart’s unwavering desire to be naked before the world’s eyes, <strong>and</strong><br />

for this reason elevated Ting as one of true artists in the era’s.<br />

/1935<br />

Henri Matisse, Large Reclining Nude/ Pink Nude, 1935, oil on canvas, 66 x 92 cm<br />

Collection of Baltimore Museum of <strong>Art</strong>, Baltimore, USA<br />

166

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