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亞洲現代與當代藝術 Modern and Contemporary Asian Art

羅芙奧2018春季拍賣會 亞洲現代與當代藝術 Ravenel Spring Auction 2018 Modern and Contemporary Asian Art

羅芙奧2018春季拍賣會 亞洲現代與當代藝術 Ravenel Spring Auction 2018 Modern and Contemporary Asian Art

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101<br />

Moe NAKAMURA<br />

(Japanese, b.1988 )<br />

Dome-Together With N<strong>and</strong>ina<br />

2017<br />

Wood, oil paint, glass<br />

9.6(L) x 19.5(H) cm<br />

This sculpture is to be sold with a certificate of authenticity issued by<br />

Gallery TSUBAKI<br />

<br />

<br />

2017<br />

<br />

9.6() x 19.5() cm<br />

<br />

NT$ 60,000-100,000<br />

HK$ 16,000-27,000<br />

US$ 2,100-3,400<br />

RMB 13,000-22,000<br />

<br />

當 我 失 去 了 一 些 東 西 , 當 我 覺 得 缺 少 某 些 東 西 時 , 或 者 當 我 被 無 意<br />

中 的 一 些 重 大 變 化 吞 噬 時 , 我 感 覺 或 多 或 少 地 失 去 了 。 我 是 誰 , 我 應<br />

該 尋 找 什 麼 ? 事 實 上 , 存 在 本 身 是 模 棱 兩 可 的 , 我 們 失 去 了 什 麼 , 我<br />

們 尋 找 的 真 相 不 在 個 人 的 『 我 』 之 外 , 而 是 在 內 部 。<br />

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“MOE” ART<br />

“In the moment I lost something, when I realise something is<br />

missing, or when I am engulfed in some unexpected, drastic<br />

changes in circumstance, feeling a greater or lesser extent of loss,<br />

I wonder about people, myself, <strong>and</strong> what it is we're supposed<br />

to be looking for. If it is existence itself that has been lost by our<br />

ambiguous selves, what we seek might not actually outside of the ‘I’<br />

of the individual, but perhaps it lies inside.”- Moe Nakamura<br />

<strong>Contemporary</strong> art in Japan has infinite potential, <strong>and</strong> for Moe<br />

Nakamura, a contemporary Japanese artist recently in the spotlight,<br />

the Tokyo art scene today is on a rapid ascent, set to spur a<br />

whirlwind of rejuvenation. Nakamura's art practice focuses on<br />

warmly h<strong>and</strong>-carved figures: sculptural works marked by the unique<br />

way the notches <strong>and</strong> grains of the wood are preserved. Her works<br />

are filled with youthful wit <strong>and</strong> soothing textures — cute but not<br />

conforming to the clichéd <strong>and</strong> exaggerated moulds. They st<strong>and</strong> out<br />

for that, for their sincerity, their quiet breath that leads viewers into<br />

a kind of enchanting fantasy l<strong>and</strong> from the pages of a children's<br />

story. After taking time with her works, it becomes apparent<br />

that embedded under the all so childish surface layer is a social<br />

commentary on loneliness <strong>and</strong> isolation. Nakamura explores this<br />

in relation to the value of an individual's existence within a society<br />

of rapidly spread information. Or perhaps, Nakamura speaks more<br />

to people in a society of rapid information who are always next to<br />

a smartphone <strong>and</strong> online, expressing the interpersonal struggles<br />

experienced by so many people in contemporary society, <strong>and</strong><br />

doing so in an understated, low-key fashion with the relatively<br />

accessible language of art. This contributed to her work drawing<br />

closer to <strong>and</strong> resonating with the hearts of people today.

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