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亞洲現代與當代藝術 Modern and Contemporary Asian Art

羅芙奧2018春季拍賣會 亞洲現代與當代藝術 Ravenel Spring Auction 2018 Modern and Contemporary Asian Art

羅芙奧2018春季拍賣會 亞洲現代與當代藝術 Ravenel Spring Auction 2018 Modern and Contemporary Asian Art

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235<br />

SHIY De-jinn<br />

(Taiwanese, 1923 - 1983)<br />

Ruei Bin Seashore<br />

1978<br />

Watercolor on paper<br />

56.5 x 76.5 cm<br />

Signed lower left SHIY De-jinn in Chinese <strong>and</strong> dated 1978<br />

PROVENANCE<br />

Private collection, Asia<br />

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1978<br />

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56.5 x 76.5 cm<br />

: 1978<br />

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NT$ 1,200,000-2,200,000<br />

HK$ 323,000-593,000<br />

US$ 41,300-75,800<br />

RMB 260,000-477,000<br />

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你 一 走 台 北 就 空 了 <br />

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SUNSET ON RUEI BIN SEASHORE<br />

“Taipei is empty without you”. This is the sentiment described<br />

by poet Yu Guangzhong upon Shiy De-jinn’s passing. In 1981,<br />

the brilliant painter had entered the final year of his life. He once<br />

praised Zhang Da-qian as the world’s most renowned painter of<br />

lotus flower, <strong>and</strong> expressed regret that he did not have one of<br />

Zhang’s lotus paintings in his collection. In June 1981, friends<br />

from Shiy De-jinn’s art circle held a special exhibition for his 60th<br />

birthday. Zhang Da-qian specifically selected three works from Shiy<br />

De-jinn’s collection for purchase, but Shiy De-jinn had stopped<br />

selling his paintings at this time. Instead, the two artists finally<br />

commemorated each other through the exchange of paintings.<br />

Zhang chose one of his lotus paintings, <strong>and</strong> Shiy decided on “Ruei<br />

Bin Seashore” in return. Shiy felt it was his best work in recent<br />

years. The meeting between the two artists holds a unique meaning<br />

<strong>and</strong> significance.<br />

Dawn <strong>and</strong> dusk were Shiy De-jinn’s favorite time to paint. In these<br />

hours, the hillside is richly layered. The rhythm of mountains <strong>and</strong><br />

the fullness of clouds are most easily revealed through a thick dense<br />

mist. The three pieces from the “Ruei Bin Seashore” collection were<br />

painted at three different angles along Taiwan’s northeast coast in<br />

the early morning, day, <strong>and</strong> evening. They currently reside in the<br />

National Taiwan Museum of Fine <strong>Art</strong>s, Chang Dai-ch’ien Residence,<br />

<strong>and</strong> a private collection. The privately owned “Ruei Bin Seashore”<br />

was painted by Shiy De-jinn during sunset at the northeastern<br />

corner of Taiwan. A streak of golden glow spreads out from the<br />

distant horizon <strong>and</strong> casts a reflection on multiple layers of blueshaded<br />

mountains, depicting a timeless Taiwanese l<strong>and</strong>scape.<br />

178

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