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亞洲現代與當代藝術 Modern and Contemporary Asian Art

羅芙奧2018春季拍賣會 亞洲現代與當代藝術 Ravenel Spring Auction 2018 Modern and Contemporary Asian Art

羅芙奧2018春季拍賣會 亞洲現代與當代藝術 Ravenel Spring Auction 2018 Modern and Contemporary Asian Art

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YOSHITOMO<br />

NARA<br />

MONKEY<br />

BABY GO-GO<br />

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1988<br />

19931990<br />

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"Monkey Baby Go-Go" displays many of the elements of<br />

Yoshitomo Nara's work which has brought him critical acclaim <strong>and</strong><br />

a world-wide cult following. Nara often depicts small children with<br />

big heads <strong>and</strong> large eyes, which at first glance seem cute <strong>and</strong><br />

benevolent, but as the viewer dwells on the child, they seem to be<br />

filled with angst <strong>and</strong> almost hatred, as their eyes reveal something<br />

uneasy.<br />

Nara's artwork like many contemporary Japanese artists is<br />

influenced by the style of anime <strong>and</strong> manga. Having graduated<br />

from the Aichi Prefectural University of Fine <strong>Art</strong>s <strong>and</strong> Music, he<br />

based himself in Tokyo, where he encountered a generation that<br />

has lost its way, wondering what its place in the world is, <strong>and</strong> as<br />

adults are bewildered <strong>and</strong> sociopathic. He spent five years in<br />

Germany studying at the Kunstakademie Dusseldorf from 1988 to<br />

1993. Returning to Japan in the early 1990s he was influenced by<br />

the Japanese Pop art movement or "Superflat" style as defined<br />

by Takashi Murakami. His figures are stylized in the manga form,<br />

however they are infused with great emotional power <strong>and</strong> impact.<br />

Using simple lines <strong>and</strong> empty backgrounds, Nara focuses our<br />

attention on his characters. Growing up, he was attracted to punk<br />

rock music, the outlet for an unhappy, disillusioned <strong>and</strong> aggravated<br />

youth.<br />

"Monkey Baby Go-Go" depicts an apparently happy child, dancing<br />

with himself. The yellow background color is bright <strong>and</strong> warm <strong>and</strong><br />

the child seems happy in himself. However, he is alone, <strong>and</strong> while<br />

seemingly independent, as we focus on his eyes we see a hardness<br />

that we don't expect in a child. It is this "aloneness" that so many<br />

Japanese suffered in Nara's generation, that he so powerfully<br />

depicts in this portrait. Children need to be surrounded by people,<br />

being loved <strong>and</strong> taken care of, <strong>and</strong> if these essential necessities<br />

are missing, the child's inner wellbeing suffers enormously.The<br />

title "Monkey Baby" makes us smile when we first hear it, with<br />

its connotations of childish play, but for many of Japan's current<br />

generation their upbringing lacked the love <strong>and</strong> attention that<br />

human children need, <strong>and</strong> for many of them, including Nara, they<br />

may feel that they were treated as little more than non-human<br />

monkeys. It is Nara's ability to portray so powerfully the inner<br />

turmoil of his generation that has brought him so many accolades<br />

<strong>and</strong> a huge worldwide following.

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