New choral titles Autumn/Fall 2018
A selection of new choral publishing from OUP. Gathering together sacred, secular and Christmas titles for both mixed and upper voice choirs.
A selection of new choral publishing from OUP. Gathering together sacred, secular and Christmas titles for both mixed and upper voice choirs.
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120<br />
12<br />
The conductor should give the altos, tenors and basses a signal that their current repetition should be the last<br />
119<br />
°<br />
& # #<br />
& # #<br />
p<br />
Ä<br />
p mp mf<br />
U<br />
œœ œ ‰ Ó<br />
ì<br />
œ œ œ œ œ œ œ œ J 4<br />
œ œ<br />
p<br />
U<br />
œœ œ ‰ Ó<br />
ì œ œ j œ œ œ<br />
4 œ œ œ œœ<br />
O.<br />
p mp mf<br />
O.<br />
3<br />
4<br />
3<br />
4<br />
p mp mf<br />
U Ó & # # p œœ œ ‰ ì œ œ j œ œ 4 œ œ œ œ œ œ<br />
O.<br />
3<br />
4<br />
& # #<br />
∑<br />
for online perusal only<br />
U Ó ∑ 4 ∑<br />
3<br />
4<br />
& # *<br />
# ÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍ<br />
4<br />
œ ˙ œ j ‰<br />
(-eath;)<br />
3<br />
4ä<br />
& # *<br />
# ÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍ<br />
œ 4 ˙ œ j ‰<br />
(-eath;)<br />
#<br />
& # ∑ O that I could have possession of them both in the same minute. ì ∑ 4 ∑<br />
‹<br />
3<br />
4â<br />
3<br />
4<br />
#<br />
& #<br />
*<br />
ÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍ<br />
‹<br />
œ ˙ œ<br />
4 J ‰<br />
(-eath;)<br />
3<br />
4ä<br />
#<br />
& #<br />
*<br />
ÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍ<br />
‹<br />
œ 4 ˙ œ j ‰<br />
(-eath;)<br />
3<br />
4â<br />
?# #<br />
*<br />
ÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍ<br />
œ 4 ˙ œ J<br />
‰<br />
(-eath;)<br />
3<br />
4ä<br />
?#<br />
*<br />
¢ # ÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍ<br />
* At the conductor’s signal, finish the bar you are singing and hold the last note to the barline<br />
œ 4 ˙ œ j ‰<br />
(-eath;)<br />
3<br />
4â
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