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CR5 Issue 161 Oct 2018

A local community magazine delivered free to 11,600 homes every month in the CR5 postcode. Contains local business advertising, interesting reads, Competitions, What's on in the Community and puzzles.

A local community magazine delivered free to 11,600 homes every month in the CR5 postcode. Contains local business advertising, interesting reads, Competitions, What's on in the Community and puzzles.

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History<br />

The History of Specs<br />

By Catherine Rose<br />

Said to be man’s fifth most<br />

important invention, many of<br />

us see our spectacles as an<br />

indispensable dispensable.<br />

And with the array of modern<br />

designs available now, they are<br />

usually a fashion statement<br />

too. It’s a far cry from the 1930s<br />

when they were described as<br />

‘medical appliances’.<br />

Wearing glasses has often been<br />

associated with stigma and it<br />

wasn’t really until the 1960s<br />

and 70s – when figures in the<br />

public eye such as John Lennon,<br />

Michael Cane and Elton John<br />

turned their glasses into a<br />

signature style – that they<br />

began to be seen as potentially<br />

desirable accessories. But where<br />

did the idea of wearing lenses<br />

over your eyes to help correct<br />

your sight even begin?<br />

Lenses have been around for<br />

a long time. The properties of<br />

optical lenses were known as far<br />

back as the ancient Greeks.<br />

The Vikings would grind lenses<br />

out of rock crystal, and in the<br />

12th century in Europe,<br />

smooth-bottomed spherical<br />

magnifying lenses were called<br />

‘reading stones’.<br />

It is generally accepted that the<br />

first actual spectacles were made<br />

in northern Italy in the late 13th<br />

century and that they were in<br />

accepted use by the 1350s, with<br />

Italy exporting large numbers of<br />

eye glasses to the Middle and<br />

Far East. The lenses were<br />

manufactured by highly skilled<br />

‘cristalleri’ at the famous<br />

Venetian island’s Murano<br />

glassworks, to exacting criteria.<br />

One of the earliest (if not the<br />

earliest) artworks showing<br />

people wearing spectacles and<br />

using lenses is a series of<br />

frescoes by the Italian artist<br />

Tommaso da Modena,<br />

completed in 1352 at the Basilica<br />

san Nicolo in Treviso. They show<br />

Cardinal Hugh, or Hugo, of<br />

Provence wearing a pair to read<br />

with, and Cardinal Nicholas of<br />

Rouen attempting to decipher<br />

a text using a monocular lens<br />

on a handle. It is no coincidence<br />

that the order from which these<br />

cardinals came, the Dominicans,<br />

were known as the ‘carriers of<br />

the sciences’.<br />

During this time, spectacles<br />

would not have had arms or<br />

earpieces but would have been<br />

made up of two magnifying<br />

lenses attached to a metal fame<br />

or holder that could be riveted<br />

to grip the nose (also known as<br />

pince nez or rivet spectacles).<br />

The spectacles would have acted<br />

like reading glasses, with convex<br />

lenses to correct long-sightedness<br />

only (hyperopia and<br />

age-related presbyopia).<br />

In 1604, the well-known scientist<br />

and astronomer Johannes Kepler<br />

explained how convex and<br />

concave lenses could correct<br />

both long and short-sightedness<br />

(myopia) and, in 1629, The<br />

Worshipful Company of<br />

Spectacle Makers was formed<br />

in England. Their slogan was ‘a<br />

blessing to the aged’.<br />

Although rigid rod side arms<br />

for spectacles were dreamt up<br />

as early as the beginning of the<br />

1700s (possibly by the London<br />

optician Edward Scarlett), the<br />

innovation didn’t catch on<br />

initially, with people favouring<br />

the use of lorgnettes and scissor<br />

glasses until the late 18th<br />

century, even after optician<br />

James Ayscough improved on<br />

them by adding folding hinges.<br />

Lorgnettes<br />

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