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J Magazine Winter 2018

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“I had this whole<br />

inspired thought that<br />

I need to open up an<br />

art gallery and make<br />

Jacksonville a nationally<br />

recognized art city.”<br />

Jessica Santiago<br />

co-founder,<br />

president and<br />

curator of<br />

Art Republic<br />

CONTINUED FROM PAGE 59<br />

For Downtown, Art in Public Places<br />

worked with the Downtown Investment<br />

Authority to develop the Urban Arts Project.<br />

DIA’s master plan in 2014 called for<br />

commissioning artists to paint murals,<br />

Skyway walls and utility boxes, install<br />

outdoor sculptures and design bike racks<br />

and other street furnishings. It budgeted<br />

$406,000, with 20 percent for administration<br />

and maintenance and the rest to<br />

commission artists.<br />

In the first of three phases, 38 artworks<br />

were installed around Downtown, and<br />

the Skyway columns got 18 hand-painted<br />

murals. Phase II is now underway, focusing<br />

on “vinyl-wrapped traffic signal cabinets,<br />

sculptural bicycle racks, 2-D art and<br />

outdoor sculpture.” Public art sites are<br />

throughout the entertainment district and<br />

near the river in an area damaged by Hurricane<br />

Irma last year.<br />

The cost of those Urban Arts Project<br />

pieces is pretty small potatoes compared<br />

to some other Art in Public Places projects.<br />

As part of the city requirement that<br />

.75 percent of eligible capital projects be<br />

set aside for public art, the city invested<br />

$35,000 in commissioning two 52-foottall<br />

murals on the Yates Parking Garage on<br />

East Adams Street in 2013. Other projects<br />

from the percent-for-art are at Veterans<br />

Memorial Arena, the Main Library and<br />

the Southbank Riverwalk, under the Main<br />

Street Bridge.<br />

Now, Art in Public Places is in the final<br />

stages of commissioning art for the Water<br />

Street Parking Garage — with a budget of<br />

$355,000 from the percentage of the renovation.<br />

Three artist finalists are preparing<br />

concept designs, and the winner or winners<br />

should be announced early in 2019.<br />

Artists and designs are chosen on recommendations<br />

from Art Selection panels,<br />

which include an architect or other design<br />

professional, two artists or other art professionals,<br />

community representatives and a<br />

representative of the site of the installation.<br />

The performance of Art in Public Places<br />

has been challenged by City Hall. The<br />

Jacksonville Business Journal reported City<br />

Council members and a representative<br />

from the Mayor’s Office have questioned<br />

slow progress on installing funded art projects,<br />

whether APP is inadequately funded<br />

and whether existing public art is being<br />

maintained and, in some cases, restored as<br />

needed.<br />

The criticism could have included<br />

the Water Street Parking Garage project,<br />

which, according to the Cultural Council’s<br />

website, is more than a year late. The artist<br />

was supposed to be selected in April 2017,<br />

then “artwork will be installed in May <strong>2018</strong><br />

with a dedication ceremony tentatively<br />

scheduled for June <strong>2018</strong>.” Instead, development<br />

of an artist contract took two<br />

years to get through the Cultural Council<br />

and the City.<br />

Both Carey and Holechek agreed that<br />

Art in Public Places has not been functioning<br />

smoothly under the Cultural Council,<br />

the Journal story said, raising the possibility<br />

that the agency could be moved to another<br />

city department.<br />

Interestingly, and importantly, the criticism<br />

was not about the concept of public<br />

art or any artwork.<br />

Art Republic’S<br />

approach<br />

Art Republic, by contrast, is less organizational<br />

and non-governmental but,<br />

rather, intensely personal, in the person of<br />

Jessica Santiago, its 36-year-old co-founder,<br />

president and curator.<br />

Santiago, who grew up in Mandarin<br />

and went to UNF, says her passion for public<br />

art appeared during a personal health<br />

crisis. Her career path from real estate to<br />

commercial finance to business consulting,<br />

she said, had left her very stressed by<br />

her late 20s. “The deals were big. You have<br />

all these people around you. You work<br />

around the clock. I was so stressed out. At<br />

BOB SELF (2)<br />

88<br />

J MAGAZINE | WINTER <strong>2018</strong>-19

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