J Magazine Winter 2018
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“I had this whole<br />
inspired thought that<br />
I need to open up an<br />
art gallery and make<br />
Jacksonville a nationally<br />
recognized art city.”<br />
Jessica Santiago<br />
co-founder,<br />
president and<br />
curator of<br />
Art Republic<br />
CONTINUED FROM PAGE 59<br />
For Downtown, Art in Public Places<br />
worked with the Downtown Investment<br />
Authority to develop the Urban Arts Project.<br />
DIA’s master plan in 2014 called for<br />
commissioning artists to paint murals,<br />
Skyway walls and utility boxes, install<br />
outdoor sculptures and design bike racks<br />
and other street furnishings. It budgeted<br />
$406,000, with 20 percent for administration<br />
and maintenance and the rest to<br />
commission artists.<br />
In the first of three phases, 38 artworks<br />
were installed around Downtown, and<br />
the Skyway columns got 18 hand-painted<br />
murals. Phase II is now underway, focusing<br />
on “vinyl-wrapped traffic signal cabinets,<br />
sculptural bicycle racks, 2-D art and<br />
outdoor sculpture.” Public art sites are<br />
throughout the entertainment district and<br />
near the river in an area damaged by Hurricane<br />
Irma last year.<br />
The cost of those Urban Arts Project<br />
pieces is pretty small potatoes compared<br />
to some other Art in Public Places projects.<br />
As part of the city requirement that<br />
.75 percent of eligible capital projects be<br />
set aside for public art, the city invested<br />
$35,000 in commissioning two 52-foottall<br />
murals on the Yates Parking Garage on<br />
East Adams Street in 2013. Other projects<br />
from the percent-for-art are at Veterans<br />
Memorial Arena, the Main Library and<br />
the Southbank Riverwalk, under the Main<br />
Street Bridge.<br />
Now, Art in Public Places is in the final<br />
stages of commissioning art for the Water<br />
Street Parking Garage — with a budget of<br />
$355,000 from the percentage of the renovation.<br />
Three artist finalists are preparing<br />
concept designs, and the winner or winners<br />
should be announced early in 2019.<br />
Artists and designs are chosen on recommendations<br />
from Art Selection panels,<br />
which include an architect or other design<br />
professional, two artists or other art professionals,<br />
community representatives and a<br />
representative of the site of the installation.<br />
The performance of Art in Public Places<br />
has been challenged by City Hall. The<br />
Jacksonville Business Journal reported City<br />
Council members and a representative<br />
from the Mayor’s Office have questioned<br />
slow progress on installing funded art projects,<br />
whether APP is inadequately funded<br />
and whether existing public art is being<br />
maintained and, in some cases, restored as<br />
needed.<br />
The criticism could have included<br />
the Water Street Parking Garage project,<br />
which, according to the Cultural Council’s<br />
website, is more than a year late. The artist<br />
was supposed to be selected in April 2017,<br />
then “artwork will be installed in May <strong>2018</strong><br />
with a dedication ceremony tentatively<br />
scheduled for June <strong>2018</strong>.” Instead, development<br />
of an artist contract took two<br />
years to get through the Cultural Council<br />
and the City.<br />
Both Carey and Holechek agreed that<br />
Art in Public Places has not been functioning<br />
smoothly under the Cultural Council,<br />
the Journal story said, raising the possibility<br />
that the agency could be moved to another<br />
city department.<br />
Interestingly, and importantly, the criticism<br />
was not about the concept of public<br />
art or any artwork.<br />
Art Republic’S<br />
approach<br />
Art Republic, by contrast, is less organizational<br />
and non-governmental but,<br />
rather, intensely personal, in the person of<br />
Jessica Santiago, its 36-year-old co-founder,<br />
president and curator.<br />
Santiago, who grew up in Mandarin<br />
and went to UNF, says her passion for public<br />
art appeared during a personal health<br />
crisis. Her career path from real estate to<br />
commercial finance to business consulting,<br />
she said, had left her very stressed by<br />
her late 20s. “The deals were big. You have<br />
all these people around you. You work<br />
around the clock. I was so stressed out. At<br />
BOB SELF (2)<br />
88<br />
J MAGAZINE | WINTER <strong>2018</strong>-19