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Jeweller - May 2019

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flexibility, informed debate and the support of the press.<br />

Following the loss of Swatch last year, special diplomacy will be needed to hold<br />

the loyalty of the majors of Hall 1.0 – Rolex, Patek Philippe, Chopard and the<br />

LVMH group (Bulgari, TAG Heuer, Hublot and Zenith).<br />

If any of them even blink then the ongoing prospects for Baselworld will be<br />

dramatically compromised.<br />

Still, the most intractable issues are cultural, with a significant dose of political<br />

intransigence from competing Swiss interests. Baselworld 2020 will commence<br />

on 30 April 2020, immediately after the Salon International de la Haute<br />

Horlogerie (SIHH) Geneva Salon.<br />

This is a superficial move toward unity, but it will take more than playing with<br />

diary dates for the politics to recede, as they should have done 20 years ago.<br />

In stark contrast to the SIHH, Baselworld is actively promoting the public<br />

relations exposure of its exhibitors. Management properly recognises that<br />

supporting press representatives – 3,300 of which attended the show in <strong>2019</strong> –<br />

has been an integral part of the promotional scenario over many years.<br />

It’s part of the reason why trade shows exist at all, and why brands decide to<br />

exhibit at them.<br />

In contrast, SIHH has embraced what some have called a ‘film-set<br />

pretentiousness’, with the construction and deconstruction of its Carré des<br />

Horlogers – once a compelling talking point and publicity tool which is now<br />

inflating exhibitor costs far above the equivalent exposure.<br />

Even in these depressed times, Baselworld still represents more than 15 times<br />

the exhibitors as SIHH; aligning its dates could lead to defections back to the<br />

larger show, and at the very least will make the Geneva Salon look like a minor<br />

distraction before the main event.<br />

SIHH – which split from Baselworld in 1991 – would be well served by forgetting<br />

the original tiff. There are now empty halls in Basel begging for a useful occupant<br />

– and what a wonderful opportunity to slash exhibitor costs!<br />

Speaking of which, the commercial interests in Basel and the MCH Baselworld<br />

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