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poetry<br />

when we are worried about the mat: 'the cat<br />

is on the mat again!'<br />

With this in mind, let us look at the poem in<br />

the box on the previous page. This looks a lot<br />

like an expression of emotion: Hopkins is<br />

rejoicing in the fine weather at the end of<br />

summer. But people rejoice in fine weather<br />

Hopkins reioices because the world is<br />

here and would be here without us<br />

without using religious language to express<br />

themselves. Why does Hopkins bring in the<br />

language of religion? A clue lies in what I<br />

think are the most beautiful lines of the<br />

poem: 'These things, these things were here<br />

and but the beholder/ wanting'. 'These things<br />

were here' is a perfectly literal statement:<br />

what is important here is that Hopkins thinks<br />

it worth saying. Hopkins rejoices because the<br />

world is here and would be here without us -<br />

it does not depend on us. lt is therefore<br />

gratuitous, a gift to us, grace, to use steadily<br />

more religious categories. He is saying that<br />

the already-there-ness of the world is worthy<br />

of celebration - although that way of putting<br />

it doesn't celebrate, which is why the poem's<br />

language is more convincing.<br />

This is certainly not talking about where<br />

things are in the world, but nor is it just an<br />

emotional expression. lt is instead trying to<br />

express the significance of the world within<br />

which we feel emotion and deal with things.<br />

This is religious language. Not all kinds of<br />

poetry do this: poetry earlier than the<br />

nineteenth century is more modest in its<br />

ambitions. lt mi$ht be better to say that some<br />

poetry is religious language rather than that<br />

religious language is Poetic. ,4p<br />

David Anderson<br />

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