Movement 111
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poetry<br />
when we are worried about the mat: 'the cat<br />
is on the mat again!'<br />
With this in mind, let us look at the poem in<br />
the box on the previous page. This looks a lot<br />
like an expression of emotion: Hopkins is<br />
rejoicing in the fine weather at the end of<br />
summer. But people rejoice in fine weather<br />
Hopkins reioices because the world is<br />
here and would be here without us<br />
without using religious language to express<br />
themselves. Why does Hopkins bring in the<br />
language of religion? A clue lies in what I<br />
think are the most beautiful lines of the<br />
poem: 'These things, these things were here<br />
and but the beholder/ wanting'. 'These things<br />
were here' is a perfectly literal statement:<br />
what is important here is that Hopkins thinks<br />
it worth saying. Hopkins rejoices because the<br />
world is here and would be here without us -<br />
it does not depend on us. lt is therefore<br />
gratuitous, a gift to us, grace, to use steadily<br />
more religious categories. He is saying that<br />
the already-there-ness of the world is worthy<br />
of celebration - although that way of putting<br />
it doesn't celebrate, which is why the poem's<br />
language is more convincing.<br />
This is certainly not talking about where<br />
things are in the world, but nor is it just an<br />
emotional expression. lt is instead trying to<br />
express the significance of the world within<br />
which we feel emotion and deal with things.<br />
This is religious language. Not all kinds of<br />
poetry do this: poetry earlier than the<br />
nineteenth century is more modest in its<br />
ambitions. lt mi$ht be better to say that some<br />
poetry is religious language rather than that<br />
religious language is Poetic. ,4p<br />
David Anderson<br />
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