The export of European films on SVOD outside Europe by Christian Grece

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Snapshot by region - dominance <strong>of</strong> EU-5 titles in the different SVOD catalogues Split <strong>of</strong> EU <strong>films</strong> by country <strong>of</strong> origin by region <strong>of</strong> SVOD services 100% 90% 80% 70% 60% 50% 40% 16% 13% 11% 12% 12% 5% 8% 5% 3% 8% 14% 9% 10% 14% 8% 8% 7% 12% 16% 10% 13% 17% 23% 17% 28% 15% 14% 13% 12% 10% 3% 5% 5% 8% 9% 12% 11% 10% 10% 11% 8% 7% 9% 18% 16% 12% 23% 14% 15% 37% 30% 20% 10% 47% 37% 42% 39% 34% 45% 35% 39% 41% 29% 0% Australia & New Zealand China & Japan India Latin America Middle East North America Russia South Africa Southeast Asia Turkey GB FR ES DE IT Other EU countries
Stark differences by types <strong>of</strong> services and regional presence National SVOD services in Oceania, Canada and Russia have the highest share <strong>of</strong> EU <strong>films</strong> in their catalogues. Multi-country services Netflix and Amazon Prime Video have the highest average shares <strong>of</strong> EU <strong>films</strong> in their catalogues. <strong>The</strong>ir presence in Europe enables them to circulate EU <strong>films</strong> outside Europe compared to services without operations in Europe. Asian and Indian services could present an opportunity for EU <strong>films</strong> as they boost the lowest shares. Average share* <strong>of</strong> EU <strong>films</strong> in SVOD catalogues 35% 30% 25% 30% 26% 26% 20% 15% Overall share at 15% 10% 5% 0% 19% 18% 18% 17% 16% 14% 14% 13% 13% 12% 12% 12% 11% 10% 9% 9% 8% 6% 3% 2% 1% *Shares based only on identified <strong>films</strong>.
Page 1 and 2: The export
Page 3 and 4: Introduction The a
Page 5 and 6: Overview of 10 reg
Page 7 and 8: Key findings on the export<
Page 9 and 10: Key findings on the export<
Page 11 and 12: Medium film producing countries acc
Page 13 and 14: Which regions are the biggest buyer
Page 15 and 16: Circulation - Average number <stron
Page 17 and 18: Details on the number of</s
Page 19: Share of EU <stron
Page 23 and 24: Global rights versus national right
Page 25 and 26: 17% of all <strong
Page 27 and 28: A lot of variance
Page 29 and 30: Details by region Latin America Arg
Page 31 and 32: British, French and Spanish <strong
Page 33 and 34: Netflix is more relying on
Page 35 and 36: 13% of fil
Page 37 and 38: Regional services have a low share
Page 39 and 40: Details by region China & Japan 6 S
Page 41 and 42: EU-5 leads again but variety <stron
Page 43 and 44: Diverse EU film of
Page 45 and 46: 8% of film
Page 47 and 48: Indian films domin
Page 49 and 50: Details by region Australia & New Z
Page 51 and 52: Dominance of Engli
Page 53 and 54: High importance of
Page 55 and 56: 18% of fil
Page 57 and 58: Netflix offering a
Page 59 and 60: Details by individual countries Rus
Page 61 and 62: British and French films</s
Page 63 and 64: French films are t
Page 65 and 66: British films well
Page 67 and 68: Diverse film offer

The export of European films on SVOD outside Europe by Christian Grece

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