The export of European films on SVOD outside Europe by Christian Grece

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British, Classic Italian and French <strong>films</strong> are the main source <strong>of</strong> EU <strong>films</strong> in North America All services have a high share <strong>of</strong> British <strong>films</strong> in their EU film <strong>of</strong>fering Italian <strong>films</strong> represent a high share <strong>of</strong> EU <strong>films</strong> in the Amazon catalogues but for most <strong>of</strong> the service French <strong>films</strong> are the second origin for EU <strong>films</strong>. Sundance, Hotstar, HBO, Netflix, Super Channel and Amazon have a share between 11%-24% <strong>of</strong> <strong>films</strong> from other EU countries than EU-5 in their EU film <strong>of</strong>fering Split <strong>of</strong> EU <strong>films</strong> by country <strong>of</strong> origin by SVOD catalogue 100% 90% 80% 70% 60% 50% 40% 11% 3% 6% 20% 20% 16% 5% 8% 11% 18% 3% 2% 3% 2% 95% 95% 33% 33% 2% 2% 3% 2% 92% 17% 11% 9% 8% 24% 6% 30% 21% 6% 33% 17% 5% 4% 15% 3% 14% 14% 15% 14% 9% 9% 14% 15% 5% 4% 9% 1% 9% 7% 4% 6% 8% 10% 11% 5% 22% 7% 11% 11% 7% 12% 7% 6% 9% 3% 30% 55% 56% 69% 60% 63% 20% 40% 42% 33% 39% 39% 43% 44% 41% 10% 0% Amazon Prime Video CA Amazon Prime Video US Britbox CA Britbox US CBS All Access US CraveTV CA HBO GO US Hotstar CA Hotstar US Hulu US Netflix CA Netflix US Showtime Anytime US Starz Play Sundance US Now CA Super Channel CA GB IT FR DE ES Other 22 EU countries
Details by region Latin America Argentina, Brazil and Mexico 9 SVOD services
Page 1 and 2: The export
Page 3 and 4: Introduction The a
Page 5 and 6: Overview of 10 reg
Page 7 and 8: Key findings on the export<
Page 9 and 10: Key findings on the export<
Page 11 and 12: Medium film producing countries acc
Page 13 and 14: Which regions are the biggest buyer
Page 15 and 16: Circulation - Average number <stron
Page 17 and 18: Details on the number of</s
Page 19 and 20: Share of EU <stron
Page 21 and 22: Stark differences by types
Page 23 and 24: Global rights versus national right
Page 25 and 26: 17% of all <strong
Page 27: A lot of variance
Page 31 and 32: British, French and Spanish <strong
Page 33 and 34: Netflix is more relying on
Page 35 and 36: 13% of fil
Page 37 and 38: Regional services have a low share
Page 39 and 40: Details by region China & Japan 6 S
Page 41 and 42: EU-5 leads again but variety <stron
Page 43 and 44: Diverse EU film of
Page 45 and 46: 8% of film
Page 47 and 48: Indian films domin
Page 49 and 50: Details by region Australia & New Z
Page 51 and 52: Dominance of Engli
Page 53 and 54: High importance of
Page 55 and 56: 18% of fil
Page 57 and 58: Netflix offering a
Page 59 and 60: Details by individual countries Rus
Page 61 and 62: British and French films</s
Page 63 and 64: French films are t
Page 65 and 66: British films well
Page 67 and 68: Diverse film offer

The export of European films on SVOD outside Europe by Christian Grece

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