The export of European films on SVOD outside Europe by Christian Grece

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21,3% <strong>of</strong> <strong>films</strong> available are <strong>of</strong> EU origin in Russia EU 28 <strong>films</strong> represent 21,3% <strong>of</strong> <strong>films</strong> available on the 3 SVOD services in Russia Share <strong>of</strong> national <strong>films</strong> on average 3,5% EU unique titles represent 22% <strong>of</strong> all unique titles 9 732 occurrences <strong>of</strong> <strong>films</strong> by region <strong>of</strong> origin 8 235 unique titles by region <strong>of</strong> origin 100% Other regions 2 244 23,1% EU 28 2 070 21,3% 90% 80% 70% Other regions 1 989 60% EUR OBS 455 4,7% 50% 40% US 4 005 30% 20% EUR OBS 428 US 4 963 51,0% 10% 0% EU 28 1 813 Unique titles
British and French <strong>films</strong> are the main source <strong>of</strong> EU <strong>films</strong> in Russia EU-5 <strong>films</strong> represent 86% <strong>of</strong> all EU <strong>films</strong> Nordic <strong>films</strong> accounted for 5% <strong>of</strong> all EU <strong>films</strong> 2 070 occurrences <strong>of</strong> EU <strong>films</strong> by country <strong>of</strong> origin DE 198 10% ES 192 9% IT 171 8% NL 28 1% AT 15 1% FI 15 1% CZ 14 1% BE 29 1% BG 13 1% FR 480 23% Other 20 EU countries 297 14% PL 31 1% HU 8 0% PT 7 0% EE 5 0% IE 31 1% DK 36 2% SE 51 2% RO 5 0% LU 4 0% CY 1 0% GR 1 0% GB 732 35% HR 1 0% LV 1 0% SI 1 0%
Page 1 and 2:
The export
Page 3 and 4:
Introduction The a
Page 5 and 6:
Overview of 10 reg
Page 7 and 8:
Key findings on the export<
Page 9 and 10: Key findings on the export<
Page 11 and 12: Medium film producing countries acc
Page 13 and 14: Which regions are the biggest buyer
Page 15 and 16: Circulation - Average number <stron
Page 17 and 18: Details on the number of</s
Page 19 and 20: Share of EU <stron
Page 21 and 22: Stark differences by types
Page 23 and 24: Global rights versus national right
Page 25 and 26: 17% of all <strong
Page 27 and 28: A lot of variance
Page 29 and 30: Details by region Latin America Arg
Page 31 and 32: British, French and Spanish <strong
Page 33 and 34: Netflix is more relying on
Page 35 and 36: 13% of fil
Page 37 and 38: Regional services have a low share
Page 39 and 40: Details by region China & Japan 6 S
Page 41 and 42: EU-5 leads again but variety <stron
Page 43 and 44: Diverse EU film of
Page 45 and 46: 8% of film
Page 47 and 48: Indian films domin
Page 49 and 50: Details by region Australia & New Z
Page 51 and 52: Dominance of Engli
Page 53 and 54: High importance of
Page 55 and 56: 18% of fil
Page 57 and 58: Netflix offering a
Page 59: Details by individual countries Rus
Page 63 and 64: French films are t
Page 65 and 66: British films well
Page 67 and 68: Diverse film offer
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The export of European films on SVOD outside Europe by Christian Grece

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