The export of European films on SVOD outside Europe by Christian Grece

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Russian player Ivi has the highest share <strong>of</strong> EU <strong>films</strong>, followed by Netflix in the 3 countries While Ivi boosts the highest share, Netflix in Turkey dedicates ¼ <strong>of</strong> its film <strong>of</strong>fering to EU <strong>films</strong>. Amazon on the other hand in Turkey and Russia, has a low amount <strong>of</strong> <strong>films</strong> and a low amount <strong>of</strong> EU <strong>films</strong> in its <strong>of</strong>fering. Overview <strong>of</strong> EU 28 shares by SVOD catalogue 30% 25% 26% 25% 20% 15% 16% 16% 10% 10% 9% 5% 0% Ivi RU Netflix TR Netflix RU Netflix ZA Amazon Prime Video RU Amazon Prime Video TR Total <strong>films</strong> per catalogue Amazon Prime Video RU Amazon Prime Video TR Ivi RU Netflix RU Netflix TR Netflix ZA 541 528 5 809 3 382 3 150 3 588
Diverse film <strong>of</strong>fering <strong>of</strong> EU <strong>films</strong> for all players in the 3 countries. French <strong>films</strong> have a comparatively high share in 4 out <strong>of</strong> the 6 country catalogues compared to other regions. High share <strong>of</strong> German <strong>films</strong> in the EU film <strong>of</strong>fering <strong>of</strong> Amazon in Russia and Turkey. Split <strong>of</strong> EU <strong>films</strong> by country <strong>of</strong> origin by SVOD catalogue 100% 90% 80% 70% 60% 50% 40% 6% 9% 8% 4% 17% 13% 2% 2% 23% 30% 15% 14% 10% 13% 3% 9% 5% 8% 5% 11% 11% 9% 12% 7% 17% 18% 27% 13% 38% 14% 30% 20% 10% 44% 41% 33% 40% 28% 39% 0% Amazon Prime Video RU Amazon Prime Video TR Ivi RU Netflix RU Netflix TR Netflix ZA GB FR ES DE IT Other EU countries
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The export
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Introduction The a
Page 5 and 6:
Overview of 10 reg
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Key findings on the export<
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Key findings on the export<
Page 11 and 12:
Medium film producing countries acc
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Which regions are the biggest buyer
Page 15 and 16: Circulation - Average number <stron
Page 17 and 18: Details on the number of</s
Page 19 and 20: Share of EU <stron
Page 21 and 22: Stark differences by types
Page 23 and 24: Global rights versus national right
Page 25 and 26: 17% of all <strong
Page 27 and 28: A lot of variance
Page 29 and 30: Details by region Latin America Arg
Page 31 and 32: British, French and Spanish <strong
Page 33 and 34: Netflix is more relying on
Page 35 and 36: 13% of fil
Page 37 and 38: Regional services have a low share
Page 39 and 40: Details by region China & Japan 6 S
Page 41 and 42: EU-5 leads again but variety <stron
Page 43 and 44: Diverse EU film of
Page 45 and 46: 8% of film
Page 47 and 48: Indian films domin
Page 49 and 50: Details by region Australia & New Z
Page 51 and 52: Dominance of Engli
Page 53 and 54: High importance of
Page 55 and 56: 18% of fil
Page 57 and 58: Netflix offering a
Page 59 and 60: Details by individual countries Rus
Page 61 and 62: British and French films</s
Page 63 and 64: French films are t
Page 65: British films well
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The export of European films on SVOD outside Europe by Christian Grece

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