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BAY OF PLENTY BUSINESS NEWS DECEMBER 2019

From mid-2016 Bay of Plenty businesses have a new voice, Bay of Plenty Business News. This new publication reflects the region’s growth and importance as part of the wider central North Island economy.

From mid-2016 Bay of Plenty businesses have a new voice, Bay of Plenty Business News. This new publication reflects the region’s growth and importance as part of the wider central North Island economy.

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18 <strong>BAY</strong> <strong>OF</strong> <strong>PLENTY</strong> <strong>BUSINESS</strong> <strong>NEWS</strong> December <strong>2019</strong><br />

Fashion + Art + Technology<br />

- couture adventures<br />

ARTS AND CULTURE<br />

> BY ALICE HUTCHISON<br />

Alice Hutchison is the director of the Tauranga Art Gallery.<br />

She can be reached on director@artgallery.org.nz.<br />

The World of WearableArt draws an audience of more than<br />

50,000 to Wellington each year. There is a consistent appetite for<br />

avant-garde, creative and unique expressions in wearable design,<br />

to adorn the body. They can be seen on the streets of Melbourne,<br />

Tokyo and New York, and are collected by avid aficionados of<br />

great couture.<br />

Local couturier Shona<br />

Tawhiao presented an<br />

installation of her dramatic<br />

wearable artworks at the<br />

Tauranga Art Gallery five years<br />

ago and has shown her work at<br />

the Metropolitan Museum of<br />

Art in New York. I am looking<br />

forward to working with her in<br />

the near future.<br />

I visited Melbourne<br />

recently for the opening of Jess<br />

Johnson and Simon Ward’s<br />

Terminus at Heide Museum of<br />

Modern Art, expanded upon<br />

the wondrous virtual world we<br />

developed for the exhibition in<br />

Tauranga. The current exhibition<br />

in Heide features couture<br />

from Johnson’s elaborate and<br />

1<br />

spectacular collaboration in<br />

2016 with Australian fashion<br />

label Romance Was Born, on<br />

the label’s Spring - Summer<br />

collection “Mysteria Wisteria”.<br />

“Her hypnotic tessellations<br />

and daunting perspectives<br />

were translated into textiles,<br />

fusing fantasy and popular<br />

culture, ancient and futuristic<br />

elements from Johnson’s intricate<br />

drawings.” (from Heide<br />

Museum of Modern Art’s<br />

exhibition wall texts)<br />

The lavishly beaded and<br />

sequined gowns, where Gilgamesh<br />

reappears alongside<br />

videogame Platform Masters,<br />

are imagined by the designers<br />

for the ultimate wearer<br />

or avatar as, “the ultimate<br />

gamer descending from an<br />

ancient bloodline of teleports<br />

or space-jumpers…you’ll discover<br />

enlightenment travelling<br />

to infinite parallel Universes<br />

and distant kingdoms.”<br />

Also opening recently<br />

in Melbourne, is Collecting<br />

Comme at the National Gallery<br />

of Victoria (NGV). A<br />

landmark exhibition surveying<br />

ground-breaking Japanese<br />

designer Rei Kawakubo (born<br />

Japan 1942) who has led a<br />

revolution in fashion design,<br />

creating a whole new aesthetic<br />

of deconstruction and conceptual<br />

dressing, gender neutral /<br />

genderless style and creating<br />

a passionate international following<br />

for five decades.<br />

After 50 years<br />

in fashion, Rei<br />

Kawakubo remains<br />

one of the most<br />

radical and visionary<br />

designers working<br />

today.” - National<br />

Gallery of Victoria<br />

exhibition wall text<br />

Kawakubo’s conceptual<br />

approach to design was radical<br />

when she launched her<br />

line Comme des Garçons.<br />

After 50 years in fashion,<br />

Rei Kawakubo remains<br />

one of the most radical and<br />

visionary designers working<br />

today, interested in the<br />

idea of breaking ‘the idea of<br />

clothes’ with increasingly<br />

abstract and inventive forms.<br />

Rei Kawakubo established<br />

Comme des Garçons in 1969<br />

and began showing in Tokyo<br />

in 1975.<br />

She debuted in Paris in<br />

1981 and the following year<br />

presented one of her legendary<br />

collections, Holes, shocking<br />

audiences with oversized and<br />

intentionally distressed black<br />

garments. Some critics called<br />

the look apocalyptic, while<br />

others admired Kawakubo’s<br />

inventiveness.<br />

Intricate construction and<br />

deconstruction, often non-uniform<br />

- and the use of monochrome<br />

- created a huge shift<br />

in the style of the 70s and early<br />

80s. Consistently defying convention,<br />

she has redefined<br />

fashion.<br />

Challenging social constraints,<br />

her designs have subverted<br />

the norms of garment<br />

shape and function, reframed<br />

ideas of beauty, and proposed<br />

a new relationship between<br />

body and dress. In her endeavour<br />

to make clothes that, as she<br />

says, “did not exist before”.<br />

Kawakubo deconstructs clothing<br />

and creates it afresh.<br />

Collecting Comme examines<br />

the radical concepts and<br />

design methods that have<br />

informed Kawakubo’s practice<br />

since 1981.<br />

More than 65 examples<br />

are on display drawn from<br />

the NGV’s significant holdings<br />

of designs by Comme<br />

des Garçons, gifted by collector<br />

Takamasa Takahashi with<br />

additional loans from the collector’s<br />

archive.<br />

2<br />

The expansive display features<br />

projected runway video<br />

footage from major collections<br />

within multiple galleries.<br />

While the exhibition is not a<br />

retrospective, and I am told the<br />

designer does not wish to see<br />

her older work, it is a shame<br />

not to see some of her greatest<br />

pieces on view.<br />

As a teenager I made my<br />

very first major investment in<br />

a Comme couture jacket - the<br />

most exquisite geometric cut<br />

construction in the back, purchased<br />

on my first trip to Sydney,<br />

which I have always treasured.<br />

It has stood the test of<br />

time - I even wore it in a recent<br />

photo shoot.<br />

1) Tauranga-born artist Jess Johnson’s couture<br />

collaboration with Australian designers Romance Was<br />

Born, currently on view at Heide Museum of Modern Art,<br />

Melbourne. Photo/Supplied.<br />

2) Couture from a landmark exhibition surveying groundbreaking<br />

Japanese designer Rei Kawakubo the National<br />

Gallery of Victoria. Photo/Supplied.<br />

2degrees appoints new Chief Business Officer<br />

2degrees has appointed industry expert Andrew Fairgray to the<br />

role of Chief Business Officer, on its senior leadership team.<br />

An industry veteran,<br />

Andrew was the former<br />

head of corporate and<br />

government sales at Vodafone,<br />

leading that company through<br />

a period of growth.<br />

2degrees’ CEO Mark Aue<br />

said that Andrew was appointed<br />

to the role as he brings a unique<br />

combination of skills, especially<br />

having been a business owner<br />

himself:<br />

“Andrew is hugely passionate<br />

about helping businesses<br />

succeed, and the role technology<br />

plays in that. It’s a real coup to<br />

have him on our team. 2degrees<br />

has been a full-service provider<br />

in business and government<br />

since 2015, and the opportunity<br />

to accelerate our growth in this<br />

area is significant. There’s no<br />

reason we shouldn’t be as successful<br />

in business as we’ve<br />

shown we can be in consumer,”<br />

said Mark.<br />

Andrew says the role is one<br />

that he’s had his eye on for a<br />

while. “It’s great to be joining<br />

2degrees in its 10th year, and<br />

at a time when the brand is so<br />

strong, and increasingly relevant<br />

to Kiwi business owners.<br />

2degrees has a history of driving<br />

the market with pricing,<br />

innovation and customer experience<br />

- a proud legacy we will<br />

continue” said Andrew.<br />

He has held a range of executive<br />

roles in New Zealand<br />

and overseas with multi-national<br />

operators such as Alcatel<br />

Lucent, Nokia and IBM.<br />

Andrew Fairgray, Chief Business Officer

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