10.01.2020 Views

Boxoffice Pro - January 2020

The Official Publication of the National Association of Theatre Owners

The Official Publication of the National Association of Theatre Owners

SHOW MORE
SHOW LESS
  • No tags were found...

You also want an ePaper? Increase the reach of your titles

YUMPU automatically turns print PDFs into web optimized ePapers that Google loves.

EXECUTIVE SUITE<br />

BY JOHN FITHIAN, PRESIDENT & CEO, NATO, AND<br />

JACKIE BRENNEMAN, GENERAL COUNSEL & DIRECTOR OF INDUSTRY RELATIONS, NATO<br />

ACROSS THE WORLD IN 14 DAYS<br />

NATO VISITS KEY EXHIBITION PLAYERS IN CHINA AND KOREA<br />

NATO’s John Fithian<br />

and Jackie Brenneman<br />

recently met with leading<br />

players in China’s<br />

and Korea’s exhibition<br />

industries. From left:<br />

local consultant Jin Nan;<br />

Jackie Brenneman; John<br />

Fithian; Frank, Ruoqing<br />

Fu and Zhou BaoLin of<br />

the China Film Co.; and<br />

Shuping Li and Demond<br />

Bian of Huaxia Film Co.<br />

>> Moviegoing is largely the same across the world: People of all ages come to a theater to watch a<br />

story in a dark room with friends and strangers. With popcorn and soda, of course. In most territories<br />

audiences are even watching the same titles, as global blockbusters continue to dominate much<br />

of the industry. In fact, audiences in very diverse territories are increasingly attending the same<br />

chain of theater as brands like AMC, Cinemark, Cineworld and Cinépolis, Lotte, and CJ CGV have expanded<br />

their reach to multiple continents. As exhibitors cross into new territories, they have realized<br />

that as much as each territory has a distinct identity, many of the issues facing exhibitors are universal,<br />

though with some local nuance.<br />

This trend toward globalization in the industry<br />

led NATO to join forces with UNIC and 11 of<br />

the biggest global exhibitors to form the Global<br />

Cinema Federation, a volunteer federation serving<br />

the common goals of cinema operators across the<br />

globe. The GCF advocates on issues of shared concern<br />

and also provides critical educational support<br />

by gathering information from around the world<br />

that exhibitors can use to support their own decision<br />

making. For example, movie theft certainly<br />

harms the industry consistently on a global scale.<br />

Yet the laws and strategies to combat piracy are<br />

wildly divergent from locale to locale. As exhibition<br />

enters emerging territories, the laws addressing<br />

movie theft are often nascent or nonexistent, with<br />

regulators and stakeholders trying to invent a strategy<br />

from scratch. With the GCF, exhibitors around<br />

the world can now share their success stories and<br />

work together to help exhibitors lobby their local<br />

bodies for effective and enforceable legislation.<br />

Currently, for example, the GCF is working on<br />

a white paper that exhibitors in Peru can use to<br />

help pass effective anticamcord legislation in the<br />

country. Further, the paper will help exhibitors to<br />

implement practices that will help their staff better<br />

spot piracy in action, along with ways to ensure<br />

local law enforcement responds to calls to cinemas.<br />

In this way, exhibitors in one territory can benefit<br />

from the experiences of exhibitors around the<br />

world in a significant and tangible way.<br />

10 JANUARY <strong>2020</strong><br />

0120_Fithian.indd 10<br />

12/18/19 2:09 PM

Hooray! Your file is uploaded and ready to be published.

Saved successfully!

Ooh no, something went wrong!