Boxoffice Pro - January 2020
The Official Publication of the National Association of Theatre Owners
The Official Publication of the National Association of Theatre Owners
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EXECUTIVE SUITE<br />
BY JOHN FITHIAN, PRESIDENT & CEO, NATO, AND<br />
JACKIE BRENNEMAN, GENERAL COUNSEL & DIRECTOR OF INDUSTRY RELATIONS, NATO<br />
ACROSS THE WORLD IN 14 DAYS<br />
NATO VISITS KEY EXHIBITION PLAYERS IN CHINA AND KOREA<br />
NATO’s John Fithian<br />
and Jackie Brenneman<br />
recently met with leading<br />
players in China’s<br />
and Korea’s exhibition<br />
industries. From left:<br />
local consultant Jin Nan;<br />
Jackie Brenneman; John<br />
Fithian; Frank, Ruoqing<br />
Fu and Zhou BaoLin of<br />
the China Film Co.; and<br />
Shuping Li and Demond<br />
Bian of Huaxia Film Co.<br />
>> Moviegoing is largely the same across the world: People of all ages come to a theater to watch a<br />
story in a dark room with friends and strangers. With popcorn and soda, of course. In most territories<br />
audiences are even watching the same titles, as global blockbusters continue to dominate much<br />
of the industry. In fact, audiences in very diverse territories are increasingly attending the same<br />
chain of theater as brands like AMC, Cinemark, Cineworld and Cinépolis, Lotte, and CJ CGV have expanded<br />
their reach to multiple continents. As exhibitors cross into new territories, they have realized<br />
that as much as each territory has a distinct identity, many of the issues facing exhibitors are universal,<br />
though with some local nuance.<br />
This trend toward globalization in the industry<br />
led NATO to join forces with UNIC and 11 of<br />
the biggest global exhibitors to form the Global<br />
Cinema Federation, a volunteer federation serving<br />
the common goals of cinema operators across the<br />
globe. The GCF advocates on issues of shared concern<br />
and also provides critical educational support<br />
by gathering information from around the world<br />
that exhibitors can use to support their own decision<br />
making. For example, movie theft certainly<br />
harms the industry consistently on a global scale.<br />
Yet the laws and strategies to combat piracy are<br />
wildly divergent from locale to locale. As exhibition<br />
enters emerging territories, the laws addressing<br />
movie theft are often nascent or nonexistent, with<br />
regulators and stakeholders trying to invent a strategy<br />
from scratch. With the GCF, exhibitors around<br />
the world can now share their success stories and<br />
work together to help exhibitors lobby their local<br />
bodies for effective and enforceable legislation.<br />
Currently, for example, the GCF is working on<br />
a white paper that exhibitors in Peru can use to<br />
help pass effective anticamcord legislation in the<br />
country. Further, the paper will help exhibitors to<br />
implement practices that will help their staff better<br />
spot piracy in action, along with ways to ensure<br />
local law enforcement responds to calls to cinemas.<br />
In this way, exhibitors in one territory can benefit<br />
from the experiences of exhibitors around the<br />
world in a significant and tangible way.<br />
10 JANUARY <strong>2020</strong><br />
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