Boxoffice Pro - January 2020
The Official Publication of the National Association of Theatre Owners
The Official Publication of the National Association of Theatre Owners
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JUST MERCY DIRECTOR DESTIN DANIEL CRETTON WITH MICHAEL B. JORDAN AND JAMIE FOXX<br />
are also many Southerners like Eva Ansley<br />
[played by Brie Larson], who are fighting<br />
for those who are the most vulnerable,<br />
whether they are black or white. There<br />
are extremely loving, kind, open-minded<br />
people all throughout the South. That’s<br />
the thing that really gives me hope.<br />
There are a lot of movies about racism<br />
in the South in which people are doing<br />
overtly racist things, like waving around<br />
Confederate flags. And that’s accurate.<br />
People still do that. But you run the risk of<br />
people seeing those movies and thinking,<br />
“Well, I’d never do something like that.<br />
So I’m not the problem.” And then they<br />
don’t have go through the uncomfortable<br />
process of examining their biases.<br />
I think one of the scary realizations<br />
about watching a movie like this is the<br />
moment when you think, “Oh, if I saw<br />
that mug shot of Walter McMillian and<br />
the news broadcast that they finally<br />
caught the killer of this young, white girl,<br />
I probably would not have thought twice<br />
about it at that time.” I hope this movie<br />
and movies like this make all of us think<br />
twice. Every time we see a mug shot and a<br />
little blurb, “They caught the guy!” I hope<br />
we don’t go immediately to the sense of<br />
relief. And we start to question it.<br />
There’s a horrible narrative whenever<br />
there’s an instance of police brutality,<br />
and people start to examine the victim’s<br />
character. Walter McMillian wasn’t a<br />
perfect person, but he doesn’t need to<br />
be faultless and saintly for his story to<br />
be seen as a miscarriage of justice.<br />
Yeah, 100 percent. Bryan Stevenson<br />
says there are no rich people on death row.<br />
He says that our system treats you better<br />
if you are rich and guilty than if you are<br />
poor and innocent. And you definitely<br />
see that play out in this movie. You see<br />
how the poor and vulnerable are taken<br />
advantage of by a system that can easily<br />
sweep them under the rug or put them on<br />
death row because it benefits them. And<br />
it’s also interesting to see the way that Tim<br />
Blake Nelson’s character, Ralph Myers,<br />
gets wrapped up in it and is used as a tool<br />
by the people in power to get what they<br />
want. [Myers, a career criminal from an<br />
impoverished background, was pressured<br />
by law enforcement officers to offer a false<br />
testimony against McMillian.]<br />
How did Michael B. Jordan come to be<br />
involved in the film?<br />
Michael B. was the first person who<br />
came on. He was the first person we attached,<br />
even before we started writing the<br />
script. We sent the book to him, and he<br />
was passionate about the project from the<br />
start. So he came on both as an actor and<br />
as a producer very early in the project.<br />
He’s perfect for the role.<br />
Bryan Stevenson is one of the most<br />
compassionate, empathetic people I’ve<br />
ever met. And he’s also one of the smartest<br />
and most strategic people I’ve ever<br />
met. I do think that Michael B. Jordan<br />
shares a lot of those same qualities. In<br />
order to do the types of performances<br />
that Michael B. does, it’s all about his<br />
ability to empathize with the characters<br />
he’s playing. He is able to connect with<br />
Bryan Stevenson on so many levels. It was<br />
exciting to watch him do that.<br />
40 JANUARY <strong>2020</strong><br />
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