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What<br />

Lies Beneath<br />

A Quest-based gallery,<br />

curated by 500px<br />

and Allison Morris for<br />

CONTACT 2019.<br />

Cover photo by Allison Morris<br />

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What Lies Beneath<br />

Comprised of captivating and conceptual images taken<br />

by 500px photographers around the world, this 107-photo<br />

installation piece is designed to show how one person’s<br />

vision can inspire endless interpretations and spark<br />

diverse works, all born from a single concept.<br />

Inside is a collection of artist statements provided by the<br />

participating photographers.<br />

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1. Coming through<br />

Svein Skjåk Nordrum, Norway<br />

Person hidden by a thin veil, leaning into it.<br />

Reaching out for another dimension—or trying to<br />

contact you?<br />

2. Dancing Soul<br />

Kristina Ponomareva, Canada<br />

The good and bad parts of us are always inside,<br />

throughout our lives. If we don’t accept both sides,<br />

we’ll never find a balance. If we’re fighting with our<br />

nature—we’re imbalanced. If we don’t develop at all,<br />

we lose ourselves.<br />

This photo is a story about a strange kind of beauty.<br />

It’s about finding balance inside: about thin line<br />

between beauty and destructive power that we all<br />

have. Don’t be afraid of everything that’s inside of<br />

you. Explore it, enjoy it, play with it.<br />

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3. Reaching Out<br />

Tiina Weckman, Finland<br />

I love the way that photography can tell us the<br />

stories we need to hear. Everyone fills in the blanks,<br />

and you can interpret them in the way that heals<br />

you. You’re not bound by what the photographer<br />

“meant.” They created the image in a way that was<br />

healing for them. We are united in our humanity.<br />

Maya Angelou said in a poem: “We are more alike,<br />

my friends, than we are unalike.” This is how we can<br />

share art and meaning, even if we see and feel them<br />

in different ways.<br />

4. Soul<br />

Inna Mosina, Russia<br />

About ephemeral, beyond time and space:<br />

reflections of his own soul and where we came from.<br />

The basis of my creativity is reflection. With the<br />

help of photography, I look deep into myself. I am<br />

inspired by the themes of the soul, consciousness,<br />

acceptance, the place of man in our earth and<br />

harmony. All these thoughts and reasoning are born<br />

in my photographs.<br />

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5. Time and Place<br />

Andrew Curry, Japan<br />

Devon and I were walking along the backstreets<br />

of Asakusa, Tokyo, when we happened to come<br />

upon this colorful box, the front of which only<br />

contained a small clock and a long, narrow window.<br />

Not knowing what was inside, Devon walked around<br />

the back, disappeared for a brief second, and then<br />

peered out through the window, telephone in hand.<br />

I saw the perfect opportunity for a photo and asked<br />

her to hold her pose, then snapped the photo you<br />

see here.<br />

6. Cigarette by the window<br />

Edgaras Vaicikevicius, Lithuania<br />

Every morning is a window to a new day. A day<br />

where we can see many things—white and black.<br />

There will be rays of hope and light, and shadows<br />

of the past. A new day is another piece of life. One<br />

small story.<br />

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7. Julia<br />

Dariane Sanche, Canada<br />

External beauty attracts, inner beauty captivates.<br />

As a fashion photographer, I love to conceptualize<br />

my photo shoots by adding textures and craft creations.<br />

My passion for sewing and textures led me to<br />

create this huge skirt out of tulle.<br />

I like my work to be different from others’ and to<br />

distinguish my images with my artistic touch and the<br />

grain of my photos.<br />

8. Cardboard<br />

Kirill Golovan, Canada<br />

Many girls dream of wearing a beautiful lady’s dress.<br />

Only a true-enough lady can show who she is with a<br />

piece of cardboard. But what you will see behind it?<br />

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9. the great below<br />

Nicki Panou, Greece<br />

“I can still feel you, even from so far away.”<br />

To what lengths would you go to be able to talk<br />

again to the one you miss the most?<br />

10. Being Little Bono<br />

Pritush Maharjan, United States<br />

This juxtaposition is based on a routine visit to my<br />

barber shop. I had the opportunity to shoot a few<br />

portraits of kids waiting to get their hair done. As<br />

luck would have it, this guy was waiting with the<br />

Bono Rolling Stone cover. I also happened to have<br />

my most favourite camera, Minolta Autocord, in my<br />

hand. What more could I ask for?<br />

I see a lot of kids that are drawn to different kinds<br />

of music: beneath that is the zeal of being a rockstar—to<br />

be popular, to have a famous name, and of<br />

course, lots of bling.<br />

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11. Elixir<br />

Ante Badzim, Indonesia<br />

More than half of the human body is made up of<br />

water. It is the very reason that we naturally gravitate<br />

towards it, responding to its fluidity and flow.<br />

Water is an integral part of life, a source of energy<br />

with the power to revitalize. It embodies calmness,<br />

strength, and a sensual force that acts on us<br />

physically and emotionally.<br />

The water that lies beneath us, around us, and in<br />

us is medicine for all ages, cultures, and the elixir<br />

of life.<br />

12. everything that kills<br />

Tyler McAuley, United States<br />

Also known as “the invisible man,” this shot shows a<br />

man struggling with his identity.<br />

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13. Our portrait of blue<br />

Jey_X, China<br />

Usually the mirror maps itself, but for this couple, the<br />

other is their mirror. Love is not coincidence, but is<br />

the process of rediscovering oneself on the other<br />

side. The mirror in the photo has this meaning. At<br />

the same time, the mirror gives people a feeling of<br />

separation, so that the viewer can feel the feeling of<br />

dissociation between the male and female protagonists<br />

in the photo. The blue color in the photo is my<br />

focus: the blue is the sky, but is also the sea. It is the<br />

color of hope and the future, as well as mystery, all<br />

in one.<br />

It is like a painful emotion. It is obvious that the male<br />

and female protagonists in the photo are facing an<br />

emotional crisis: the other party in the mirror is no<br />

longer as beautiful as the original, and the heroine<br />

uses a mirror to cover herself, in fact, it is like a blind<br />

eye. Continue to maintain an emotion, perhaps not<br />

because you still like it, but because you are used to<br />

this state of interdependence.<br />

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14. Ignacio<br />

Antoine Martin, United States<br />

Shot in Allapattah, a district of Miami. This man was<br />

one of my hosts there: a bit English, a bit Spanish. It<br />

was very difficult to understand each other, so<br />

it was all based on the look. This is what I wanted<br />

to capture.<br />

15. Ship to wreck<br />

Alexandra Bochkareva, Russia<br />

“Ship to wreck” is a portrait dedicated to our failures.<br />

We all have mistakes we try to forget. This is<br />

a crushing weight, but this is our power at the same<br />

time. The ship always needs an open sea. The girl<br />

sitting on the chair in the waters represents the human<br />

with anchored mind, and the owl represents the<br />

freedom of soul.<br />

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16. I’m with a crowd<br />

Giulia R., Italy<br />

I hate that I’ve created so few images in recent<br />

months. I hate it because I love to create, it relaxes<br />

me, it allows me to speak, and to express myself.<br />

But the need to share and let go still comes back<br />

to me, sometimes.<br />

My head is constantly working on stuff, trying to<br />

learn and create. It’s really crowded inside my brain,<br />

yet you can’t see all that mess. You could say that<br />

from the outside, I look quite calm. Well, I’m just<br />

good at hiding the disorder!<br />

In the meantime, I hope that I’ll find some peace with<br />

my photography.<br />

17. Colour of People<br />

Salman Rajon, Bangladesh<br />

It is not right to consider a man’s entire character<br />

during his bad times. He may have already overcome<br />

so many obstacles—do not diminish him, respect<br />

him. Try to understand him. Help him solve his<br />

problem, stand beside him, improve his conditions.<br />

He could just as easily be a good friend of yours.<br />

It’s been 4 years since I captured this picture, but<br />

many people in my life still do not support my photography,<br />

including my family, because I have no<br />

achievements to show them. That’s why I participated<br />

in this challenge: to show my family that I have<br />

the ability to create good photographs.<br />

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18. French boy<br />

Anastassia Volkova, Estonia<br />

I consider this a brave portrait. Because not<br />

every person can show this real, funny, true<br />

side of themselves.<br />

When we “look” at a person, we usually don’t try to<br />

“see” the person, but there is always more to what<br />

lies beneath every human. Only a few of us are<br />

brave enough to show our true selves.<br />

19. Rielle<br />

Lisa-Marie McGinn, Canada<br />

“Makeup is only a blessing when you can see the<br />

beauty without it.”<br />

This photo is from a beauty series showcasing<br />

different emotions through the use of makeup<br />

and pieces of paper, creating interesting shapes<br />

to show different parts of the face and help<br />

emphasize the makeup.<br />

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20. Dark<br />

Three Painters, China<br />

If you’re in a dark abyss, you might as well reexamine<br />

yourself in the dark and find your inner world.<br />

This environment as a whole was dark, using line<br />

pipes as props and encouraging models to express a<br />

force that is tied.<br />

21. Banana soul<br />

Piotr Werner, Poland<br />

The photo was taken in Studio Quadralite, Kraków,<br />

Poland. I wanted to show a darker red and a brighter<br />

yellow color in order to contrast and pay attention<br />

to the model. The banana earring that’s hanging is a<br />

key ring!<br />

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22. Third Eye<br />

Ben Adle, Sweden<br />

We are living in a world full of filters, different perspectives,<br />

and different views. Respect is a powerful<br />

step towards a better future.<br />

I set two soft lights here, one above the model<br />

(Johanna), and one in front at a slight angle: the<br />

focus is inside the triangle and everything else is<br />

out of focus.<br />

23. Vulnerability<br />

Ari Erma, Belarus<br />

This photo reminds me of who I used to be.<br />

Vulnerable, weak, trusting in everything and everyone.<br />

But now everything seems to be different, in a<br />

better way. Don’t let people manage your life.<br />

It’s only yours.<br />

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Photo by Allison Morris<br />

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24. Oblivion<br />

Peyman Naderi, Kazakhstan<br />

Oblivion is an image pointing to our memories. We<br />

all have memories that at one point in life, we are<br />

bound to forget. Natural light has been used in this<br />

photo, and I tried to create an opposition between<br />

the leaves and the smoke. There’s always a reason<br />

for us to push our memories to a corner of our mind,<br />

so that maybe one day, we’ll need them back to continue<br />

down the road.<br />

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25. Self Reflection<br />

Elnaz Mansouri, Canada<br />

I was born in Tehran, Iran, and immigrated to Canada<br />

with my family in 2003. As a young girl on the verge<br />

of becoming a teenager, I began facing an identity<br />

crisis, due to the language barrier that I experienced<br />

in my daily life, and struggled to find the meaning of<br />

“home.” Being disconnected from my native culture<br />

and unable to communicate socially, I started<br />

looking for an alternative way to reconnect with my<br />

surroundings. The best option was capturing the<br />

Canadian landscape through photography. Nature<br />

is a mirror to my identity, and I continuously build<br />

upon my definition of “home” through observing and<br />

reflecting on the landscape.<br />

26. Varia<br />

Saule Khaliullina, Russia<br />

March 8, a special day for women, is not explicitly<br />

accepted by both women and men. For me, this<br />

date was always a day of respect for mothers,<br />

grandmothers, love, and gratitude without political<br />

or social overtones.<br />

Now, the tendency to complicate everything in the<br />

modern world gives some people an excuse to turn<br />

this day into a negative perception of women’s freedom<br />

and the struggle for women’s rights.<br />

This photo reflects the imagery and emotional state<br />

of a woman who is tense, waiting, scared, but hopeful.<br />

Behind this photo is a big and important story.<br />

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27. Minimal Mysterious Mood<br />

Lalisa Doniho, Indonesia<br />

The essence of simplicity, mystery, and minimalism,<br />

which I like.<br />

28. Hidden faces<br />

Malo Malo, France<br />

“Hidden faces” is a fashion photo series made for<br />

the French fashion magazine Citizen K, which treats<br />

the theme of hidden identities.<br />

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29. Blurry mind<br />

Estelle Couturier, France<br />

“Blurry mind” represents the impact of drugs on a<br />

schoolboy. His head is far away from his mind. His<br />

head is trapped by plastic, which represents the<br />

drugs. He is still standing, but this is only the stage<br />

of addiction, he is not yet conscious of the danger.<br />

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30. In captivity<br />

Filipp Rabachev, Russia<br />

We are captive to our fears. My parallel worlds.<br />

Invisible to the eye. In captivity of disappointment,<br />

thoughts, and hopes for the future.<br />

31. You ain’t goin’ Nowhere<br />

Petros Sofikitis, Greece<br />

The dark side of a relationship. A binding one. Mostly<br />

physical, overwhelmed by need. Utterly dangerous.<br />

Where the other is not viewed as a separate<br />

being who takes part and responds to a summons of<br />

love, but is instead felt as if he or she is a functional<br />

part of the subject’s soul and body. That is why he or<br />

she should not go. For if they do, the subject’s own<br />

existence would be at risk.<br />

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32. Clearer than you see<br />

Agnieszka Paśko, Poland<br />

Part of “Agliophobia” photo series. Agliophobia is a<br />

term which means a fear of emotional and physical<br />

pain. This photograph is a self-portrait. It is captured<br />

in a beautiful style, but it reveals some scratches and<br />

scars, which shows past experiences.<br />

33. Escape From Life<br />

ting long, Singapore<br />

This photo represents people in modern cities that<br />

play multiple roles and make themselves stressed<br />

and tired. Vacation is always the way they escape<br />

from work and pressure, temporarily. The woman<br />

in this photo is going on her vacation but still looks<br />

uneasy, due to the suitcase she’s taking, which is full<br />

of what makes her heavy: the responsibilities of her<br />

job, her social relationships, and her anxieties for<br />

the future. Sometimes we want to escape from real<br />

life, but the reality of pressure is always there.<br />

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34. Try to be blind<br />

Wang Qiang, China<br />

The girl in the photo is not conventionally beautiful:<br />

she has ordinary features and has a bit of an<br />

inferiority complex. Before taking this photo, she<br />

kept saying, “Don’t be too ugly, don’t be too ugly.”<br />

However, I think her slender white arms are as<br />

beautiful as butterflies.<br />

- In photography, close one eye and look with<br />

your heart; try to be blind, maybe there will be<br />

more beauty.<br />

35. The blinded girl and her inner turbulence<br />

Guida Shen, Tanzania<br />

She’s blinded yet sensitive and observant, cautiously<br />

tempting and exploring. The blurred view with a<br />

blinder is unrealistically peaceful. She starts feeling<br />

a pulse, a spark, which she’s struggling to understand.<br />

The blinded girl found her vision, yet she<br />

chooses to be blinded sometimes<br />

- self portrait for path of self-growth.<br />

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36. Going Up<br />

Aaron Ricketts, United States<br />

“Going Up” is one of ten images in a series titled,<br />

“If It’s Heavy, Take a Break.” In each photo, there is<br />

a feeling of an obstacle, either one that has put you<br />

in a precarious position, or one that you see lying<br />

ahead. This scene exemplifies exhaustion in the face<br />

of a complex and relentless world. Rather than getting<br />

on the elevator, this man simply lays down with<br />

his head in the elevator doors, hoping to be swallowed<br />

by it. And yet the walls overwhelm the scene<br />

with a vibrant yellow, creating a contrast between<br />

joy and dread.<br />

37. Migratory Bird<br />

Zhou Yibai Bai, China<br />

“They said photography is beyond skill, full of affection,<br />

the best, and then with the displacement.”<br />

Humayi North Wind, Yue Bird’s Nest, South Branch<br />

365 days a year, just want to eat 300 days of hot pot<br />

I want to take a hometown that combines tradition<br />

with fashion.<br />

(This style of headwear is a spice in Sichuan hot<br />

pot. The ground is a kimchi altar. It is also a kind of<br />

Sichuan cuisine. Improved cheongsam worn on the<br />

body. They are all things that integrate some of the<br />

hometowns in Sichuan.<br />

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Photo by Allison Morris<br />

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38. Untitled (from Sunyata series)<br />

Rafael Roncato, Brazil<br />

Appropriates the concept of emptiness. Sunyata<br />

(Sanskrit) is often translated as empty or, more precisely,<br />

emptiness. Emptiness is a characteristic of the<br />

phenomena: nothing has an independent existence,<br />

an essential identity. Everything integrated in life<br />

undresses an absolute identity, and is impermanent,<br />

interrelated, and interdependent, so that nothing is<br />

totally self-sufficient or detached from the whole. All<br />

things are in a dynamic state of constant flux. What<br />

is emptiness but an infinite potency?<br />

39. Rainbow Project<br />

Sokari. eu, United Kingdom<br />

Part of a project I am working on, which explores<br />

the relationship between sexuality, depression, and<br />

loneliness. The rainbow-colored organza fabric is a<br />

symbolic permanent veil over the subject, whom is<br />

lost and alone in his own world.<br />

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40. Traditional Peyattam Artis<br />

Sarathi Thamodaran, India<br />

Peyattam (Ghost Dance) is a supportive performance<br />

for “Kaniyan Koothu,” which is also known as “Kaniyanaattam.”<br />

Associated with the graveyard god<br />

“Sudalaimadan” and popular in the southern districts<br />

of Tamilnadu / India, Kaniyan Koothu is performed by<br />

8-9 artists and is named after the tribes called Kaniyan,<br />

which perform it for their clan deity.<br />

A man wearing a fierce mask performs Peyattam<br />

(Ghost Dance). He slits his hand and sprinkles his<br />

blood on the food offered to god; it is reminiscent of<br />

human sacrifice once popular in India.<br />

Beneath the Peyattam mask still thrives the old, ritualistic<br />

practices and nostalgia that are being transferred<br />

from generation to generation.<br />

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41. upside down<br />

Shubhra Sharma, India<br />

When the world tries to push you down,<br />

Keep no worry and say it loud<br />

So what if my world has turned upside down,<br />

I know I’ll rise even when I fall down.<br />

Life is an abstract reality of situations that comes<br />

your way,<br />

Make it your strength and act like you’re the winner<br />

of this game!<br />

42. POP<br />

Violette Nell, France<br />

This image is part of my series of photos called<br />

“POP.” I wanted to revisit the artistic movement of<br />

pop art, in my own way, by integrating objects that<br />

are in turn ephemeral (like balloons) and plucked<br />

from everyday life / consumer society (food, soda,<br />

an ironing board) or popular culture (like a Batman<br />

mask) with the desire to sublimate them and thus<br />

give them an artistic and poetic dimension.<br />

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43. The Eye in the Mirror<br />

Art Weinberg, Austria<br />

A glance at another person’s hand mirror can tell<br />

you a secret. Here, it shows two different details of<br />

his face: not enough to see the person, but enough<br />

to look into his eye. To look into a human eye is like<br />

a look into his soul. The other detail shows his lips.<br />

What will he say? But the story behind the photo can<br />

only be experienced by looking at that person’s face.<br />

44. Time Dilation<br />

Amelie Satzger, Germany<br />

This photo is from my newest project,<br />

“What is reality?”<br />

This project is about the physical understanding of<br />

reality. I read two books by Stephen Hawking, “The<br />

Grand Design” and “A Brief History of Time,” then<br />

extracted theses from the books and visualized them<br />

into artful, surreal images. Every picture stands for<br />

another thesis.<br />

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45. Sweet overdose<br />

Ilya Blinov, Russia<br />

Everything you do has consequences.<br />

The visual language of the picture is based on a<br />

rhythm of repeated objects (candies and dots on<br />

clothes). I got the idea when I saw my girlfriend drop<br />

a bucket of popcorn. I was watching her on a floor<br />

among many small pieces and it seemed very scenic.<br />

The picture is shot in studio. Every candy was placed<br />

on set manually.<br />

46. Face<br />

Daria Klepikova, Russia<br />

Sometimes it’s hard to come to terms with what life<br />

brings to us. At such moments, we start to think<br />

about how to change everything...and we start to<br />

change ourselves! This shoot is part of the project<br />

“The Effects of Plastic Surgery,” where the end result<br />

is never known.<br />

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47. The Moon<br />

Ksenia Thorn, Russia<br />

She hides herself behind the wall<br />

And never sees the light,<br />

She seeks the future, but it’s cold<br />

And Darkness by her side.<br />

Tomorrow brings another day<br />

And she will start again<br />

To search the lighthouse on her way<br />

Through neverending rain.<br />

48. TO BE OR NOT TO BE<br />

nima chaichi, United States<br />

As a photographer with an architectural background,<br />

I look at fashion as a form of architecture—a place<br />

where we live and breathe, feeling ourselves in our<br />

own space, in the context of the physical space<br />

surrounding us. Our fashion is our second skin:<br />

it can be rough and gritty, smooth and sleek, subtle<br />

and modern, even magical and mesmerizing.<br />

It can make a statement about society, it can simply<br />

serve us in functionality, and help us feel safe, brave,<br />

and beautiful.<br />

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49. Identity<br />

Ricardo Irimia, Spain<br />

What is identity? Is it static, fixed, and permanent?<br />

Identity is built based on layers of memories,<br />

emotions, transformations, and becomings. The<br />

deeper layers are inevitably degraded, so identity<br />

is built on ruins.<br />

50. White Flame<br />

Jorge Miguel Blazquez, Spain<br />

Sometimes we need to escape from our own lives,<br />

break with the past, with our fears, or self-consciousness.<br />

This photo represents both the flame that<br />

burns all the bad and the chrysalis that represents all<br />

the new to come.<br />

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51. For the love of books<br />

Steven Guzzardi, United States<br />

I remember it was a Thursday. I was sitting at my<br />

computer, killing time, when this idea just struck me.<br />

I have always been an avid reader, and this image<br />

just appeared to me in that moment. I knew then that<br />

I had to create it right away. I immediately filled up<br />

two large bags of books, all hardcovers, and headed<br />

out. It only took about a half an hour to do, but<br />

it remains one of my favorites. It truly expresses my<br />

love—and sometimes overwhelming obsession—with<br />

a good read.<br />

52. Threesome<br />

Harald Mühlhoff, Germany<br />

Trying to meet the expectations of others to the<br />

point of becoming a sexy household asset bound<br />

to the point of immobility. My kind of photographic<br />

humor...so you are warned.<br />

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53. Sleeping fire<br />

Edoardo Dusina, Italy<br />

An abstract composition that depicts<br />

a young boy holding an old bouquet<br />

of sunflowers. The boy is lying<br />

down (as if asleep) on burning coals.<br />

It symbolizes a tormented soul that<br />

finds comfort in nature. However, his<br />

suffering ruins nature (sunflowers are<br />

dry), creating a strong bond.<br />

54. Darling, I wait for you home<br />

Moník Molinet, Cuba<br />

This is a self portrait with a mask of<br />

my happy face on and dressed in<br />

my husband’s clothes. It is part of a<br />

self-portrait series called “A woman<br />

who doesn’t fit.”<br />

I question and explore the modern<br />

circumstances of the human being,<br />

immersed in a deep chaos, with the<br />

belief of belonging to an orderly<br />

world, alienated by the terrible need<br />

to align socially.<br />

Me cuestiono y exploro las circunstancias<br />

modernas del ser humano,<br />

inmerso en un profundo caos con la<br />

creencia de pertenecer a un mundo<br />

ordenado, enajenado por la terrible<br />

necesidad de alinearse socialmente.<br />

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55. Pain it snail<br />

Julia Wimmerlin, China<br />

What do you see—an abstract shape,<br />

a quirky fashion, a sexy girl, or a<br />

surreal scene of a snail-painter? The<br />

true essence of perception lies in the<br />

eyes of a beholder. We can assume<br />

that a child or a dreamer will see a<br />

fairy-tale of a painting snail, a fashionista<br />

sees a fashion story, a female<br />

body appreciator sees a sexy girl,<br />

an artist sees a play on shapes and<br />

complementary colors. But a philosopher<br />

could detect a wanderer on a<br />

life path and a human rights activist<br />

might see a study of the clichés of<br />

objectified female beauty and commercial<br />

advertising values. You only<br />

know what lies beneath if you trouble<br />

yourself to look further.<br />

56. Hot And Cold<br />

Operuit Umbrosa, UAE<br />

I wanted to illustrate the gulf that<br />

exists between who we are—who<br />

we know we are—and who the world<br />

perceives us as being in a simple-yet-powerful<br />

way. Being Arabic<br />

and a Muslim, the one example that<br />

comes to mind as soon as such<br />

questions are raised is the abaya/hijab-clad<br />

Muslim woman.<br />

This picture was my attempt to drive<br />

the point home in a simple-yet-powerful<br />

way, and the look that Nastya<br />

gives the camera here, reflected in<br />

the mirror, says plenty without having<br />

to show too much.<br />

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57. Home-made Scars<br />

Adeolu Osibodu, Nigeria<br />

It’s been a week and a half since my<br />

surgery. Where do I go from here?<br />

What do I do with what is left of me?<br />

How could a femur-fractured boy<br />

come out victorious from this predicament,<br />

all caused by a skateboard?<br />

I have these scars on my face. I feel<br />

less handsome. Would I even kiss<br />

myself? Oh, what have I done?<br />

58. Me and my TV<br />

Petr Hricko, Czech Republic<br />

I started to use the old TV in pictures<br />

instead of my head and to simply<br />

shoot it in the countryside. I wanted<br />

to draw attention to the fact that<br />

being outside is the best TV program<br />

I know, and to indicate my attitude<br />

towards TV broadcasting in general.<br />

Over time, the TV totally fell apart, so<br />

I’ll have to put it together and put in<br />

on display somewhere. It’s a legend<br />

for me.<br />

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59. Industrial Aftermath<br />

Benno Klier, Germany<br />

This image stands as a symbol for<br />

the rapidly-approaching age where<br />

AI-driven machines and industrial<br />

plants may have made us redundant<br />

and where, at the end, only two<br />

things remain: regret that we have<br />

not opened our eyes in time and the<br />

memory of what we have lost.<br />

The apocalyptic scenery reflects<br />

exactly this moment, a single human<br />

with industrial plants in the distant<br />

background, embedded in a<br />

frosty atmosphere.<br />

60. hidden thoughts<br />

Miriana Pinna, Slovenia<br />

My purpose here was to portray body<br />

confidence and the fact that our mind<br />

is the only true element that sometimes<br />

still needs to hide from others’<br />

gazes. The body shows a perfect<br />

harmony with surroundings, without<br />

feeling ashamed, in a totally relaxed<br />

pose. Yet the head and its discomfort<br />

at people’s opinions is what really<br />

lies beneath.<br />

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61. Same Deep Water As You<br />

Kindra Nikole, United States<br />

This image was inspired by The Cure’s song<br />

“The Same Deep Water As You,” and is meant to<br />

evoke the feeling of helplessness elicited by being<br />

tangled in relationships that are harmful to us. The<br />

figure grasps at her own throat, desperate for air,<br />

as the watery depths pull her down. The vibrant<br />

blindfold keeps her from seeing what is happening<br />

to her and around her. And yet, she is capable of<br />

saving herself—of removing the blindfold and<br />

swimming to safety.<br />

This image was shot during winter in a river in the<br />

Pacific Northwest. The model, Alicia, was an<br />

unbelievable champion, submerging herself almost<br />

entirely in the frigid water to get this shot with me,<br />

while I waded in waist-deep. Both she and I promptly<br />

fell ill the next day for a week, and yet both of us felt<br />

the struggle was worth what we captured: an image<br />

that acts as a reminder of the hardships of intimate<br />

relationships, and the power we as individuals<br />

possess even when we feel at our most helpless<br />

and hopeless.<br />

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62. oral examination<br />

Denise Kwong, Australia<br />

What lies within? The entry into the<br />

lesser-known and lesser-seen of the<br />

human body.<br />

63. Rose<br />

Laura Ferreira, Trinidad And Tobago<br />

This costume, titled “Rose,” was<br />

designed by Keegan Simon for Lost<br />

Tribe Carnival in Trinidad and Tobago.<br />

I asked the model to keep her body<br />

still but throw the costume’s “tendrils”<br />

outward, as Charlie the pug’s<br />

owner pleaded with him to stay very,<br />

very still.<br />

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64. Feelings<br />

Jovana Rikalo, Serbia<br />

Do you know that feeling when you<br />

hold your emotions inside and you<br />

are suffering? Just be you and let<br />

those emotions come out of you.<br />

Meet wonderful people with the same<br />

emotions that you have.<br />

65. red dream<br />

Yannis Ntarlas, Greece<br />

When someone sees this photo, they<br />

probably don’t know what it is about.<br />

It is an imprisoned woman—is this<br />

some kind of ritual? Well, no, it is<br />

a woman masquerade for Carnival!<br />

There is always more to what you see<br />

and what lies beneath.<br />

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66. perspective optical illusion<br />

Da Mine, Georgia<br />

The basket and the red color of the<br />

spiral creates an optical illusion in<br />

this linear, urban space. That’s why<br />

I made the decision to take this photo.<br />

I got lucky because the girl was<br />

also dressed in minimalistic colors<br />

and she became part of the landscape<br />

easily.<br />

67. My son<br />

Ирина Хромова, Russia<br />

My adult, and at the same time, little<br />

eldest son.<br />

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68. Pastel<br />

William Trostel, United States<br />

On this day, me and the model, Vasia,<br />

met up to roam around the City of<br />

Harrisburg, PA. After shooting for a<br />

while and roaming around the city,<br />

we decided to head up into a parking<br />

garage. Being a sunny day, I figured<br />

I’d use the harsh shadows, as well<br />

as the architecture, to my advantage.<br />

This is what we came up with<br />

for composition. As far as editing, I<br />

wanted something with big color and<br />

obvious contrast. And that idea is<br />

where this photo was born.<br />

69. Yellow!<br />

Alexander Zykov, Russia<br />

I photographed Cate for three hours<br />

in the studio. Then we decided to<br />

continue shooting on the roof of a<br />

tall building, which is located nearby.<br />

Cate’s shoes rubbed her feet. She<br />

took off her shoes and walked barefoot<br />

all the way. All the people on the<br />

street looked at us, and it made her<br />

very joyful. A strong wind blew on the<br />

roof. Cate had a yellow ribbon, like<br />

her dress. The ribbon flew beautifully<br />

through the air. Cate jumped and<br />

swung the ribbon from side to side.<br />

I took a thousand pictures. In each<br />

picture she smiles, laughs, and looks<br />

absolutely happy.<br />

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70. Yearn<br />

Eric, China<br />

A long life, up and down, a search.<br />

The longing for a sincere life in my<br />

heart is like the longing for myself to<br />

be a fish in my works.<br />

71. FCUK ...<br />

Picha tu, Kenya<br />

Life is hard and so you’ve got to<br />

harden yourself. Be strong and face<br />

the turbulence of life.<br />

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Photo by Allison Morris<br />

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72. Stronger<br />

milos nejezchleb, Czech Republic<br />

Photo from my long-term photo series “Stronger,”<br />

in which I take photos of ordinary people who have<br />

been through something extraordinarily difficult,<br />

which has made them stronger. The heroine of this<br />

story is Katka (Cathy), a victim of domestic violence.<br />

Katka was 18 years old when her mother died<br />

tragically, and she had to take care of her younger<br />

brother. Her then-husband, father of her son, was<br />

supposed to support her.<br />

Instead, he turned out to be a rapist, and Katka was<br />

forced to flee with her son. Her husband found her,<br />

and one January afternoon, he fired two shots at her.<br />

After that, he turned the gun on himself.<br />

Having undergone several operations, Katka survived.<br />

Gradually, she began to live a new life with<br />

her new partner, who became her second husband<br />

later. She was getting rid of fear and gaining<br />

self-confidence. Many years later, though, the marriage<br />

broke up and they got divorced. A couple of<br />

months later, her ex-husband committed suicide by<br />

shooting himself. Ironically, he killed himself with the<br />

weapon he had once bought to protect Katka.<br />

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73. Nightmare<br />

Carlos Gonzalez Vera, Mexico<br />

What I wanted to show in this picture<br />

is how sometimes you feel trapped,<br />

persecuted, in a very dark place inside<br />

of you, almost as if demons were<br />

trying to suffocate you. Fortunately,<br />

I found a way to get out of that. Only<br />

Jesus Christ.<br />

74. Alone in nature<br />

Adi Perets, Israel<br />

I always wanted to be free, body and<br />

mind as one.<br />

To explore, to meet new peoples.<br />

That’s the meaning of traveling. Join<br />

my journey.<br />

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75. Her country<br />

Marta Syrko, Ukraine<br />

She is staring at herself in the mirror.<br />

Outside is an old city. It is cold.<br />

She is scared.<br />

I was shooting at the studio of my<br />

friend. She is an artist. When I was<br />

taking photos, I thought that it is<br />

very important for an artist to speak<br />

about her or his fears. To verbalize<br />

loneliness and sadness. While doing<br />

it, rely on the environment. Sometimes<br />

old windows with views on old<br />

cities can describe yourself more<br />

than you ever would.<br />

76. And a fish<br />

Marie Dashkova, Russia<br />

What lies beneath<br />

It is hard to tell<br />

There is a fight<br />

There is a play<br />

She is Scorpio<br />

She loves fishes<br />

The story beneath<br />

Is about secret wishes<br />

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77. Abandoned Village<br />

Khaled Bakkora, UAE<br />

The “Abandoned Village” is an<br />

interesting place between the city<br />

and the desert, where we can see<br />

the power and the beauty of nature<br />

at the same time.<br />

78. Awaiting<br />

Leonard Loh, United Kingdom<br />

The climb is hard but the view is<br />

great. When you hit a wall in your<br />

path, it’s not the end. Take a breather<br />

and enjoy the moment. When the<br />

time comes, you will find a door that<br />

will lead you to a new venture.<br />

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79. The escape<br />

Sofia Ugrik, Spain<br />

Most people live in their comfort<br />

zone for years and don’t want to see<br />

its limitations. A man is used to it.<br />

He’d rather submit to the inconvenience<br />

than to start something new.<br />

But there are the ones who don’t<br />

agree with it. They already knew that<br />

happiness was outside of their comfort<br />

zone. A child inside of them is<br />

trying to break free. Out of the limits.<br />

To find the way to harmony. The deck<br />

chairs and clouds are the symbols of<br />

comfort, but the puddle is the opposite.<br />

The white wall is the boundary.<br />

The main character is the child who<br />

sleeps inside of us, more and more<br />

with every year.<br />

80. The Cult<br />

Maria Kinosian, Russia<br />

It’s a melancholic and a little-bit-naive<br />

portrait series which I call “The Cult.”<br />

Once a year in Russia, on the night<br />

before the Christmas, young women<br />

used to get together to do rituals to<br />

look into the future. I wanted to show<br />

the mysterious and sacral ritual of<br />

fortune-telling.<br />

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81. Bending<br />

Yaniv Berman, Israel<br />

Before going onstage, before<br />

the audience rushes in, the singer<br />

bends her body and stretches her<br />

vocal cords.<br />

82. can you hear me talking on my<br />

own<br />

Renat Renee-Ell, Russia<br />

Human as a thing in itself.<br />

There is a concept in philosophy. It<br />

says that it is impossible for a person<br />

to find out what things are as defined<br />

by their existence, beyond our concept<br />

of them.<br />

This photo is about searching and<br />

self-determination, immersion<br />

through established ideas, and stereotypes<br />

to the point. Human personality<br />

is like a box of traits formed<br />

through social and cultural communication,<br />

at the bottom of which lies the<br />

true beginning.<br />

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83. Play the Game<br />

Raceala Elena, Romania<br />

Street photography in black and<br />

white. From the 13th floor of a hotel<br />

in Mamaia, a resort on the Black<br />

sea coast, in Romania. I saw this boy<br />

playing football on the beach and I<br />

took this picture. I wanted to send a<br />

message through the title. So, light or<br />

shadow, both are essential to “Play<br />

the Game.”<br />

84. Cocoon<br />

Olga Melnikova, Russia<br />

The photo was taken with the<br />

message that there are times<br />

when a person needs to be alone.<br />

Turn to the world, naked on its back,<br />

and trust him.<br />

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85. Artbortion<br />

Lis DH Magnus, Norway<br />

I try to create from a place where innovative ideas<br />

and images flourish.<br />

I know from experience that music, books, nature,<br />

movies, etc. can be great sources of inspiration. The<br />

closest I’ve come to channeling weird images/ideas<br />

are dreams, or the state of conscious dreaming. You<br />

know—the place you’re in just before you wake up<br />

in the morning. My challenge is to pull these images<br />

over to the awakened state. Sometimes I do succeed,<br />

though.<br />

Three weeks ago, I had another weird image being<br />

pulled from my subconscious.<br />

I saw our green garage door open just a tad. There<br />

were three bird boxes hanging on the garage door<br />

in a certain pattern. I’ve stopped trying to interpret<br />

these images; every answered question only seems<br />

to spiral off into new ones. I guess I started accepting<br />

what “is,” instead.<br />

This time around, I used the image from my dream<br />

as a background, and spun off to see what would<br />

come out of it. Eggs were natural elements with<br />

which to play, in relation to the birds’ boxes.<br />

I finished the image but still had no clue as to what<br />

it was all about, until I asked my husband. He interpreted<br />

it as the issue of twin abortions. In Norway,<br />

we have had politicians arguing about women’s<br />

rights when it comes to twin abortions. The image is<br />

a crossover between a physical message (twin abortion),<br />

and an intuitive one (the image in my dream,<br />

the background), so I chose to call it “artbortion.”<br />

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86. spring is coming<br />

Dima Minakin, Russia<br />

This photo speaks to the approach of<br />

spring. You can walk until night, shoot<br />

not just indoors, and enjoy nature.<br />

87. Mourning Ceremony<br />

Emrah Karakoç, Turkey<br />

This photo was shortlisted for the<br />

2017 Sony World Photography<br />

Awards Exhibition and was awarded<br />

the National Award for Turkey.<br />

Mourning ceremonies are held each<br />

year for Iranian people. My friend<br />

and I decided to go to the event.<br />

We were in the city of Erdebil, which<br />

has great activity, and waited for the<br />

meeting time.<br />

It was necessary to find a suitable<br />

spot for photography in front of an<br />

impressive crowd. As a result of the<br />

long interviews, I had the chance to<br />

get to the top of a building and I had<br />

the opportunity to catch an impressive<br />

photo, right from the traditional<br />

story of the crowd.<br />

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88. The window on the courtyard<br />

Angela Ravaioli, Italy<br />

The windows in front, with two men<br />

who look like the same man. The<br />

case of both appearing from the window<br />

of the house. The same man or<br />

two different men?<br />

89. Horace<br />

Ian Ross Pettigrew, Canada<br />

Horace was part of a project photographing<br />

aging veterans. Horace was<br />

an American vet that served in WWII<br />

and helped to liberate Italy. He was<br />

92 when this photo was taken.<br />

The project started because all of<br />

these veterans—both in the USA and<br />

in Canada—are aging and not having<br />

their stories told. This is especially<br />

true of veterans from WWII and<br />

Vietnam. So far, Horace is one of 13<br />

people who have sat for the project.<br />

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90. Maroon<br />

Angel Torres, Spain<br />

In the search for our identity and our<br />

place in the world, sometimes we<br />

feel the need to belong to something<br />

bigger than us, the need to fit like a<br />

piece of the puzzle.<br />

91. Contrast<br />

Laureen Burton, Canada<br />

Black, white, black, white...I like<br />

stripes and stripes. It’s almost utopia;<br />

it allows the harmonious cohabitation<br />

of a thing and its opposite!<br />

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Photo by Allison Morris<br />

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92. Of Me & The World<br />

Henry Soon, China<br />

So much of our fashion choices are a reflection of<br />

broader societal trends. And so beneath this facade,<br />

do we have a self that is unique to us, a style that<br />

speaks only of us?<br />

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93. Untitled 2/∞<br />

Daniel Marquez, United States<br />

We only share with the world the<br />

things we want people to know.<br />

Rarely do we go around sharing our<br />

thoughts or expressing how we truly<br />

feel. This image is part of a series in<br />

which I wanted to capture how it feels<br />

to never truly reveal who we are to<br />

the world.<br />

94. black abstract<br />

Ekta Shukla, India<br />

Indian girl in her cultural outfit,<br />

dancing in happiness.<br />

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95. Get Away<br />

Van Ding, China<br />

Photography is a dreaming process<br />

for me. Through the lens, I think<br />

through my own eyes and express it<br />

in some way—create a heart scene<br />

with surreal images, and convey my<br />

own thoughts and emotions. They<br />

are beyond reality, but it is a realistic<br />

portrayal of reality.<br />

96. The future<br />

jkoo, China<br />

I fear that even breathing freely in the<br />

future will be a luxury and I will not<br />

see you close by.<br />

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97. camouflaging<br />

marzia debiase, Italy<br />

The promise to be there forever.<br />

Also to support a table.<br />

98. Streets of Lucknow.<br />

Moh Mandhyan, India<br />

A face with a story.<br />

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Photo by Allison Morris<br />

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99. Life positioning<br />

Estislav Ploshtakov, Bulgaria<br />

“Life positioning” generally refers to the specific behavior<br />

towards others that an individual learns based<br />

on certain assumptions made in life. As I waited in<br />

the shopping center, I looked up and saw the steps<br />

of the people walking across the semi-transparent<br />

path above me. Then I thought that in this life, when<br />

one looks up, there is always someone above him<br />

who is walking around his head. Is the choice to be<br />

top or bottom our own? And is this a determining<br />

factor in our sense of happiness, and a fulfilling life?<br />

The title of the picture came from herself at this moment,<br />

and I shot the man above me.<br />

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100. Lucas Scirocce<br />

Denzel Condo, Mozambique<br />

A person’s eyes can tell millions of<br />

stories. It allows us to get an idea of<br />

who they are and what they’ve been<br />

through. From happiness and contentment<br />

to pain and suffering—the<br />

eyes, they never lie.<br />

101. Transparencia Cero<br />

Walter Gómez Urrego, Colombia<br />

Portrait on glass full of water. This image<br />

aims to represent the purity and<br />

the transition of the virtuous through<br />

the knowledge of itself.<br />

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102. Ghost note<br />

Etienne Plumer, Belgium<br />

This is an attempt to capture an<br />

unseen face and an unheard sound.<br />

Imagination is loud and huge.<br />

You decide!<br />

103. Borders#2<br />

photoborodina, Sweden<br />

After I moved from Russia to<br />

Sweden, I found myself going down<br />

the rabbit hole. I faced a need to<br />

rediscover myself.<br />

For a spectator: “I am” = my borders.<br />

Humbly starting from the borders of<br />

the body, advancing into the social<br />

framework. Well, not always so<br />

“humbly,” I must say…sometimes<br />

to find the border, I have to step<br />

over the edge.<br />

You’ll find some of those borders<br />

instantly recognizable and some are<br />

such that you have to work on ‘em<br />

for a while. Those pictures are an<br />

attempt to convey what it is to try<br />

to find my own boundaries in this<br />

new environment.<br />

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104. The Reader<br />

Chenjin, China<br />

There are a thousand Hamlets in a<br />

thousand people’s eyes. People all<br />

have their own understanding of the<br />

same thing. We need to keep reading<br />

over and over again to search<br />

out what we were missing, and keep<br />

reading over and over again to<br />

explore what is unknown.<br />

105. Gaze<br />

hugoweii, China<br />

The delicate sunshine penetrates and<br />

refracts on the ground from the outer<br />

layer of the shutters. At this moment,<br />

I gaze at this spring space, green<br />

and gentle, and enjoy the peace that<br />

belongs to me.<br />

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106. What Lies Beneath<br />

Amanda Carlson, United States<br />

There are so many different levels<br />

to life, so many layers, so many new<br />

things to discover. This photo represents<br />

a woman who is looking up to<br />

the sky, looking into a new plane, a<br />

new perspective. Yet our perspective<br />

of her is slightly skewed. You can see<br />

she is a beautiful woman, but the water<br />

in front of her skews her features<br />

to look different. We all have different<br />

perspectives: there are always<br />

more layers to what you see, there is<br />

always more that lies beneath.<br />

107. T<br />

Davide Adamo, Italy<br />

When a love story ends, memories<br />

can’t go away. They stay there inside<br />

your mind, slowly fading from your<br />

heart. Crying is sometimes the only<br />

thing you feel you can do, but then<br />

you will be stronger.<br />

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Who We Are<br />

500px is the leading online network for aspiring and<br />

practicing photographers with over 15 million members<br />

worldwide. Photographers come to 500px to discover<br />

and share incredible photos, gain meaningful exposure<br />

in a community that truly cares about photography,<br />

and gain opportunities to get paid for their work and<br />

skills. You won’t find any memes on 500px—just really<br />

great photography.<br />

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Back cover photo by Allison Morris<br />

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