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What<br />
Lies Beneath<br />
A Quest-based gallery,<br />
curated by 500px<br />
and Allison Morris for<br />
CONTACT 2019.<br />
Cover photo by Allison Morris<br />
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What Lies Beneath<br />
Comprised of captivating and conceptual images taken<br />
by 500px photographers around the world, this 107-photo<br />
installation piece is designed to show how one person’s<br />
vision can inspire endless interpretations and spark<br />
diverse works, all born from a single concept.<br />
Inside is a collection of artist statements provided by the<br />
participating photographers.<br />
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1. Coming through<br />
Svein Skjåk Nordrum, Norway<br />
Person hidden by a thin veil, leaning into it.<br />
Reaching out for another dimension—or trying to<br />
contact you?<br />
2. Dancing Soul<br />
Kristina Ponomareva, Canada<br />
The good and bad parts of us are always inside,<br />
throughout our lives. If we don’t accept both sides,<br />
we’ll never find a balance. If we’re fighting with our<br />
nature—we’re imbalanced. If we don’t develop at all,<br />
we lose ourselves.<br />
This photo is a story about a strange kind of beauty.<br />
It’s about finding balance inside: about thin line<br />
between beauty and destructive power that we all<br />
have. Don’t be afraid of everything that’s inside of<br />
you. Explore it, enjoy it, play with it.<br />
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3. Reaching Out<br />
Tiina Weckman, Finland<br />
I love the way that photography can tell us the<br />
stories we need to hear. Everyone fills in the blanks,<br />
and you can interpret them in the way that heals<br />
you. You’re not bound by what the photographer<br />
“meant.” They created the image in a way that was<br />
healing for them. We are united in our humanity.<br />
Maya Angelou said in a poem: “We are more alike,<br />
my friends, than we are unalike.” This is how we can<br />
share art and meaning, even if we see and feel them<br />
in different ways.<br />
4. Soul<br />
Inna Mosina, Russia<br />
About ephemeral, beyond time and space:<br />
reflections of his own soul and where we came from.<br />
The basis of my creativity is reflection. With the<br />
help of photography, I look deep into myself. I am<br />
inspired by the themes of the soul, consciousness,<br />
acceptance, the place of man in our earth and<br />
harmony. All these thoughts and reasoning are born<br />
in my photographs.<br />
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5. Time and Place<br />
Andrew Curry, Japan<br />
Devon and I were walking along the backstreets<br />
of Asakusa, Tokyo, when we happened to come<br />
upon this colorful box, the front of which only<br />
contained a small clock and a long, narrow window.<br />
Not knowing what was inside, Devon walked around<br />
the back, disappeared for a brief second, and then<br />
peered out through the window, telephone in hand.<br />
I saw the perfect opportunity for a photo and asked<br />
her to hold her pose, then snapped the photo you<br />
see here.<br />
6. Cigarette by the window<br />
Edgaras Vaicikevicius, Lithuania<br />
Every morning is a window to a new day. A day<br />
where we can see many things—white and black.<br />
There will be rays of hope and light, and shadows<br />
of the past. A new day is another piece of life. One<br />
small story.<br />
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7. Julia<br />
Dariane Sanche, Canada<br />
External beauty attracts, inner beauty captivates.<br />
As a fashion photographer, I love to conceptualize<br />
my photo shoots by adding textures and craft creations.<br />
My passion for sewing and textures led me to<br />
create this huge skirt out of tulle.<br />
I like my work to be different from others’ and to<br />
distinguish my images with my artistic touch and the<br />
grain of my photos.<br />
8. Cardboard<br />
Kirill Golovan, Canada<br />
Many girls dream of wearing a beautiful lady’s dress.<br />
Only a true-enough lady can show who she is with a<br />
piece of cardboard. But what you will see behind it?<br />
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9. the great below<br />
Nicki Panou, Greece<br />
“I can still feel you, even from so far away.”<br />
To what lengths would you go to be able to talk<br />
again to the one you miss the most?<br />
10. Being Little Bono<br />
Pritush Maharjan, United States<br />
This juxtaposition is based on a routine visit to my<br />
barber shop. I had the opportunity to shoot a few<br />
portraits of kids waiting to get their hair done. As<br />
luck would have it, this guy was waiting with the<br />
Bono Rolling Stone cover. I also happened to have<br />
my most favourite camera, Minolta Autocord, in my<br />
hand. What more could I ask for?<br />
I see a lot of kids that are drawn to different kinds<br />
of music: beneath that is the zeal of being a rockstar—to<br />
be popular, to have a famous name, and of<br />
course, lots of bling.<br />
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11. Elixir<br />
Ante Badzim, Indonesia<br />
More than half of the human body is made up of<br />
water. It is the very reason that we naturally gravitate<br />
towards it, responding to its fluidity and flow.<br />
Water is an integral part of life, a source of energy<br />
with the power to revitalize. It embodies calmness,<br />
strength, and a sensual force that acts on us<br />
physically and emotionally.<br />
The water that lies beneath us, around us, and in<br />
us is medicine for all ages, cultures, and the elixir<br />
of life.<br />
12. everything that kills<br />
Tyler McAuley, United States<br />
Also known as “the invisible man,” this shot shows a<br />
man struggling with his identity.<br />
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13. Our portrait of blue<br />
Jey_X, China<br />
Usually the mirror maps itself, but for this couple, the<br />
other is their mirror. Love is not coincidence, but is<br />
the process of rediscovering oneself on the other<br />
side. The mirror in the photo has this meaning. At<br />
the same time, the mirror gives people a feeling of<br />
separation, so that the viewer can feel the feeling of<br />
dissociation between the male and female protagonists<br />
in the photo. The blue color in the photo is my<br />
focus: the blue is the sky, but is also the sea. It is the<br />
color of hope and the future, as well as mystery, all<br />
in one.<br />
It is like a painful emotion. It is obvious that the male<br />
and female protagonists in the photo are facing an<br />
emotional crisis: the other party in the mirror is no<br />
longer as beautiful as the original, and the heroine<br />
uses a mirror to cover herself, in fact, it is like a blind<br />
eye. Continue to maintain an emotion, perhaps not<br />
because you still like it, but because you are used to<br />
this state of interdependence.<br />
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14. Ignacio<br />
Antoine Martin, United States<br />
Shot in Allapattah, a district of Miami. This man was<br />
one of my hosts there: a bit English, a bit Spanish. It<br />
was very difficult to understand each other, so<br />
it was all based on the look. This is what I wanted<br />
to capture.<br />
15. Ship to wreck<br />
Alexandra Bochkareva, Russia<br />
“Ship to wreck” is a portrait dedicated to our failures.<br />
We all have mistakes we try to forget. This is<br />
a crushing weight, but this is our power at the same<br />
time. The ship always needs an open sea. The girl<br />
sitting on the chair in the waters represents the human<br />
with anchored mind, and the owl represents the<br />
freedom of soul.<br />
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16. I’m with a crowd<br />
Giulia R., Italy<br />
I hate that I’ve created so few images in recent<br />
months. I hate it because I love to create, it relaxes<br />
me, it allows me to speak, and to express myself.<br />
But the need to share and let go still comes back<br />
to me, sometimes.<br />
My head is constantly working on stuff, trying to<br />
learn and create. It’s really crowded inside my brain,<br />
yet you can’t see all that mess. You could say that<br />
from the outside, I look quite calm. Well, I’m just<br />
good at hiding the disorder!<br />
In the meantime, I hope that I’ll find some peace with<br />
my photography.<br />
17. Colour of People<br />
Salman Rajon, Bangladesh<br />
It is not right to consider a man’s entire character<br />
during his bad times. He may have already overcome<br />
so many obstacles—do not diminish him, respect<br />
him. Try to understand him. Help him solve his<br />
problem, stand beside him, improve his conditions.<br />
He could just as easily be a good friend of yours.<br />
It’s been 4 years since I captured this picture, but<br />
many people in my life still do not support my photography,<br />
including my family, because I have no<br />
achievements to show them. That’s why I participated<br />
in this challenge: to show my family that I have<br />
the ability to create good photographs.<br />
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18. French boy<br />
Anastassia Volkova, Estonia<br />
I consider this a brave portrait. Because not<br />
every person can show this real, funny, true<br />
side of themselves.<br />
When we “look” at a person, we usually don’t try to<br />
“see” the person, but there is always more to what<br />
lies beneath every human. Only a few of us are<br />
brave enough to show our true selves.<br />
19. Rielle<br />
Lisa-Marie McGinn, Canada<br />
“Makeup is only a blessing when you can see the<br />
beauty without it.”<br />
This photo is from a beauty series showcasing<br />
different emotions through the use of makeup<br />
and pieces of paper, creating interesting shapes<br />
to show different parts of the face and help<br />
emphasize the makeup.<br />
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20. Dark<br />
Three Painters, China<br />
If you’re in a dark abyss, you might as well reexamine<br />
yourself in the dark and find your inner world.<br />
This environment as a whole was dark, using line<br />
pipes as props and encouraging models to express a<br />
force that is tied.<br />
21. Banana soul<br />
Piotr Werner, Poland<br />
The photo was taken in Studio Quadralite, Kraków,<br />
Poland. I wanted to show a darker red and a brighter<br />
yellow color in order to contrast and pay attention<br />
to the model. The banana earring that’s hanging is a<br />
key ring!<br />
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22. Third Eye<br />
Ben Adle, Sweden<br />
We are living in a world full of filters, different perspectives,<br />
and different views. Respect is a powerful<br />
step towards a better future.<br />
I set two soft lights here, one above the model<br />
(Johanna), and one in front at a slight angle: the<br />
focus is inside the triangle and everything else is<br />
out of focus.<br />
23. Vulnerability<br />
Ari Erma, Belarus<br />
This photo reminds me of who I used to be.<br />
Vulnerable, weak, trusting in everything and everyone.<br />
But now everything seems to be different, in a<br />
better way. Don’t let people manage your life.<br />
It’s only yours.<br />
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Photo by Allison Morris<br />
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24. Oblivion<br />
Peyman Naderi, Kazakhstan<br />
Oblivion is an image pointing to our memories. We<br />
all have memories that at one point in life, we are<br />
bound to forget. Natural light has been used in this<br />
photo, and I tried to create an opposition between<br />
the leaves and the smoke. There’s always a reason<br />
for us to push our memories to a corner of our mind,<br />
so that maybe one day, we’ll need them back to continue<br />
down the road.<br />
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25. Self Reflection<br />
Elnaz Mansouri, Canada<br />
I was born in Tehran, Iran, and immigrated to Canada<br />
with my family in 2003. As a young girl on the verge<br />
of becoming a teenager, I began facing an identity<br />
crisis, due to the language barrier that I experienced<br />
in my daily life, and struggled to find the meaning of<br />
“home.” Being disconnected from my native culture<br />
and unable to communicate socially, I started<br />
looking for an alternative way to reconnect with my<br />
surroundings. The best option was capturing the<br />
Canadian landscape through photography. Nature<br />
is a mirror to my identity, and I continuously build<br />
upon my definition of “home” through observing and<br />
reflecting on the landscape.<br />
26. Varia<br />
Saule Khaliullina, Russia<br />
March 8, a special day for women, is not explicitly<br />
accepted by both women and men. For me, this<br />
date was always a day of respect for mothers,<br />
grandmothers, love, and gratitude without political<br />
or social overtones.<br />
Now, the tendency to complicate everything in the<br />
modern world gives some people an excuse to turn<br />
this day into a negative perception of women’s freedom<br />
and the struggle for women’s rights.<br />
This photo reflects the imagery and emotional state<br />
of a woman who is tense, waiting, scared, but hopeful.<br />
Behind this photo is a big and important story.<br />
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27. Minimal Mysterious Mood<br />
Lalisa Doniho, Indonesia<br />
The essence of simplicity, mystery, and minimalism,<br />
which I like.<br />
28. Hidden faces<br />
Malo Malo, France<br />
“Hidden faces” is a fashion photo series made for<br />
the French fashion magazine Citizen K, which treats<br />
the theme of hidden identities.<br />
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29. Blurry mind<br />
Estelle Couturier, France<br />
“Blurry mind” represents the impact of drugs on a<br />
schoolboy. His head is far away from his mind. His<br />
head is trapped by plastic, which represents the<br />
drugs. He is still standing, but this is only the stage<br />
of addiction, he is not yet conscious of the danger.<br />
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30. In captivity<br />
Filipp Rabachev, Russia<br />
We are captive to our fears. My parallel worlds.<br />
Invisible to the eye. In captivity of disappointment,<br />
thoughts, and hopes for the future.<br />
31. You ain’t goin’ Nowhere<br />
Petros Sofikitis, Greece<br />
The dark side of a relationship. A binding one. Mostly<br />
physical, overwhelmed by need. Utterly dangerous.<br />
Where the other is not viewed as a separate<br />
being who takes part and responds to a summons of<br />
love, but is instead felt as if he or she is a functional<br />
part of the subject’s soul and body. That is why he or<br />
she should not go. For if they do, the subject’s own<br />
existence would be at risk.<br />
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32. Clearer than you see<br />
Agnieszka Paśko, Poland<br />
Part of “Agliophobia” photo series. Agliophobia is a<br />
term which means a fear of emotional and physical<br />
pain. This photograph is a self-portrait. It is captured<br />
in a beautiful style, but it reveals some scratches and<br />
scars, which shows past experiences.<br />
33. Escape From Life<br />
ting long, Singapore<br />
This photo represents people in modern cities that<br />
play multiple roles and make themselves stressed<br />
and tired. Vacation is always the way they escape<br />
from work and pressure, temporarily. The woman<br />
in this photo is going on her vacation but still looks<br />
uneasy, due to the suitcase she’s taking, which is full<br />
of what makes her heavy: the responsibilities of her<br />
job, her social relationships, and her anxieties for<br />
the future. Sometimes we want to escape from real<br />
life, but the reality of pressure is always there.<br />
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34. Try to be blind<br />
Wang Qiang, China<br />
The girl in the photo is not conventionally beautiful:<br />
she has ordinary features and has a bit of an<br />
inferiority complex. Before taking this photo, she<br />
kept saying, “Don’t be too ugly, don’t be too ugly.”<br />
However, I think her slender white arms are as<br />
beautiful as butterflies.<br />
- In photography, close one eye and look with<br />
your heart; try to be blind, maybe there will be<br />
more beauty.<br />
35. The blinded girl and her inner turbulence<br />
Guida Shen, Tanzania<br />
She’s blinded yet sensitive and observant, cautiously<br />
tempting and exploring. The blurred view with a<br />
blinder is unrealistically peaceful. She starts feeling<br />
a pulse, a spark, which she’s struggling to understand.<br />
The blinded girl found her vision, yet she<br />
chooses to be blinded sometimes<br />
- self portrait for path of self-growth.<br />
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36. Going Up<br />
Aaron Ricketts, United States<br />
“Going Up” is one of ten images in a series titled,<br />
“If It’s Heavy, Take a Break.” In each photo, there is<br />
a feeling of an obstacle, either one that has put you<br />
in a precarious position, or one that you see lying<br />
ahead. This scene exemplifies exhaustion in the face<br />
of a complex and relentless world. Rather than getting<br />
on the elevator, this man simply lays down with<br />
his head in the elevator doors, hoping to be swallowed<br />
by it. And yet the walls overwhelm the scene<br />
with a vibrant yellow, creating a contrast between<br />
joy and dread.<br />
37. Migratory Bird<br />
Zhou Yibai Bai, China<br />
“They said photography is beyond skill, full of affection,<br />
the best, and then with the displacement.”<br />
Humayi North Wind, Yue Bird’s Nest, South Branch<br />
365 days a year, just want to eat 300 days of hot pot<br />
I want to take a hometown that combines tradition<br />
with fashion.<br />
(This style of headwear is a spice in Sichuan hot<br />
pot. The ground is a kimchi altar. It is also a kind of<br />
Sichuan cuisine. Improved cheongsam worn on the<br />
body. They are all things that integrate some of the<br />
hometowns in Sichuan.<br />
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Photo by Allison Morris<br />
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38. Untitled (from Sunyata series)<br />
Rafael Roncato, Brazil<br />
Appropriates the concept of emptiness. Sunyata<br />
(Sanskrit) is often translated as empty or, more precisely,<br />
emptiness. Emptiness is a characteristic of the<br />
phenomena: nothing has an independent existence,<br />
an essential identity. Everything integrated in life<br />
undresses an absolute identity, and is impermanent,<br />
interrelated, and interdependent, so that nothing is<br />
totally self-sufficient or detached from the whole. All<br />
things are in a dynamic state of constant flux. What<br />
is emptiness but an infinite potency?<br />
39. Rainbow Project<br />
Sokari. eu, United Kingdom<br />
Part of a project I am working on, which explores<br />
the relationship between sexuality, depression, and<br />
loneliness. The rainbow-colored organza fabric is a<br />
symbolic permanent veil over the subject, whom is<br />
lost and alone in his own world.<br />
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40. Traditional Peyattam Artis<br />
Sarathi Thamodaran, India<br />
Peyattam (Ghost Dance) is a supportive performance<br />
for “Kaniyan Koothu,” which is also known as “Kaniyanaattam.”<br />
Associated with the graveyard god<br />
“Sudalaimadan” and popular in the southern districts<br />
of Tamilnadu / India, Kaniyan Koothu is performed by<br />
8-9 artists and is named after the tribes called Kaniyan,<br />
which perform it for their clan deity.<br />
A man wearing a fierce mask performs Peyattam<br />
(Ghost Dance). He slits his hand and sprinkles his<br />
blood on the food offered to god; it is reminiscent of<br />
human sacrifice once popular in India.<br />
Beneath the Peyattam mask still thrives the old, ritualistic<br />
practices and nostalgia that are being transferred<br />
from generation to generation.<br />
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41. upside down<br />
Shubhra Sharma, India<br />
When the world tries to push you down,<br />
Keep no worry and say it loud<br />
So what if my world has turned upside down,<br />
I know I’ll rise even when I fall down.<br />
Life is an abstract reality of situations that comes<br />
your way,<br />
Make it your strength and act like you’re the winner<br />
of this game!<br />
42. POP<br />
Violette Nell, France<br />
This image is part of my series of photos called<br />
“POP.” I wanted to revisit the artistic movement of<br />
pop art, in my own way, by integrating objects that<br />
are in turn ephemeral (like balloons) and plucked<br />
from everyday life / consumer society (food, soda,<br />
an ironing board) or popular culture (like a Batman<br />
mask) with the desire to sublimate them and thus<br />
give them an artistic and poetic dimension.<br />
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43. The Eye in the Mirror<br />
Art Weinberg, Austria<br />
A glance at another person’s hand mirror can tell<br />
you a secret. Here, it shows two different details of<br />
his face: not enough to see the person, but enough<br />
to look into his eye. To look into a human eye is like<br />
a look into his soul. The other detail shows his lips.<br />
What will he say? But the story behind the photo can<br />
only be experienced by looking at that person’s face.<br />
44. Time Dilation<br />
Amelie Satzger, Germany<br />
This photo is from my newest project,<br />
“What is reality?”<br />
This project is about the physical understanding of<br />
reality. I read two books by Stephen Hawking, “The<br />
Grand Design” and “A Brief History of Time,” then<br />
extracted theses from the books and visualized them<br />
into artful, surreal images. Every picture stands for<br />
another thesis.<br />
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45. Sweet overdose<br />
Ilya Blinov, Russia<br />
Everything you do has consequences.<br />
The visual language of the picture is based on a<br />
rhythm of repeated objects (candies and dots on<br />
clothes). I got the idea when I saw my girlfriend drop<br />
a bucket of popcorn. I was watching her on a floor<br />
among many small pieces and it seemed very scenic.<br />
The picture is shot in studio. Every candy was placed<br />
on set manually.<br />
46. Face<br />
Daria Klepikova, Russia<br />
Sometimes it’s hard to come to terms with what life<br />
brings to us. At such moments, we start to think<br />
about how to change everything...and we start to<br />
change ourselves! This shoot is part of the project<br />
“The Effects of Plastic Surgery,” where the end result<br />
is never known.<br />
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47. The Moon<br />
Ksenia Thorn, Russia<br />
She hides herself behind the wall<br />
And never sees the light,<br />
She seeks the future, but it’s cold<br />
And Darkness by her side.<br />
Tomorrow brings another day<br />
And she will start again<br />
To search the lighthouse on her way<br />
Through neverending rain.<br />
48. TO BE OR NOT TO BE<br />
nima chaichi, United States<br />
As a photographer with an architectural background,<br />
I look at fashion as a form of architecture—a place<br />
where we live and breathe, feeling ourselves in our<br />
own space, in the context of the physical space<br />
surrounding us. Our fashion is our second skin:<br />
it can be rough and gritty, smooth and sleek, subtle<br />
and modern, even magical and mesmerizing.<br />
It can make a statement about society, it can simply<br />
serve us in functionality, and help us feel safe, brave,<br />
and beautiful.<br />
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49. Identity<br />
Ricardo Irimia, Spain<br />
What is identity? Is it static, fixed, and permanent?<br />
Identity is built based on layers of memories,<br />
emotions, transformations, and becomings. The<br />
deeper layers are inevitably degraded, so identity<br />
is built on ruins.<br />
50. White Flame<br />
Jorge Miguel Blazquez, Spain<br />
Sometimes we need to escape from our own lives,<br />
break with the past, with our fears, or self-consciousness.<br />
This photo represents both the flame that<br />
burns all the bad and the chrysalis that represents all<br />
the new to come.<br />
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51. For the love of books<br />
Steven Guzzardi, United States<br />
I remember it was a Thursday. I was sitting at my<br />
computer, killing time, when this idea just struck me.<br />
I have always been an avid reader, and this image<br />
just appeared to me in that moment. I knew then that<br />
I had to create it right away. I immediately filled up<br />
two large bags of books, all hardcovers, and headed<br />
out. It only took about a half an hour to do, but<br />
it remains one of my favorites. It truly expresses my<br />
love—and sometimes overwhelming obsession—with<br />
a good read.<br />
52. Threesome<br />
Harald Mühlhoff, Germany<br />
Trying to meet the expectations of others to the<br />
point of becoming a sexy household asset bound<br />
to the point of immobility. My kind of photographic<br />
humor...so you are warned.<br />
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53. Sleeping fire<br />
Edoardo Dusina, Italy<br />
An abstract composition that depicts<br />
a young boy holding an old bouquet<br />
of sunflowers. The boy is lying<br />
down (as if asleep) on burning coals.<br />
It symbolizes a tormented soul that<br />
finds comfort in nature. However, his<br />
suffering ruins nature (sunflowers are<br />
dry), creating a strong bond.<br />
54. Darling, I wait for you home<br />
Moník Molinet, Cuba<br />
This is a self portrait with a mask of<br />
my happy face on and dressed in<br />
my husband’s clothes. It is part of a<br />
self-portrait series called “A woman<br />
who doesn’t fit.”<br />
I question and explore the modern<br />
circumstances of the human being,<br />
immersed in a deep chaos, with the<br />
belief of belonging to an orderly<br />
world, alienated by the terrible need<br />
to align socially.<br />
Me cuestiono y exploro las circunstancias<br />
modernas del ser humano,<br />
inmerso en un profundo caos con la<br />
creencia de pertenecer a un mundo<br />
ordenado, enajenado por la terrible<br />
necesidad de alinearse socialmente.<br />
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55. Pain it snail<br />
Julia Wimmerlin, China<br />
What do you see—an abstract shape,<br />
a quirky fashion, a sexy girl, or a<br />
surreal scene of a snail-painter? The<br />
true essence of perception lies in the<br />
eyes of a beholder. We can assume<br />
that a child or a dreamer will see a<br />
fairy-tale of a painting snail, a fashionista<br />
sees a fashion story, a female<br />
body appreciator sees a sexy girl,<br />
an artist sees a play on shapes and<br />
complementary colors. But a philosopher<br />
could detect a wanderer on a<br />
life path and a human rights activist<br />
might see a study of the clichés of<br />
objectified female beauty and commercial<br />
advertising values. You only<br />
know what lies beneath if you trouble<br />
yourself to look further.<br />
56. Hot And Cold<br />
Operuit Umbrosa, UAE<br />
I wanted to illustrate the gulf that<br />
exists between who we are—who<br />
we know we are—and who the world<br />
perceives us as being in a simple-yet-powerful<br />
way. Being Arabic<br />
and a Muslim, the one example that<br />
comes to mind as soon as such<br />
questions are raised is the abaya/hijab-clad<br />
Muslim woman.<br />
This picture was my attempt to drive<br />
the point home in a simple-yet-powerful<br />
way, and the look that Nastya<br />
gives the camera here, reflected in<br />
the mirror, says plenty without having<br />
to show too much.<br />
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57. Home-made Scars<br />
Adeolu Osibodu, Nigeria<br />
It’s been a week and a half since my<br />
surgery. Where do I go from here?<br />
What do I do with what is left of me?<br />
How could a femur-fractured boy<br />
come out victorious from this predicament,<br />
all caused by a skateboard?<br />
I have these scars on my face. I feel<br />
less handsome. Would I even kiss<br />
myself? Oh, what have I done?<br />
58. Me and my TV<br />
Petr Hricko, Czech Republic<br />
I started to use the old TV in pictures<br />
instead of my head and to simply<br />
shoot it in the countryside. I wanted<br />
to draw attention to the fact that<br />
being outside is the best TV program<br />
I know, and to indicate my attitude<br />
towards TV broadcasting in general.<br />
Over time, the TV totally fell apart, so<br />
I’ll have to put it together and put in<br />
on display somewhere. It’s a legend<br />
for me.<br />
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59. Industrial Aftermath<br />
Benno Klier, Germany<br />
This image stands as a symbol for<br />
the rapidly-approaching age where<br />
AI-driven machines and industrial<br />
plants may have made us redundant<br />
and where, at the end, only two<br />
things remain: regret that we have<br />
not opened our eyes in time and the<br />
memory of what we have lost.<br />
The apocalyptic scenery reflects<br />
exactly this moment, a single human<br />
with industrial plants in the distant<br />
background, embedded in a<br />
frosty atmosphere.<br />
60. hidden thoughts<br />
Miriana Pinna, Slovenia<br />
My purpose here was to portray body<br />
confidence and the fact that our mind<br />
is the only true element that sometimes<br />
still needs to hide from others’<br />
gazes. The body shows a perfect<br />
harmony with surroundings, without<br />
feeling ashamed, in a totally relaxed<br />
pose. Yet the head and its discomfort<br />
at people’s opinions is what really<br />
lies beneath.<br />
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61. Same Deep Water As You<br />
Kindra Nikole, United States<br />
This image was inspired by The Cure’s song<br />
“The Same Deep Water As You,” and is meant to<br />
evoke the feeling of helplessness elicited by being<br />
tangled in relationships that are harmful to us. The<br />
figure grasps at her own throat, desperate for air,<br />
as the watery depths pull her down. The vibrant<br />
blindfold keeps her from seeing what is happening<br />
to her and around her. And yet, she is capable of<br />
saving herself—of removing the blindfold and<br />
swimming to safety.<br />
This image was shot during winter in a river in the<br />
Pacific Northwest. The model, Alicia, was an<br />
unbelievable champion, submerging herself almost<br />
entirely in the frigid water to get this shot with me,<br />
while I waded in waist-deep. Both she and I promptly<br />
fell ill the next day for a week, and yet both of us felt<br />
the struggle was worth what we captured: an image<br />
that acts as a reminder of the hardships of intimate<br />
relationships, and the power we as individuals<br />
possess even when we feel at our most helpless<br />
and hopeless.<br />
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62. oral examination<br />
Denise Kwong, Australia<br />
What lies within? The entry into the<br />
lesser-known and lesser-seen of the<br />
human body.<br />
63. Rose<br />
Laura Ferreira, Trinidad And Tobago<br />
This costume, titled “Rose,” was<br />
designed by Keegan Simon for Lost<br />
Tribe Carnival in Trinidad and Tobago.<br />
I asked the model to keep her body<br />
still but throw the costume’s “tendrils”<br />
outward, as Charlie the pug’s<br />
owner pleaded with him to stay very,<br />
very still.<br />
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64. Feelings<br />
Jovana Rikalo, Serbia<br />
Do you know that feeling when you<br />
hold your emotions inside and you<br />
are suffering? Just be you and let<br />
those emotions come out of you.<br />
Meet wonderful people with the same<br />
emotions that you have.<br />
65. red dream<br />
Yannis Ntarlas, Greece<br />
When someone sees this photo, they<br />
probably don’t know what it is about.<br />
It is an imprisoned woman—is this<br />
some kind of ritual? Well, no, it is<br />
a woman masquerade for Carnival!<br />
There is always more to what you see<br />
and what lies beneath.<br />
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66. perspective optical illusion<br />
Da Mine, Georgia<br />
The basket and the red color of the<br />
spiral creates an optical illusion in<br />
this linear, urban space. That’s why<br />
I made the decision to take this photo.<br />
I got lucky because the girl was<br />
also dressed in minimalistic colors<br />
and she became part of the landscape<br />
easily.<br />
67. My son<br />
Ирина Хромова, Russia<br />
My adult, and at the same time, little<br />
eldest son.<br />
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68. Pastel<br />
William Trostel, United States<br />
On this day, me and the model, Vasia,<br />
met up to roam around the City of<br />
Harrisburg, PA. After shooting for a<br />
while and roaming around the city,<br />
we decided to head up into a parking<br />
garage. Being a sunny day, I figured<br />
I’d use the harsh shadows, as well<br />
as the architecture, to my advantage.<br />
This is what we came up with<br />
for composition. As far as editing, I<br />
wanted something with big color and<br />
obvious contrast. And that idea is<br />
where this photo was born.<br />
69. Yellow!<br />
Alexander Zykov, Russia<br />
I photographed Cate for three hours<br />
in the studio. Then we decided to<br />
continue shooting on the roof of a<br />
tall building, which is located nearby.<br />
Cate’s shoes rubbed her feet. She<br />
took off her shoes and walked barefoot<br />
all the way. All the people on the<br />
street looked at us, and it made her<br />
very joyful. A strong wind blew on the<br />
roof. Cate had a yellow ribbon, like<br />
her dress. The ribbon flew beautifully<br />
through the air. Cate jumped and<br />
swung the ribbon from side to side.<br />
I took a thousand pictures. In each<br />
picture she smiles, laughs, and looks<br />
absolutely happy.<br />
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70. Yearn<br />
Eric, China<br />
A long life, up and down, a search.<br />
The longing for a sincere life in my<br />
heart is like the longing for myself to<br />
be a fish in my works.<br />
71. FCUK ...<br />
Picha tu, Kenya<br />
Life is hard and so you’ve got to<br />
harden yourself. Be strong and face<br />
the turbulence of life.<br />
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Photo by Allison Morris<br />
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72. Stronger<br />
milos nejezchleb, Czech Republic<br />
Photo from my long-term photo series “Stronger,”<br />
in which I take photos of ordinary people who have<br />
been through something extraordinarily difficult,<br />
which has made them stronger. The heroine of this<br />
story is Katka (Cathy), a victim of domestic violence.<br />
Katka was 18 years old when her mother died<br />
tragically, and she had to take care of her younger<br />
brother. Her then-husband, father of her son, was<br />
supposed to support her.<br />
Instead, he turned out to be a rapist, and Katka was<br />
forced to flee with her son. Her husband found her,<br />
and one January afternoon, he fired two shots at her.<br />
After that, he turned the gun on himself.<br />
Having undergone several operations, Katka survived.<br />
Gradually, she began to live a new life with<br />
her new partner, who became her second husband<br />
later. She was getting rid of fear and gaining<br />
self-confidence. Many years later, though, the marriage<br />
broke up and they got divorced. A couple of<br />
months later, her ex-husband committed suicide by<br />
shooting himself. Ironically, he killed himself with the<br />
weapon he had once bought to protect Katka.<br />
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73. Nightmare<br />
Carlos Gonzalez Vera, Mexico<br />
What I wanted to show in this picture<br />
is how sometimes you feel trapped,<br />
persecuted, in a very dark place inside<br />
of you, almost as if demons were<br />
trying to suffocate you. Fortunately,<br />
I found a way to get out of that. Only<br />
Jesus Christ.<br />
74. Alone in nature<br />
Adi Perets, Israel<br />
I always wanted to be free, body and<br />
mind as one.<br />
To explore, to meet new peoples.<br />
That’s the meaning of traveling. Join<br />
my journey.<br />
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75. Her country<br />
Marta Syrko, Ukraine<br />
She is staring at herself in the mirror.<br />
Outside is an old city. It is cold.<br />
She is scared.<br />
I was shooting at the studio of my<br />
friend. She is an artist. When I was<br />
taking photos, I thought that it is<br />
very important for an artist to speak<br />
about her or his fears. To verbalize<br />
loneliness and sadness. While doing<br />
it, rely on the environment. Sometimes<br />
old windows with views on old<br />
cities can describe yourself more<br />
than you ever would.<br />
76. And a fish<br />
Marie Dashkova, Russia<br />
What lies beneath<br />
It is hard to tell<br />
There is a fight<br />
There is a play<br />
She is Scorpio<br />
She loves fishes<br />
The story beneath<br />
Is about secret wishes<br />
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77. Abandoned Village<br />
Khaled Bakkora, UAE<br />
The “Abandoned Village” is an<br />
interesting place between the city<br />
and the desert, where we can see<br />
the power and the beauty of nature<br />
at the same time.<br />
78. Awaiting<br />
Leonard Loh, United Kingdom<br />
The climb is hard but the view is<br />
great. When you hit a wall in your<br />
path, it’s not the end. Take a breather<br />
and enjoy the moment. When the<br />
time comes, you will find a door that<br />
will lead you to a new venture.<br />
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79. The escape<br />
Sofia Ugrik, Spain<br />
Most people live in their comfort<br />
zone for years and don’t want to see<br />
its limitations. A man is used to it.<br />
He’d rather submit to the inconvenience<br />
than to start something new.<br />
But there are the ones who don’t<br />
agree with it. They already knew that<br />
happiness was outside of their comfort<br />
zone. A child inside of them is<br />
trying to break free. Out of the limits.<br />
To find the way to harmony. The deck<br />
chairs and clouds are the symbols of<br />
comfort, but the puddle is the opposite.<br />
The white wall is the boundary.<br />
The main character is the child who<br />
sleeps inside of us, more and more<br />
with every year.<br />
80. The Cult<br />
Maria Kinosian, Russia<br />
It’s a melancholic and a little-bit-naive<br />
portrait series which I call “The Cult.”<br />
Once a year in Russia, on the night<br />
before the Christmas, young women<br />
used to get together to do rituals to<br />
look into the future. I wanted to show<br />
the mysterious and sacral ritual of<br />
fortune-telling.<br />
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81. Bending<br />
Yaniv Berman, Israel<br />
Before going onstage, before<br />
the audience rushes in, the singer<br />
bends her body and stretches her<br />
vocal cords.<br />
82. can you hear me talking on my<br />
own<br />
Renat Renee-Ell, Russia<br />
Human as a thing in itself.<br />
There is a concept in philosophy. It<br />
says that it is impossible for a person<br />
to find out what things are as defined<br />
by their existence, beyond our concept<br />
of them.<br />
This photo is about searching and<br />
self-determination, immersion<br />
through established ideas, and stereotypes<br />
to the point. Human personality<br />
is like a box of traits formed<br />
through social and cultural communication,<br />
at the bottom of which lies the<br />
true beginning.<br />
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83. Play the Game<br />
Raceala Elena, Romania<br />
Street photography in black and<br />
white. From the 13th floor of a hotel<br />
in Mamaia, a resort on the Black<br />
sea coast, in Romania. I saw this boy<br />
playing football on the beach and I<br />
took this picture. I wanted to send a<br />
message through the title. So, light or<br />
shadow, both are essential to “Play<br />
the Game.”<br />
84. Cocoon<br />
Olga Melnikova, Russia<br />
The photo was taken with the<br />
message that there are times<br />
when a person needs to be alone.<br />
Turn to the world, naked on its back,<br />
and trust him.<br />
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85. Artbortion<br />
Lis DH Magnus, Norway<br />
I try to create from a place where innovative ideas<br />
and images flourish.<br />
I know from experience that music, books, nature,<br />
movies, etc. can be great sources of inspiration. The<br />
closest I’ve come to channeling weird images/ideas<br />
are dreams, or the state of conscious dreaming. You<br />
know—the place you’re in just before you wake up<br />
in the morning. My challenge is to pull these images<br />
over to the awakened state. Sometimes I do succeed,<br />
though.<br />
Three weeks ago, I had another weird image being<br />
pulled from my subconscious.<br />
I saw our green garage door open just a tad. There<br />
were three bird boxes hanging on the garage door<br />
in a certain pattern. I’ve stopped trying to interpret<br />
these images; every answered question only seems<br />
to spiral off into new ones. I guess I started accepting<br />
what “is,” instead.<br />
This time around, I used the image from my dream<br />
as a background, and spun off to see what would<br />
come out of it. Eggs were natural elements with<br />
which to play, in relation to the birds’ boxes.<br />
I finished the image but still had no clue as to what<br />
it was all about, until I asked my husband. He interpreted<br />
it as the issue of twin abortions. In Norway,<br />
we have had politicians arguing about women’s<br />
rights when it comes to twin abortions. The image is<br />
a crossover between a physical message (twin abortion),<br />
and an intuitive one (the image in my dream,<br />
the background), so I chose to call it “artbortion.”<br />
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86. spring is coming<br />
Dima Minakin, Russia<br />
This photo speaks to the approach of<br />
spring. You can walk until night, shoot<br />
not just indoors, and enjoy nature.<br />
87. Mourning Ceremony<br />
Emrah Karakoç, Turkey<br />
This photo was shortlisted for the<br />
2017 Sony World Photography<br />
Awards Exhibition and was awarded<br />
the National Award for Turkey.<br />
Mourning ceremonies are held each<br />
year for Iranian people. My friend<br />
and I decided to go to the event.<br />
We were in the city of Erdebil, which<br />
has great activity, and waited for the<br />
meeting time.<br />
It was necessary to find a suitable<br />
spot for photography in front of an<br />
impressive crowd. As a result of the<br />
long interviews, I had the chance to<br />
get to the top of a building and I had<br />
the opportunity to catch an impressive<br />
photo, right from the traditional<br />
story of the crowd.<br />
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88. The window on the courtyard<br />
Angela Ravaioli, Italy<br />
The windows in front, with two men<br />
who look like the same man. The<br />
case of both appearing from the window<br />
of the house. The same man or<br />
two different men?<br />
89. Horace<br />
Ian Ross Pettigrew, Canada<br />
Horace was part of a project photographing<br />
aging veterans. Horace was<br />
an American vet that served in WWII<br />
and helped to liberate Italy. He was<br />
92 when this photo was taken.<br />
The project started because all of<br />
these veterans—both in the USA and<br />
in Canada—are aging and not having<br />
their stories told. This is especially<br />
true of veterans from WWII and<br />
Vietnam. So far, Horace is one of 13<br />
people who have sat for the project.<br />
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90. Maroon<br />
Angel Torres, Spain<br />
In the search for our identity and our<br />
place in the world, sometimes we<br />
feel the need to belong to something<br />
bigger than us, the need to fit like a<br />
piece of the puzzle.<br />
91. Contrast<br />
Laureen Burton, Canada<br />
Black, white, black, white...I like<br />
stripes and stripes. It’s almost utopia;<br />
it allows the harmonious cohabitation<br />
of a thing and its opposite!<br />
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Photo by Allison Morris<br />
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92. Of Me & The World<br />
Henry Soon, China<br />
So much of our fashion choices are a reflection of<br />
broader societal trends. And so beneath this facade,<br />
do we have a self that is unique to us, a style that<br />
speaks only of us?<br />
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93. Untitled 2/∞<br />
Daniel Marquez, United States<br />
We only share with the world the<br />
things we want people to know.<br />
Rarely do we go around sharing our<br />
thoughts or expressing how we truly<br />
feel. This image is part of a series in<br />
which I wanted to capture how it feels<br />
to never truly reveal who we are to<br />
the world.<br />
94. black abstract<br />
Ekta Shukla, India<br />
Indian girl in her cultural outfit,<br />
dancing in happiness.<br />
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95. Get Away<br />
Van Ding, China<br />
Photography is a dreaming process<br />
for me. Through the lens, I think<br />
through my own eyes and express it<br />
in some way—create a heart scene<br />
with surreal images, and convey my<br />
own thoughts and emotions. They<br />
are beyond reality, but it is a realistic<br />
portrayal of reality.<br />
96. The future<br />
jkoo, China<br />
I fear that even breathing freely in the<br />
future will be a luxury and I will not<br />
see you close by.<br />
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97. camouflaging<br />
marzia debiase, Italy<br />
The promise to be there forever.<br />
Also to support a table.<br />
98. Streets of Lucknow.<br />
Moh Mandhyan, India<br />
A face with a story.<br />
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Photo by Allison Morris<br />
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99. Life positioning<br />
Estislav Ploshtakov, Bulgaria<br />
“Life positioning” generally refers to the specific behavior<br />
towards others that an individual learns based<br />
on certain assumptions made in life. As I waited in<br />
the shopping center, I looked up and saw the steps<br />
of the people walking across the semi-transparent<br />
path above me. Then I thought that in this life, when<br />
one looks up, there is always someone above him<br />
who is walking around his head. Is the choice to be<br />
top or bottom our own? And is this a determining<br />
factor in our sense of happiness, and a fulfilling life?<br />
The title of the picture came from herself at this moment,<br />
and I shot the man above me.<br />
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100. Lucas Scirocce<br />
Denzel Condo, Mozambique<br />
A person’s eyes can tell millions of<br />
stories. It allows us to get an idea of<br />
who they are and what they’ve been<br />
through. From happiness and contentment<br />
to pain and suffering—the<br />
eyes, they never lie.<br />
101. Transparencia Cero<br />
Walter Gómez Urrego, Colombia<br />
Portrait on glass full of water. This image<br />
aims to represent the purity and<br />
the transition of the virtuous through<br />
the knowledge of itself.<br />
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102. Ghost note<br />
Etienne Plumer, Belgium<br />
This is an attempt to capture an<br />
unseen face and an unheard sound.<br />
Imagination is loud and huge.<br />
You decide!<br />
103. Borders#2<br />
photoborodina, Sweden<br />
After I moved from Russia to<br />
Sweden, I found myself going down<br />
the rabbit hole. I faced a need to<br />
rediscover myself.<br />
For a spectator: “I am” = my borders.<br />
Humbly starting from the borders of<br />
the body, advancing into the social<br />
framework. Well, not always so<br />
“humbly,” I must say…sometimes<br />
to find the border, I have to step<br />
over the edge.<br />
You’ll find some of those borders<br />
instantly recognizable and some are<br />
such that you have to work on ‘em<br />
for a while. Those pictures are an<br />
attempt to convey what it is to try<br />
to find my own boundaries in this<br />
new environment.<br />
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104. The Reader<br />
Chenjin, China<br />
There are a thousand Hamlets in a<br />
thousand people’s eyes. People all<br />
have their own understanding of the<br />
same thing. We need to keep reading<br />
over and over again to search<br />
out what we were missing, and keep<br />
reading over and over again to<br />
explore what is unknown.<br />
105. Gaze<br />
hugoweii, China<br />
The delicate sunshine penetrates and<br />
refracts on the ground from the outer<br />
layer of the shutters. At this moment,<br />
I gaze at this spring space, green<br />
and gentle, and enjoy the peace that<br />
belongs to me.<br />
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106. What Lies Beneath<br />
Amanda Carlson, United States<br />
There are so many different levels<br />
to life, so many layers, so many new<br />
things to discover. This photo represents<br />
a woman who is looking up to<br />
the sky, looking into a new plane, a<br />
new perspective. Yet our perspective<br />
of her is slightly skewed. You can see<br />
she is a beautiful woman, but the water<br />
in front of her skews her features<br />
to look different. We all have different<br />
perspectives: there are always<br />
more layers to what you see, there is<br />
always more that lies beneath.<br />
107. T<br />
Davide Adamo, Italy<br />
When a love story ends, memories<br />
can’t go away. They stay there inside<br />
your mind, slowly fading from your<br />
heart. Crying is sometimes the only<br />
thing you feel you can do, but then<br />
you will be stronger.<br />
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Back cover photo by Allison Morris<br />
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