17.07.2020 Views

I saw I thought I remembered

The as if it’s just about to happen book series invites a reengagement with four workshops, facilitated within HZT Berlin’s BA Dance, Context, Choreography course between 2014–2016. Four of HZT’s teaching staff initiated a collaborative writing project with colleagues and HZT students and alumni to access what persists through the entanglement of their artistic and pedagogic practices. They returned to the pedagogic events with the question “What was and is it doing and what can we create with it now?” Initial experiences, notes and memories from the workshops were approached with a strategy of interruption. A specific set of parameters informed a structure of excerpts, footnotes, invitations and responses that produced a new order of connections based on selectivity, discontinuity and proliferation. As a reader you are encouraged to be involved with the passages of writings and drawings within these four books — to follow, skip across, take apart, expand, reassemble, rewrite and respond further. You are invited to experience what is still creating itself, as if it’s just about to happen. IMPRINT Project editor: Litó Walkey. Copy editor: Karen Christopher. Graphic design Milchhof Atelier: Andreas Töpfer, Carsten Stabenow, Printing Steinmeier, Deiningen. Publisher: HZT Berlin and UdK Berlin. 2017.

The as if it’s just about to happen book series invites a reengagement with four workshops, facilitated within HZT Berlin’s BA Dance, Context, Choreography course between 2014–2016. Four of HZT’s teaching staff initiated a collaborative writing project with colleagues and HZT students and alumni to access what persists through the entanglement of their artistic and pedagogic practices. They returned to the pedagogic events with the question “What was and is it doing and what can we create with it now?”

Initial experiences, notes and memories from the workshops were approached with a strategy of interruption. A specific set of parameters informed a structure of excerpts, footnotes, invitations and responses that produced a new order of connections based on selectivity, discontinuity and proliferation.

As a reader you are encouraged to be involved with the passages of writings and drawings within these four books — to follow, skip across, take apart, expand, reassemble, rewrite and respond further. You are invited to experience what is still creating itself, as if it’s just about to happen.

IMPRINT
Project editor: Litó Walkey. Copy editor: Karen Christopher. Graphic design Milchhof Atelier: Andreas Töpfer, Carsten Stabenow, Printing Steinmeier, Deiningen. Publisher: HZT Berlin and UdK Berlin. 2017.

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ook 2 part 1<br />

Florian Feigl with guest contributors<br />

book 2 part 1<br />

Florian Feigl with guest contributors<br />

Invitation<br />

to Tabea<br />

Drawing between happening, becoming something past yet still effecting<br />

possible nows: Over a period of seven days produce a collage, adding an<br />

element per day. Produce a line drawing based on the source material of<br />

the collage through direct copy of a structure, outlines, a shape, words,<br />

a texture.<br />

a poem<br />

Shame on more of the same<br />

And rubber boots are made of oil<br />

A question of taste? maybe not<br />

Fall is when leaves change colours<br />

Deal with things one cannot see<br />

I <strong>saw</strong> I <strong>thought</strong> I <strong>remembered</strong><br />

All that happens when getting closer<br />

Become a memory. Now. And cry.<br />

( 1<br />

( 2<br />

( 3<br />

( 4<br />

( 5<br />

( 6<br />

( 7<br />

( 8<br />

5 )<br />

Images, always images. Bodies amongst other bodies! Moving. Processes in advent. Open to<br />

being devised and experienced. Listening and observing. Gestural processes of choice making<br />

regarding possibilities at hand. Listening and observing. To find out how a rising question can<br />

possibly be articulated. A question that rises out of a process. Question as a situation that allows<br />

to decide what one cannot decide. To find out what one does not know already all the time.

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