I saw I thought I remembered
The as if it’s just about to happen book series invites a reengagement with four workshops, facilitated within HZT Berlin’s BA Dance, Context, Choreography course between 2014–2016. Four of HZT’s teaching staff initiated a collaborative writing project with colleagues and HZT students and alumni to access what persists through the entanglement of their artistic and pedagogic practices. They returned to the pedagogic events with the question “What was and is it doing and what can we create with it now?” Initial experiences, notes and memories from the workshops were approached with a strategy of interruption. A specific set of parameters informed a structure of excerpts, footnotes, invitations and responses that produced a new order of connections based on selectivity, discontinuity and proliferation. As a reader you are encouraged to be involved with the passages of writings and drawings within these four books — to follow, skip across, take apart, expand, reassemble, rewrite and respond further. You are invited to experience what is still creating itself, as if it’s just about to happen. IMPRINT Project editor: Litó Walkey. Copy editor: Karen Christopher. Graphic design Milchhof Atelier: Andreas Töpfer, Carsten Stabenow, Printing Steinmeier, Deiningen. Publisher: HZT Berlin and UdK Berlin. 2017.
The as if it’s just about to happen book series invites a reengagement with four workshops, facilitated within HZT Berlin’s BA Dance, Context, Choreography course between 2014–2016. Four of HZT’s teaching staff initiated a collaborative writing project with colleagues and HZT students and alumni to access what persists through the entanglement of their artistic and pedagogic practices. They returned to the pedagogic events with the question “What was and is it doing and what can we create with it now?”
Initial experiences, notes and memories from the workshops were approached with a strategy of interruption. A specific set of parameters informed a structure of excerpts, footnotes, invitations and responses that produced a new order of connections based on selectivity, discontinuity and proliferation.
As a reader you are encouraged to be involved with the passages of writings and drawings within these four books — to follow, skip across, take apart, expand, reassemble, rewrite and respond further. You are invited to experience what is still creating itself, as if it’s just about to happen.
IMPRINT
Project editor: Litó Walkey. Copy editor: Karen Christopher. Graphic design Milchhof Atelier: Andreas Töpfer, Carsten Stabenow, Printing Steinmeier, Deiningen. Publisher: HZT Berlin and UdK Berlin. 2017.
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the index exists in two places<br />
24 25<br />
Hold me like you’re always with someone and like you like you<br />
Chances of rain are the risk is activity<br />
I am you and you are me<br />
If we ask the listening if it becomes if listening becomes a composition<br />
A flickery voice travels above a field<br />
Response<br />
from Juan<br />
and Johanne<br />
turn a subject into a process conversation transcription<br />
I think we have to I took it very personally<br />
Response<br />
from Suvi<br />
and Liina<br />
I love love it I was on sick leave maybe you can be tired of asking<br />
why or what am I doing find yourself in india<br />
text is the voice of the movie exhaustion<br />
and time is the drama that has to happen<br />
you might be working with this all your life<br />
I don’t know losing it loose jump to a different place<br />
two things I’m obsessed with but I choose a completely other one<br />
this is how I’ve tried to survive destructive or not satisfied<br />
you can take the shit or exhaust the shit<br />
I’m most clearest when I’m in the process of an artistic work<br />
unlikely as a guide
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