Laboratory on Feedback in Artistic Processes 3
In its third edition the "Laboratory on Feedback in Artistic Processes" reflects on "Responses" within performing arts. The results of the previous Labs highlighted the need to take a closer look at the complexity and often subtle implications of feedback within the the artistic process itself. How do artist organise feedback and how do they process it? Who they want feedback from and what are its different roles? How can describe these relationships, and how does it shpae the artistic work? This booklet presents the different views on and experiences of feedback practices that were elaborated during the lab along the beforementioned questions and the insightfull contributions of its participants. Underpinning the following pages, three thematic fields have emerged: the impacts of feedback, feedback as a tool, and practicalities and contexts of feedback.
In its third edition the "Laboratory on Feedback in Artistic Processes" reflects on "Responses" within performing arts. The results of the previous Labs highlighted the need to take a closer look at the complexity and often subtle implications of feedback within the the artistic process itself. How do artist organise feedback and how do they process it? Who they want feedback from and what are its different roles? How can describe these relationships, and how does it shpae the artistic work?
This booklet presents the different views on and experiences of feedback practices that were elaborated during the lab along the beforementioned questions and the insightfull contributions of its participants. Underpinning the following pages, three thematic fields have emerged: the impacts of feedback, feedback as a tool, and practicalities and contexts of feedback.
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at HZT and member of the board of directors s<strong>in</strong>ce 2008. After<br />
study<strong>in</strong>g dance at Hochschule für Musik und Darstellende Kunst<br />
Frankfurt and the Australian Ballet School <strong>in</strong> Melbourne, Nik Haffner<br />
was a dancer from 1994 until 2000 with William Forsythe –<br />
Ballet Frankfurt. Dur<strong>in</strong>g this time, together with William Forsythe<br />
he developed the media publicati<strong>on</strong> Improvisati<strong>on</strong> Technologies<br />
at ZKM, Centre for Art and Media Karlsruhe, where he has subsequently<br />
worked <strong>on</strong> other research projects. As part of his <strong>in</strong>terest<br />
<strong>in</strong> <strong>in</strong>terdiscipl<strong>in</strong>ary and collaborative practices, Nik Haffner<br />
has made works for theatre, film and exhibiti<strong>on</strong>s, often <strong>in</strong> collaborati<strong>on</strong><br />
with other artists, such as Christ<strong>in</strong>a Ciupke, Mart Kangro<br />
and Bernd L<strong>in</strong>termann. With choreographer J<strong>on</strong>athan Burrows<br />
and composer Matteo Fargi<strong>on</strong> he collaborated <strong>on</strong> their 2013 <strong>on</strong>l<strong>in</strong>e<br />
score Seven Duets as part of the web publicati<strong>on</strong> series moti<strong>on</strong>bank.org.<br />
Kirsten Maar works as a dance scholar and dramaturge. Currently<br />
she is a Junior Professor <strong>in</strong> the Dance Department of the Freie<br />
Universität Berl<strong>in</strong>. From 2007-2014 she was a member of the DFG<br />
Collaborative Research Centre “Aesthetic Experience and the Dissoluti<strong>on</strong><br />
of <strong>Artistic</strong> Limits”, part of the project “Topographies of the<br />
Ephemeral”. Her research <strong>in</strong>terests are the <strong>in</strong>tersecti<strong>on</strong>s between<br />
visuals arts, architecture and choreography, spatial c<strong>on</strong>cepts and<br />
k<strong>in</strong>aesthetic experience, scor<strong>in</strong>g practices and compositi<strong>on</strong>. Widely<br />
published, she is also co-editor of Assign and Arrange. Methodologies<br />
of Presentati<strong>on</strong> <strong>in</strong> Art and Dance (Sternberg 2014) and<br />
Generische Formen. Dynamische K<strong>on</strong>stellati<strong>on</strong>en zwischen den<br />
Künsten (F<strong>in</strong>k 2017).<br />
Yar<strong>on</strong> Maïm is a visual artist based <strong>in</strong> Berl<strong>in</strong>. After many years of<br />
experiment<strong>in</strong>g with multiple media (draw<strong>in</strong>g, performance, <strong>in</strong>stallati<strong>on</strong>,<br />
animati<strong>on</strong>, video, pr<strong>in</strong>t media, text, textiles and workshops)<br />
and driven by the desire to cross discipl<strong>in</strong>ary borders, Ya-
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