Laboratory on Feedback in Artistic Processes 3
In its third edition the "Laboratory on Feedback in Artistic Processes" reflects on "Responses" within performing arts. The results of the previous Labs highlighted the need to take a closer look at the complexity and often subtle implications of feedback within the the artistic process itself. How do artist organise feedback and how do they process it? Who they want feedback from and what are its different roles? How can describe these relationships, and how does it shpae the artistic work? This booklet presents the different views on and experiences of feedback practices that were elaborated during the lab along the beforementioned questions and the insightfull contributions of its participants. Underpinning the following pages, three thematic fields have emerged: the impacts of feedback, feedback as a tool, and practicalities and contexts of feedback.
In its third edition the "Laboratory on Feedback in Artistic Processes" reflects on "Responses" within performing arts. The results of the previous Labs highlighted the need to take a closer look at the complexity and often subtle implications of feedback within the the artistic process itself. How do artist organise feedback and how do they process it? Who they want feedback from and what are its different roles? How can describe these relationships, and how does it shpae the artistic work?
This booklet presents the different views on and experiences of feedback practices that were elaborated during the lab along the beforementioned questions and the insightfull contributions of its participants. Underpinning the following pages, three thematic fields have emerged: the impacts of feedback, feedback as a tool, and practicalities and contexts of feedback.
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<strong>in</strong>ues to advise cultural and educati<strong>on</strong>al <strong>in</strong>stituti<strong>on</strong>s, perform<strong>in</strong>g<br />
art companies and artists.<br />
58<br />
Günther Wilhelm was born <strong>in</strong> Munich and tra<strong>in</strong>ed <strong>in</strong> classical and<br />
modern dance. In 2015 he graduated from the Amsterdam University<br />
of the Arts/DAS Choreography. He was a l<strong>on</strong>g term member<br />
of VA Wölfl’s NEUER TANZ and worked with Dumb Type and Anna<br />
Huber, am<strong>on</strong>g others. S<strong>in</strong>ce 2001 he has collaborated with artist<br />
Mariola Groener under the label WILHELM GROENER. Their <strong>in</strong>terdiscipl<strong>in</strong>ary<br />
approach generates a performative-choreographic<br />
oeuvre which unfolds between stage performances, site-specific<br />
works, video works, publicati<strong>on</strong>s and exhibiti<strong>on</strong>s.<br />
www.wilhelmgroener.net
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