20.07.2020 Views

Laboratory on Feedback in Artistic Processes 3

In its third edition the "Laboratory on Feedback in Artistic Processes" reflects on "Responses" within performing arts. The results of the previous Labs highlighted the need to take a closer look at the complexity and often subtle implications of feedback within the the artistic process itself. How do artist organise feedback and how do they process it? Who they want feedback from and what are its different roles? How can describe these relationships, and how does it shpae the artistic work? This booklet presents the different views on and experiences of feedback practices that were elaborated during the lab along the beforementioned questions and the insightfull contributions of its participants. Underpinning the following pages, three thematic fields have emerged: the impacts of feedback, feedback as a tool, and practicalities and contexts of feedback.

In its third edition the "Laboratory on Feedback in Artistic Processes" reflects on "Responses" within performing arts. The results of the previous Labs highlighted the need to take a closer look at the complexity and often subtle implications of feedback within the the artistic process itself. How do artist organise feedback and how do they process it? Who they want feedback from and what are its different roles? How can describe these relationships, and how does it shpae the artistic work?

This booklet presents the different views on and experiences of feedback practices that were elaborated during the lab along the beforementioned questions and the insightfull contributions of its participants. Underpinning the following pages, three thematic fields have emerged: the impacts of feedback, feedback as a tool, and practicalities and contexts of feedback.

SHOW MORE
SHOW LESS

You also want an ePaper? Increase the reach of your titles

YUMPU automatically turns print PDFs into web optimized ePapers that Google loves.

56<br />

Sophia New is the co-founder of plan b with Daniel Belasco Rogers.<br />

S<strong>in</strong>ce 2002 they have made over 27 projects for different<br />

cities, festivals, and galleries. Their work is often site specific and<br />

<strong>in</strong>cludes performance, GPS, sound and video, deal<strong>in</strong>g with issues<br />

around pers<strong>on</strong>al data and the everyday. She also has worked as<br />

a solo performer and video maker. As performer she has worked<br />

with Ant<strong>on</strong>ia Baehr, Penelope Wehrli, Petra Sabisch, Gob Squad,<br />

and Forced Enterta<strong>in</strong>ment. She has taught <strong>on</strong> performance courses<br />

<strong>in</strong> Gloucester University, Aberystwyth University and DasArts<br />

<strong>in</strong> Amsterdam, as well as at the Hafen City University Hamburg,<br />

Leipzig University and the Academy of F<strong>in</strong>e Arts Leipzig. She regularly<br />

teaches Live Art and Performance with Siegmar Zacharias<br />

at Folkwang University for the Arts. Sophia has been teach<strong>in</strong>g at<br />

the HZT s<strong>in</strong>ce 2012, ma<strong>in</strong>ly <strong>on</strong> MA Solo/Dance/Authorship but also<br />

<strong>on</strong> the other two courses, and developed the Makers Open as a<br />

format for all students to show and feedback <strong>on</strong> work at any stage.<br />

Mila Pavićević is a dramaturge and writer from Dubrovnik, liv<strong>in</strong>g<br />

<strong>in</strong> Berl<strong>in</strong>. Dur<strong>in</strong>g her studies of Greek language and literature and<br />

comparative literature at the Faculty of Humanities and Social<br />

Sciences Zagreb, she took part <strong>in</strong> the student protests. Observ<strong>in</strong>g<br />

human movement <strong>in</strong> public space she discovered her <strong>in</strong>terest <strong>in</strong><br />

choreography there and then. Now she holds an MA <strong>in</strong> dramaturgy<br />

from the Academy of Dramatic Arts Zagreb and works <strong>in</strong><br />

different c<strong>on</strong>stellati<strong>on</strong>s, mostly <strong>in</strong> the <strong>in</strong>dependent dance scene.<br />

She tries to write regularly and her works have been published<br />

and translated all over the globe, from Albania and Maced<strong>on</strong>ia<br />

to Japan and Lat<strong>in</strong> America. Nevertheless, she doesn’t believe <strong>in</strong><br />

writ<strong>in</strong>g as a solo act but prefers to work <strong>in</strong> an <strong>in</strong>terdiscipl<strong>in</strong>ary way<br />

<strong>in</strong> collaborati<strong>on</strong> with other artists.<br />

Susanne V<strong>in</strong>cenz studied theatre, film and literature <strong>in</strong> Paris, Berl<strong>in</strong><br />

and Bologna, after which she established staatsbankberl<strong>in</strong>, a

Hooray! Your file is uploaded and ready to be published.

Saved successfully!

Ooh no, something went wrong!