Boxoffice Pro - August 2020
The Official Magazine of the National Association of Theatre Owners
The Official Magazine of the National Association of Theatre Owners
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else. Their Dolby Cinema auditorium<br />
provides one of the flat-out best theatrical<br />
experiences in this part of the country.<br />
Kevin Lally, Executive Editor<br />
Clairidge Theatre<br />
[Today: Bow Tie Clairidge Cinemas]<br />
and the Wellmont Theatre<br />
Montclair, New Jersey<br />
Fox Theatre and Oritani Theatre<br />
Hackensack, New Jersey<br />
Growing up in Bergen County, New<br />
Jersey, one of the most densely populated<br />
counties in the nation, I never realized<br />
how good I had it as a young moviegoer.<br />
It was a short bus ride to New York City’s<br />
Radio City Music Hall, the fabled art deco<br />
entertainment showplace, where your ticket<br />
often got you both a movie and a stage<br />
show. (My first movie there: That Darn Cat!<br />
starring Hayley Mills and Dean Jones.)<br />
But Bergen County also had its own<br />
wonderful movie palaces. In those days<br />
of exclusive road show engagements that<br />
could last for months, even a year, the<br />
movie mecca was Montclair, New Jersey,<br />
with its two huge movie palaces, the<br />
Clairidge and the Wellmont, both opened<br />
in 1922. It was in Montclair—a half-hour<br />
drive from my hometown of Dumont—<br />
that I saw the Oscar-winning musicals My<br />
Fair Lady and The Sound of Music before<br />
they finally branched out to more towns.<br />
Today, the Wellmont is a live-performance<br />
venue, and the Clairidge is a six-plex<br />
operated by Bow Tie Cinemas.<br />
The next tier down in my area of Bergen<br />
County was Hackensack. That town with<br />
the odd name boasted not one but two<br />
bona fide movie palaces, the Fox and the<br />
Oritani, right across from each other on<br />
Main Street. Named for a local Indian<br />
chief, the Oritani opened on May 6, 1926,<br />
with a double bill of Lady Windermere’s<br />
Fan and Nobody’s Business, according to<br />
the invaluable website Cinema Treasures.<br />
Five years later, the art deco Fox debuted<br />
with Jackie Coogan in Huckleberry Finn.<br />
The Fox held more than 2,200 seats, the<br />
Oritani 1,800, and both were beautiful,<br />
ornate temples from a bygone age. I saw<br />
many movies there—the most indelible is<br />
watching Stanley Kramer’s all-star comedy<br />
extravaganza It’s a Mad, Mad, Mad, Mad<br />
World on the Oritani’s huge screen at age 11<br />
and laughing so hysterically at the brutal<br />
fire escape climax my parents almost took<br />
me out of the theater.<br />
“I never realized how good I<br />
had it as a young moviegoer.<br />
It was a short bus ride to New<br />
York City’s Radio City Music<br />
Hall, the fabled art deco<br />
entertainment showplace,<br />
where your ticket often got<br />
you both a movie and a<br />
stage show.”<br />
Sadly, these two New Jersey gems are no<br />
more. According to Cinema Treasures, the<br />
Fox’s last first-run film was Jaws 2 in 1980,<br />
and it was torn down in 1998. The Oritani’s<br />
auditorium was demolished in 1985.<br />
My hometown, Dumont, did not<br />
have its own movie theater. The closest<br />
was in neighboring Bergenfield: the<br />
Palace, which seemed an inapt name<br />
after enjoying the wonders of the Fox and<br />
the Oritani. There I saw many a Disney<br />
cartoon and live-action comedy. In<br />
retrospect, the onetime Spanish Baroque<br />
vaudeville house probably was a palace<br />
by current standards; today it’s a fivescreen<br />
theater, formerly owned by Bow Tie<br />
Cinemas and now independently operated.<br />
Jesse Rifkin, Analyst<br />
AMC Georgetown 14<br />
Washington, D.C.<br />
I perform every Friday and Saturday night<br />
at a piano bar in the Georgetown area<br />
of Washington, D.C. Only a few hundred<br />
feet away is the AMC Georgetown, where<br />
I attend a movie almost every Friday or<br />
Saturday night, two or three hours before<br />
my gig. Since it’s located in one of the<br />
nicer areas of the nation’s capital, there’s<br />
always the possibility of running into a<br />
major political figure. There was always<br />
a small but possible chance I might run<br />
into Dick Cheney when I saw Vice there, or<br />
Ruth Bader Ginsburg when I saw On the<br />
Basis of Sex. I mean, I didn’t. But there was<br />
still the chance.<br />
Chris Eggertsen, Analyst<br />
Century 8<br />
[Today: Cinemark Century Cinema 16]<br />
Mountain View, California<br />
I grew up in Ventura, California, about<br />
an hour north of L.A. Many of my most<br />
formative moviegoing experiences were<br />
at the Century 8 (it would eventually<br />
expand and be known as Century Cinema<br />
16 under Cinemark), a pink palace of a<br />
multiplex that has since shut down and<br />
been taken over by a church (!). I worked<br />
there over the summer between my junior<br />
and senior years of high school and spent<br />
many long nights scooping popcorn<br />
into bags, pulling questionable items<br />
out of cup holders, and being accosted<br />
by customers who were livid over the<br />
concession prices. Oh, what I wouldn’t do<br />
to have those days back!<br />
<strong>August</strong> <strong>2020</strong><br />
73