360 GRADI MAGAZINE (English Version)

360 GRADI Magazine 

Italian 

ARTIST 

MISTERO HIFENG 

In the Second Life Italian Artists 

panorama, Mistero Hifeng stands out as 

a famous sculptor. 

STRUKTURO, 

THE MENTAL 

DECONSTRUCTION 

EMBLEM 

ALEY KAT, 

AWESOME SINGER IN 

The voice of Aley Kat cheers the 

evenings of many fans. Let’s know 

better this extraordinary singer. 

Second Life 

SKIP STAHELI 

P hotography 

Skip Staheli’s photographs have 

become an icon of beauty in the virtual 

photography scenario. 

360 GRADI 

1

CONTENT 

14 

Second 

FLORENCE 

Life 

Destinations 

presented us with 

a refined region, 

created with the 

Italian landscape in 

mind. 

30 

Emblem 

STRUKTURO 

of the 

mental 

deconstruction, of 

the 

the decay of an 

era, this new region 

offers exciting food 

for thought. 

50 

Mistero 

MISTERO 

HIFENG 

Hifeng is 

well known. 

Let’s take a journey 

together into the 

artist’s world. 

72 

In 

ALEY KAT 

the music 

world, Aley Kat is 

a well-known and 

respected singer. 

Let’s get to know 

her better in this 

exclusive interview. 

84 

Elisea 

ELISEA CARTER 

Carter is 

a high fashion 

designer, refined and 

attentive to the style 

evolution. Let’s know 

her better in this 

interview. 

92 

Skip 

SKIP STAHELI 

Staheli 

is a famous 

photographer 

whose images make 

hundreds of people 

dream. 

Let’s meet him in this 

exclusive interview. 

104 

Noir’Wen 

NOIR’WEN 

CITY FESTIVAL 

City 

Festival is a gigantic 

art and shopping 

event, full of stores, 

art exhibitions, and 

photo contests. 

120 

The 

DECOR 

BLOGGERS 

spaces 

decoration is one of 

the most appreciated 

in Second Life. We 

explore the world of 

decor bloggers. 

126 

Spectacular 

CHOOSEN ON 

FLICKR 

images 

found on Flickr. 

We explore new 

artists. 

360 GRADI MAGAZINE is a magazine that deals with Second Life at 360°. Destinations, Art, Music, Fashion, Photography, Furniture, and 

Decoration all in one bi-monthly magazine. You can read the magazine directly inworld, wearing it as HUD. Pick up your issue by going to Kiosk. 

2 360 GRADI

Welcome to number 0 of 360 GRADI MAGAZINE. 

50 72 92 

MISTERO HIFENG ALEY KAT SKIP STAHELI 

Mistero Hifeng is an 

Italian artist who stands 

out for his unmistakable 

style of a sculptor. 

Aley Kat is an excellent 

live singer; her 

performances cheer the 

evenings of many fans. 

Skip Staheli’s images 

are an icon of beauty in 

the virtual photography 

scenario. 

WELCOME 

Welcome to issue 0 of the magazine. 

In this first issue we we know better: 

we introduce ourselves and we tell our 

ideas to the readers and readers give us 

suggestions, ideas, and advice for the 

next issues. 

We look forward to your feedback not as 

a way of saying, but with the willingness 

to do better writing on topics that 

interest you. 

To achieve this goal, we need your 

collaboration, and active support. 

We know that this project will 

Interesting: we saw it from how you 

supported us on Social. 

Now we ask you to be an active part, 

participating with us in creating an 

enthusiastic information channel. 

Thank you for your support. 

we appreciate it very much, and is a 

great encouragement. 

We look forward to your feedback on 

this number! 


3

TEAM 

LADMILLA VAN MISOINDITE 

ART HEAD 

COLUMN 

MUSIC HEAD 

COLUMN 

FASHION HEAD 

COLUMN 

Artist and THE EDGE 

Gallery Owner. 

Dj , Designer and 

Architect Planning. 

Model and Fashion 

Events Accountable. 


JARLA 

VIOLET 

OEMA 

PHOTOGRAPHY 

HEAD COLUMN 

MARKETING 

HEAD COLUMN 

EDITOR AND 

WRITER 

Photographer. 

Social Media 

Marketing Expert. 

Editor, Blogger, and 

Vlogger. 


5

LETTER FROM THE EDITOR 

Welcome to the first issue of 360 GRADI, the magazine in Italian 

and English on Second Life, readable both on Yumpu and inworld 

wearing it as HUD. 

I thought of a magazine that would be quickly accessible to 

anyone and, at the same time, interactive. 

I am sure that 360 

GRADI will evolve 

together with its 

contributors and 

readers, creating a 

community that loves 

to read, that is curious 

and attentive to new 

things, eager to share 

information, and that, 

above all, helps each 

other. 

The respective link accompanies any reference to places, people, 

and objects, also clickable by HUD, which will give the reader the 

possibility to zip, open a web page, pick up an item, watch a video, 

and much more. 

I believe that the usability of a magazine on Second Life directly 

inworld is the key to effective communication and can be the 

beginning of creating a community that loves to confront, discuss, 

and grow together. 

I’m sure that 360 GRADI will evolve together with its contributors 

and readers, creating a community that loves to read, that is 

curious and attentive to new things, eager to share information, 

and that, above all, helps each other. 

I could conclude with the classic phrase that you read everywhere: 

“no drama,” but I think it is taken for granted and that those who 

read me know it all too well. 360 GRADI aspires to a constructive 

community and not demolishing the projects and ideas of others. 

I can afford an exceptional team of collaborators who, I can assure 

you, are seriously committed to this communicative project. 

I also expect collaboration from readers. I would like the were 

an active part, suggesting, commenting, and expressing their 

thoughts. I want to thank all those who have supported us on 

social networks by spreading the news of the 360 GRADI birth. 

Happy reading, for now, I hope to have your news soon! 

WELCOME 

360 GRADI is an interactive magazine 

available on both YUMPU and 

INWORLD. 


Communication is one of the most 

important aspects of life. 

Communicating means effectively 

reaching people’s hearts and minds. 

- Oema 


7

VIOLET BOA 

My responsibilities include planning, implementing, and managing PR 

strategies and organizing and managing various PR activities. 

I use different channels to optimize the outreach and success of a 

campaign, with a customer-oriented focus and assured delivery that I 

represent unequivocally. I carry out the interests, wishes, needs, and 

expectations of my clients. 

Violet Boa, 

MARKETING 

Head Column 

A natural part of my work involves arranging interviews and 

coordination, researching and collecting opportunities for 

partnerships, establishing and maintaining relationships with 

journalists, influencers, and bloggers, and supporting the team 

members of my client in communicating and running a campaign. 

Through years of experience with social media management, which 

always requires excellent communication, presentation, leadership 

skills, and excellent organizational and time management skills, I 

have become self-critical and am still interested in new impulses. 

Learning, be it self-directed or through knowledge of apt sources, is 

part of the daily process. 

Observations and reflections (self-reflection) of the external and 

internal situations give me the chance to recognize problems and 

change them positively. 

I am a positive but also critical thinker and analytical problem solver 

who - with a lot of empathy - accepts conflicting interests, personal 

(in) tolerance, and others’ opinions. I am very adaptable and willing 

to compromise to get positive alternatives that make everyone happy 

and lead to the desired success. 

My top ten topics of interest are fine art, photography, design, digital 

art, music, performing arts, literature, science, mindfulness, and a 

positive attitude. 

I feel very honored and proud of the trust that Oema has placed in 

me and invited me in my role as PR to act for magazines from the first 

publication of their classy, stylish and elegant 360 GRADI Magazine. 

We have an exciting and excellent task ahead of us, and I am looking 

forward to it! 

Violet 



9


DIXMIX ART GALLERY 

Teleport 


11

FIONA FEI 

Teleport 



13

FLORENCE 

Among the most beautiful destinations in Second 

Life recently realized, Florence At Low Tide stands 

out. 

IN 

Written by OEMA. 

Photography by OEMA. 


SECOND LIFE 


15

FLORENCE 

AT LOW TIDE 

The region was built by Iska (sablina) and is the home of Gnaaah 

Xeltentat and Tomaso Franizzi. 

Among the most 

beautiful destinations 

in Second Life recently 

realized, certainly 

Florence At Low Tide 

stands out. 

The region was created 

by Iska (sablina) and is 

the home of Gnaaah 

Xeltentat and Tomaso 

Franizzi. 

Among the most beautiful destinations 

in Second Life recently realized, 

certainly stands out Florence At Low 

Tide. 

Maybe it’s because the style is Italian, 

as the name suggests, perhaps it’s 

because I like environments that 

enhance nature in a particular way, in 

Florence I feel at home. 

I confess that I had fun with the same 

enthusiasm as a child in making this 

article’s photos. Going to Florence, 

The creator designed Florence for photography: this 

is evident not only for the Flickr group specially 

created for the images taken there but also for how 

she positioned the objects that decorate the region. 


The visitor can 

walk through 

the region or get 

up in the air. 

listening to the 

environment’s sounds 

relaxes me as if I were 

really in that beautiful 

context. 

The region was created 

by Iska (sablina) and 

is the home of Gnaaah 

Xeltentat and Tomaso 

Franizzi. 

The region has its group 

for fans called the Lunar 

Sea. 

The author designed 

Florence for photography: 

this is evident not only 

for the Flickr group 

specially created for 

the images taken there 

but also for how she 

positioned the objects 

that decorate the 

region. The author has 

created angles from 

any perspective and 

angle, giving life to an 

autonomous scene, easy 

to frame, making the 

mind and imagination fly. 

The visitor can walk 

through the region or get 

up in the air: I chose to 

explore it on foot to allow 

me to catch corners that 

would otherwise have 

escaped my attention 

with a hurried flight. 

The choice of vegetation, 

houses, and furnishings 

is made with care to 

make the Italian setting 

credible. 

Also, the general light 

settings and colors’ 

intention is convincing 

and facilitates the 

realization of beautiful 


17

The houses, in typical Tuscan style, are the 

splendid creations of 8f8. 

images, even without a 

particular graphic correction. 

If the pc allows it, I suggest the 

reader explore it using Black 

Dragon Viewer and Advanced a 

RenderVolumeLODFactor equal 

to at least 4. This correction will 

let you see all the meshes well 

without losing the definition in 

the distance. 

The landing point is located in 

the southern part of the region 

and facilitates access to the 

main road that allows the foot 

visit. 

The choice of vegetation, houses, and 

furniture is made with care to make the 

Italian setting credible. 

Walking along the dirt road, 

you will see the typical Italian 

vegetation: apple trees, grape 

crops, pines, firs, and many 

plants that have covered 

themselves with the colors of 

autumn. 

Bridges, little rivers, small boats 

left on the shore without any 

particular order: these are all 

details that make the Italian 

landscape credible. 

Besides the vegetation, the 

fauna is rich and relevant to 

the landscape: cormorants, red 

crown cranes, horses, rabbits, 

deer, and seagulls cheer the visit 

to Florence. 

Another corner of the region 

that I enormously appreciated 

is the car repair store. When 

my visit is empty, I hope that 

the author will also enrich this 

part of the area with details. 

However, I realize that being 

a homestead, Florence cannot 


host a sufficient number of 

primes to define it as detailed as 

it would deserve. 

The houses, in typical Tuscan 

style, are the splendid creations 

of 8f8. Ancient crumbling walls, 

simple but emotionally impactful 

home settings make Florence 

one of my favorite Second Life 

photography regions. 

REFERENCES 

Teleport to Florence 

Florence Flickr Group 


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29

STRUKTUR 

The creator is Tia Rungray (tialer.mimulus), 

Japanese, who calls herself an “artist of 

classical music and noise” in his profile. 

IN S 


Photography by JARLA CAPALINI. 


O 

ECOND LIFE 

A disruptive 

installation that 

provokes the 

mind and invites 

reflection. 


31

The creator is Tia Rungray (tialer.mimulus), 

Japanese, who calls herself an “artist of classical 

music and noise” in his profile. 

STRUKTURO 

IN SECOND LIFE 

Tia Rungray 

STRUKTURO 

Emblem of mental 

deconstruction. 


THE SIGNIFIED 

STRUKTURO creeps into the mind to “break the patterns,” to 

destroy any residual conditioning, the habit of thought, dogma, or 

existential referment resulting from a pre-packaged truth and not 

consciously chosen. 

Among the most exciting 

destinations in Second 

Life in September, there 

is, without a doubt, 

STRUKTURO. 

The creator is Tia 

Rungray (tialer.mimulus), 

Japanese, who calls 

himself an “artist of 

classical music and noise” 

in his profile. 

I confess that this is a 

definition that I had never 

heard before and even 

the musical art of Tia 

Rungray is utterly new to 

me. 

Before exploring 

Rungray’s destructuralist 

thinking, I warn those 

who decide to explore 

STRUKTURO to activate 

sounds: since it is a 

sound installation, 

listening is essential. 

As the author himself suggests, 

STRUKTURO is the emblem of mental 

deconstruction. 

As the author himself 

suggests, STRUKTURO 

is the emblem of the 

destructuring of the 

human mind. The very 

fact of uniting classical 

music with ferocious 

noise, blending them, 

makes us realize that 

the sound installation’s 

theme is destructuring, 

the antithesis of 

harmony, serenity, 

and peace of mind. 

The listener finds 

himself immersed in 

madness because he 


33

finds himself listening 

to splendid classical 

music interrupted by an 

annoying noise that, of 

course, has nothing to do 

with the harmony of the 

classical piano. 

What is meant by 

destructuring, and what 

does the artist want to 

communicate? 

By destructuring, we 

mean “the abandonment 

of specific structures 

conditioning an organism 

or a mental dress to give 

life to a more rational 

organization or attitudes 

more appropriate to 

the changing times”. 

Since the destruct to 

which Rungray refers is 

mental, the reference 

to mental dress 

abandonment seems to 

be the most suitable to 

this destabilizing sound 

experience. 

STRUKTURO creeps into 

the mind to “break the 

patterns,” to destroy any 

residual conditioning, the 

habit of thought, dogma, 

or existential referment 

resulting from a prepackaged 

truth and not 

consciously chosen. 

To better understand 

STRUKTURO, we should 

begin to ask ourselves: 

why do I behave in 

this way and not, 

for example, in this 

other, perfectly suited 

to another person? 

The answer will be 

something similar 

to “because I have 

certain values, ways 

of thinking, mental 

habits that result from 

years of education and 

experience.” 

I want to point out 

from the beginning 

that when we talk 

about mental habits, 

we are not referring 

to considerations of 

value, such as “I behave 

like this because I 

am a good person, 

while Tizio behaves 

like this because 

he is a bad person.” 

More than ever in this 

sound experience, it 

is essential to detach 

from considerations 

of a generic and even 

trivial nature like those 

just mentioned. Instead, 

it becomes imperative 

to open the mind to a 

broader vision, which 

also embraces the 

reasons for a particular 

way of thinking and 

acting. It also becomes 

essential, in my opinion, 

regardless of value 

evaluations, because 

the value is often the 

most tenacious anchor 

to mental habit. 

STRUKTURO is, therefore, 

destabilization, breaking 

mental patterns. The 

first thought that comes 

to my mind is the need 

to “break old habits of 

thought” in the name 

of an adaptation, and 

adaptation to a rapidly 

changing era. “Who stops 

is lost,” in short. 

Sometimes, I imagine 

how my grandparents 

would live today if they 

would adapt to modern 

thinking. The answer is 

obvious: no. I remember 

my grandmother, who 

resisted longer in life 

than my grandfather, not 

adapting to the changing 

times and suffering a 

great deal watching the 

news. She told me that 

my great-grandmother 

could not see the 

information on television 

because she cried as 

soon as she heard some 

crime news. 

So STRUKTURO suggests 

to adapt to the times 

and become insensitive 

opportunists, without 

empathy and values to 

follow? Here too, the 

answer is no. Having 

an open mind and 

understanding that 


there are infinite reasons 

behind a behavior or a 

way of thinking does 

not mean “losing one’s 

compass of values” to 

adapt to the changing 

times. If anything, it 

means broadening our 

empathy to embrace our 

understanding of mental 

structures that we do not 

share, without expiring in 

pure and straightforward 

judgment. 

Finally, I leave the useful 

references for those who 

want to explore more the 

communicative capacity 

of Rungray. 

REFERENCES 

Teleport to STRUKTURO 

• Video 

• Sito web 

• Soundcloud 

Modern times perhaps 

require a broader analysis 

and understanding 

of events than our 

grandparents were used 

to do. 

I don’t know what 

impressions the reader 

will have. Still, after a few 

minutes, I had to turn off 

the sounds during the 

article’s writing because 

the disharmony of the 

noise that interrupts the 

classical music hindered 

my concentration. 

Tia Rungray has a 

interesting channel on 

Youtube where you can 

hear some of his sound 

works. I have chosen 

one that I propose here 

as an example of the 

peculiar work done by 

this Japanese artist. 


35



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47

LADMILLA MEDIER 

Ladmilla Medier, 

ART 

Head Column 

“Art does not reproduce what is visible but makes 

visible what is not always visible.” 

(Paul Klee) 

I don’t think that there is an absolute definition of 

Art. Still, this short, famous quote represents the 

path that I will propose in this section dedicated 

to Art: together we will know the artists active 

in Second Life and their works, we will discover 

the study, the conceptual elaboration, and the 

artistic technique that gave rise to the creations; 

each of us will be able to listen to the whispering 

stories, awaken dormant memories and provide our 

interpretation, find the essence that goes beyond 

the visible. 

I am sure it will be a fascinating journey! 

Ladmilla 



49

MISTERO 

“The passion for photography and the curiosity of 

experimenting led me to create in 3D what I had 

done years before in 2D”. 

Written by LADMILLA MEDIER 

Photography by LADMILLA MEDIER 


HIFENG 

ARTIST 


51

MISTERO HIFENG 

SHAPES AND EMO 

“The passion for photography and the 

curiosity of experimenting led me to 

create in 3D what I had done years 

before in 2D”. 

“The passion for 

photography and a desire 

to experiment led me 

to reproduce in 3D the 

artworks I made before in 

2D.” 

In this short sentence the 

artist expresses his entire 

universe, he does not need 

more words to describe his 

long artistic journey because 

it is really the passion 

that costantly inspires 

him and shines through 

his artworks; from the 

moment he joined Second 

Life, completely unaware of 

what this virtual world was, 

that seemed mysterious 

enough to him to suggest 

his own name… “Mistero”, 

his strong motivation 

towards photography and 

Images opened incredible 


TIONS 

horizons for him, allowed 

him to evolve his art to the 

fantastic mesh creations 

that we can now admire. 

I wish to thank Mistero 

for giving me the freedom 

to interpret his artworks 

by observing them, this is 

the true meaning of Art: 

to realize something that 

allows the observer to 

interpret, to imagine, to 

create something original to 

himself/herself. 

The digital creations of 

Mistero are veritable 

sculptures and tell countless 

stories: everyone can find 

their own story awakening 

memories and dormant 

feelings, or imagining a new 

one created by their own 

sensibility. 

Even the titles of his 

works are very evocative 

and are an integral part 

of them: they were born 

spontaneously or were 

inspired by listening to a 

song, as well as for the 

particular name of its land “I 

live and walk upside down”, 

Every detail therefore offers 

a reason for interest and 

involves the imagination. 

LIFE... WILL WANT TO LEARN 

Observing his creations we 

cannot remain indifferent: 

the essential naked bodies, 

white or delicately colored, 

that offer contrasts of lights 

and shadows do not allow 

distractions, you focus your 

attention on the shapes 

and poses that bodies take, 

caught in a moment of life, 

you are enchanted by the 

vision of some parts that 

disperse in fragments, or 

are chained in thin threads 


53

like cobwebs while your 

mind follows unexpected 

thoughts, your feelings 

awaken and reach a surreal, 

dreamlike dimension. 

The digital art of Mistero 

gives us emotions through 

the composition of 

evocative scenes, the 

enchantment of the bodies 

shapes and the intense 

expressions of faces: 

anger, hopelessness, pain 

associated with a loss or 

separation. 

It explores the essence 

of the human condition: 

loneliness, lack of 

communication but also 

encounter, passion and love. 

A magnificent celebration 

of life, grasped in all its 

aspects, this is therefore the 

art of Mistero. 

His artworks are exhibited in 

his famous gallery Digital Art 

- Cammino e Vivo Capovolto, 

Retrospect. 

From there, taking the 

teleport, you can reach the 

ground level where you can 

walk and interact with his 

art immersed in a charming, 

evocative atmosphere 

where water is the 

dominant element, reflects 

the shapes and caresses 

them with drops of rain. 

Recently Mistero opened 

another exhibition space, 

absolutely not to be missed. 

References 

• Retrospect 

• Retrospect Shop 

• New Show Room 


THEY CALL IT REALITY- 

TANGO - LIKE A 

PROMISE 


55

IT MELTS IN YOUR 

EYES... THE MOON 



57

LET’S STOP... HERE... 



59

FLY 



61

ME, FENCING WITH 

THE HAIL, THE 

LADIES... 



63

FOR YOU... WE WILL CROSS 

THIS KINGDOM TOGETHER 



65

ANELADAM 



67

DIGITAL - ART, CAMMINO 

E VIVO CAPOVOLTO, 

RETROSPECT 



69

VAN LOOPEN 

Van Loopen, 

MUSIC 

Head Column 

If I were not an architect in life, I would probably be a 

musician. 

I think in music. 

I live my daydreams in music. 

I see my life in terms of music. 

Since 2009 in Second Life, I try to share this emotion 

with others. 

As editor and music consultant for 360 GRADI, I would 

like to shed light on an often underestimated world, but 

which is instead one of the main activities in the “second 

life.” 

The message in music arrives more efficiently at its 

destination, touching the most intimate and personal 

chords, without the need for other intermediaries in 

communication. 

In the variegated musical world of Second Life, I will 

deal with emerging artists and those who are now well 

established and often do not know each other well 

enough. 

I take advantage of this space to give some point of 

reference in the music scene of Second Life because 

“people consume music as if it were a handkerchief for 

the nose.” 

(Zucchero) 

Van 



71

ALEY KAT 

The impeccable voice of Aley Kat cheers the 

evenings of many fans in Second Life. Let’s know 

this extraordinary voice artist better. 

LIV 

Written by VAN LOOPEN. 

Photography by JARLA CAPALINI 


E SINGER 

I consider Aley Kat one of 

the very few professional 

singers who perform 

inword, placing her in a 

hypothetical and very 

personal chart, certainly 

in the top positions. 


73

ALEY KAT 

SINGER 

Aley, with its varied and original 

repertoire, is always a guarantee. 

I have been following her in SL for 

several years. However, I try to find 

some notes out of place every evening, 

always she represents a confirmation 

without any defiance, neither 

technical nor interpretative. 

Behind a successful performance 

and the interpreter’s skill, 

there is creativity, imagination, 

technique, talent, and a lot of 

commitment. 

Aley Kat (aka aleylia resident) 

known more simply as Aley, is 

known and appreciated in SL for 

her unfailing dedication to the 

music she plays. 

In short, Aley, with its varied and 

original repertoire, is always a 

guarantee. 

I have been following her in 

SL for several years. However, 

I try to find some notes out of 

place every evening, always 

she represents a confirmation 

without any defiance, neither 

technical nor interpretative. 

I consider Aley Kat one of the 

very few professional singers 

who perform inword, putting 

her in a hypothetical and very 

personal ranking, indeed in the 

top positions. 

Anyone who reads well 

knows that carrying out a live 

performance is always like 

throwing yourself into fish, with 


So we can hear her go 

from the classic theatrical 

musical, sparkling and 

representative, to more 

intimate and sweet tones of 

the soft and reflective genre, 

from the famous cover to 

the less established song 

that seems to have come out 

of her writing. 


75

all the accompanying 

criticisms that often 

tease the listener. 

In attending an evening 

with Aley, from the very 

first greeting notes, you 

immediately feel at ease, 

with her irresistible 

giggles here and there, 

spontaneous and 

friendly, which confirms 

how calm she is and has 

fun, even before worry 

about making a good 

performance. Therefore, 

this naturalness affirms 

the goodness of her 

preparation, certainly 

made of personal safety 

and her remarkable 

discipline. 

But the fact she performs 

flawlessly isn’t enough. 

It is necessary to instill 

sensations and emotions. 

Indeed, misperceptions 

are often compensated. 

Her distinct voice, her 

tone, excites. 

Her repertoire, which 

it regularly offers in SL, 

often changes according 

to the land characteristics 

that hosts it. 

So we can hear her go 

from the classic theatrical 

musical, sparkling and 

representative, to more 

intimate and sweet 

tones of the soft and 

reflective genre, from the 

famous cover to the less 

established song that 

seems to have come out of 

her writing. 

I have particular 

parameters to establish 

when a singer is valid: one 

of these is to participate 

in one of her evenings 

and after a while, iconize 

the SL viewer and start 

doing other things on 

the PC, listening to the 

headphones. 

I had confirmation of her 

professionalism with 

Aley when immersed in 

something else I forgot 

I was in SL, and I felt 

like I was following a 

radio where songs by 

official singers and artists 

are generally programmed. 

And when I remembered 

to pursue instead a live 

singer performing in SL, I 

immediately came to say, 

“these songs looked like 

records!”. 

This one is one of my 

parameters of judgment. 

When a piece is the result of 

the most profound emotions, 

then the right “key” has been 

found to interpret author’s 

music: walking, hand by 

hand with the listener, on a 

very particular avenue of the 

senses, built from “single 

portions” music that makes 

the whole message. 

Aley’s message comes 

straight and without 

difficulty. 

Aley lives in the United 

Kingdom and is a refined 

artist with uncommon 

sensitivity, with 

heterogeneous sounds 

that have their roots in her 

popular tradition but with 

an ever-vigilant look at new 

trends and what the musical 

world offers at the moment. 

We at 360GRADI met her 

and pleasantly put her under 

pressure: 

Van: Aley, before starting 

the musical discourse, can 

you give us a description of 

yourself? Personal details, 


where you live, hobbies, 

work... what do you think 

about yourself? 

Aley: I live in the UK and 

I love singing in SL. My 

shows are scheduled in 

my evenings whereas 

for a lot of SL residents 

they listen to me in 

their afternoons (12pm- 

5pm SLT). When I’m not 

singing in SL, I really 

enjoy listening to other 

artists, playing virtual 

golf or games with 

friends or making my 

show outfits- playing 

barbie with my avatar! 

Van: Three adjectives to 

describe your singer’s 

work in SL. 

Aley: Invigorating- I 

always feel refreshed 

when I finish a show, it 

takes a lot of energy but 

it’s invigorating at the 

same time and clears my 

mind. 

Uplifting- My aim is 

to make people feel 

uplifted and happy both 

during the hour and once 

my show has finished 

(sometimes with a couple 

of sad musical theatre 

songs in the middle for 

balance!). 

Dedicated- committing to 

shows nearly every day 

for all these years takes 

a lot of dedication and 

real life does have to take 

a back seat sometimes 

for special events that I 

book. 

Van: If you were not a 

singer in SL, what would 

you be? 

Aley: I would probably 

run a venue and most 

likely a Sim. I don’t have 

the time or funds at the 

moment but I absolutely 

loved building and 

running a Sim, Seven 

Seasons, a couple of 

years ago with my best 

friend Damien. 

Van: When did you 

start singing? Do you 

remember what land you 

were? 

Aley: I do remember! 

I started in January of 

2016 at a place called 

White Satin. Amazing to 

think when I started I had 

zero idea I would still be 

doing it nearly 5 years 

later! 

Van: Three songs you love 

and why. 

Aley: One of my favorite 

songs that makes me 

instantly feel happy 

is September by Earth, 

Wind and Fire... as soon 

as I hear that intro I’m 

dancing in my chair. I 

also love singing You 

raise me up by Celtic 

Woman... the way it 

builds throughout the 

song and the message it 

conveys never fails to hit 

the spot. It’s difficult to 

pick a third but it would 

probably be a musical 

theatre song like With 

you from Ghost, Someone 

like you from Jekyll and 

Hyde or maybe All I ask 

by Adele. I don’t sing 

those songs very often 

because they are full of 

the feels but sometimes 

it’s really cathartic to feel 

the emotions through 

them. 

Van: The duet of your 

dreams, with whom real 

artist would you do it? 

Aley: Hmm.. I would love 

to sing with Michael 

Buble actually. He has a 

natural smooth quality 

to his voice and great 

tuning... I think our voices 

would blend well and 

singing some of the jazzy 

classics together would 

be awesome. 

Van: What do you like and 

what do you dislike about 

your SL performances? 

Aley: The people! I 

love the people that 

come to my shows. 

They are wonderful, 


77

loyal supporters of my 

singing and always 

make me laugh in local. 

They are always really 

friendly with each other 

and welcoming to new 

people. Honestly they’re 

the best thing about 

singing in SL. 

The thing I dislike is I can 

never hit that US evening 

crowd as for me it’s 3/4/5 

am in the morning. I’d 

love to be able to sing 

when the main crowd 

in SL is relaxing and 

listening to live music. 

Van: According to musical 

connoisseurs’ widespread 

opinion and not, your 

performances are very 

high in the inworld music 

scene. Are you aware 

of this, or do you not 

pay much attention to 

success? 

Aley: I feel extremely 

lucky to have the success 

I do in SL and I am always, 

always grateful to the 

amazing people that 

come and listen day after 

day. They support me and 

support the venues and 

keep music alive in SL. I 

never take it for granted... 

my manager and hosts 

will tell you I’m always 

nervous (still!) that no 

one will show up to the 

venue to listen and I work 

really hard to always 

deliver to the best of my 

ability. I take my job as an 

artist in SL very seriously. 

If I’ve made the venue 

owner and the people 

listening happy with my 

performance then I view 

that as a success. 

Van: A prerogative of 

your performances is 

the covers of famous 

and/or successful songs. 

Customizing a piece is a 

natural process for you, or 

do you need a thorough 

knowledge of the author 

of that song first? 

Aley: No, generally 

all I need is to feel a 

connection to the music. 

If the music resonates in 

me then I think I can do a 

good job covering it and 

interpreting it in my own 

way. 

Van: Your repertoire 

is vast both in terms 

of musical genre and 

diversity of artists. You 

can quickly move from 

rock to soul, from R&B to 

musicals with masterful 

interpretations. Where 

does your knowledge 

come from, and what are 

the musical influences? 

Aley: My parents both 

had very diverse musical 

tastes so as I was growing 

up I was exposed to all 

sorts of different styles 

of music and that has 

continued into my adult 

life. My dad loves reggae 

while my mum is more 

into soul. So I had artists 

like Bob Marley and 

the Wailers alongside 

soul legends like Aretha 

Franklin- it was great. I 

also grew up performing 

musical theatre (as many 

of my listeners will tell 

you I love singing!) and 

being a 90s kid I also 

listened to a lot of pop. 

I think everyone would 

find something they 

like to listen to on my 

songlist- it’s definitely 

eclectic! I’ve even 

recently added some rock 

covers! Have a look on my 

website and see if you 

can see anything you’d 

like: www.aleykat.com 

Van: Would you like to 

sing together with two or 

three other established 

singers in SL? If yes, with 

whom? 

Aley: I absolutely love 

dual streaming with 

other artists in SL. In 

the past I’ve sung with 

Maximillion Kleene, Toxic 

Darkmatter and Djembe 

Dragonfire among others. 

I’d love to sing with Tony 

Slade in the future- he’s 

a newish singer on the 

scene and our voices 


would definitely go great 

together. 

Van: What message 

would you like to convey 

to your listeners? 

Aley: Gratitude. When I 

started singing I never 

dreamed it would 

become what it has in SL. 

It’s down to my listeners 

and I will be eternally 

grateful to them all. 

I hope I can continue 

to earn their loyalty 

throughout my shows in 

the future. 

Van: How do you react to 

an evening that didn’t go 

well? 

Aley: My bestie would 

tell you how much I beat 

myself up over it! If I 

haven’t sung well I feel 

absolutely terrible that 

I’ve let everyone down. 

I’m trying to learn not 

to be so hard on myself 

but I constantly strive for 

perfection in my showsmaybe 

it’s the brit in 

me? Everything has to be 

proper and correct! 

Aley: The live music 

industry in SL is vastly 

unfair now with the 

disparity between 

earnings of singers and 

venue owners. Having 

run a venue myself 

I’m also aware first 

hand how expensive it 

is- even when singers 

don’t put out tip boards, 

listeners always tip 

them. I wish there could 

be a system where the 

venue owners also get 

tipped the same amount 

(or more!) to offset their 

rising costs of renting 

land, running a venue 

and hiring singers. 

For more information 

and insights about 

AleyKat, we refer you to 

the official website: 

www.aleykat.com 

Van: Finally and in 

thanking you I ask you, 

in the light of your 

experience, what should 

change and what should 

remain in SL’s musical 

world? 


79



81

MISOINDITE ROMANO 

Misoindite Romano, 

FASHION 

Head Column 

I’ll make a short presentation of myself without wanting 

to bore anyone. 

I thank Oema and Van for giving me this space in their 

Magazine. 

Misoindite Romano, Miso for everyone (or almost), a 

model I think since always, I’ve never done anything but 

modeling and fashion show. 

Many people smile about this work in SL, unaware that 

a world of people and linden is going around on this 

activity. Stylists and agencies of various nationalities 

would not exist if there were no models or bloggers. 

I have 12 years of Second Life behind me, a lot of 

passion, and accurate work on my personality and my 

avatar, which I try to represent in the best way. 

My task will be to keep you informed, perhaps making 

you want to accompany me in the field of fashion in SL. 

Miso 



83

ELISEA CA 

FASHION 

Elisea Carter is a high fashion designer who started 

before the advent of mesh and had the stubbornness 

and talent to adapt to the changing times. 

Written by MISOINDITE ROMANO. 



RTER 

DESIGNER 


85

ELISEA 

CARTER 

Elisea Carter is a high fashion 

designer who started before 

the advent of mesh and had the 

stubbornness and talent to adapt to 

the changing times. 

Dear readers, I am pleased 

to interview Elisea Carter: 

many of you will know her for 

the beautiful dresses she has 

created for years in SL. 

With the advent of mesh and 

bento she had abandoned, 

she wanted to return with 

stubbornness, and I assure you 

that her dresses are fantastic. 

I enjoyed bringing one of her 

dresses to the fashion show 

recently: you can admire her 

creations in the magazine’s 

photos and her mainstore. 

Miso: Can we start the interview, 

Eli? In the meantime, thank you 

for accepting. 

Elisea: Thank you and all the 

staff of the magazine. 

Miso: You were born as a 

designer when everything 

was still in prim: you were 

very famous and very loved by 

Americans. What do you miss 

from that period? 

Elisea: I don’t miss anything 

from that period for the creation 

of clothes. In the past, you 


With the advent of mesh, the 

approach to making clothes 

and their performance has 

changed. Now it is much 

more creative and stimulating 

because the clothes are very 

realistic. 


87

could improvise to be a 

designer; it was much 

more straightforward; 

you just needed 

Photoshop basics, know 

the build of the platform, 

and a bit of imagination. 

You could create clothes, 

often a bit arranged, 

and I dare say almost 

simulated. With the 

advent of mesh, the 

approach to realizing 

the clothes and their 

rendering has changed. 

Now it is much more 

creative and stimulating 

because the clothes are 

very realistic. Indeed, 

it is no longer possible 

to improvise because 

you need confident 

professionalism and 

excellent knowledge of 

various 3D software in 

making them. 

Miso: How do you think 

SL has changed from a 

human perspective in all 

these years? 

Elisea: Because of my 

work, I have always lived 

very little Second Life. 

But as far as I could and 

can see, I think nothing 

has changed, humanly 

speaking. As in reality, or 

maybe more than reality, 

life here takes very 

much emotionally. Often 

you are without masks; 

it seems a paradox, 

considering that there is 

no visual approach, and 

everyone can be what 

they want, but that is 

precisely why you are 

what you are. 

It comes out the most 

intrinsic door that is 

inside us. And this can 

be damn fascinating 

and, at the same time, 

destructive. I have 

witnessed great loves, 

beautiful friendships, 

but also intense 

disappointments, breaks, 

and inconsolable tears. 

Perhaps here, the soul is 

touched. 

And that’s why living 

on Second Life changes 

our lives, swallows our 

existence. It’s like living 

in a fairy world where 

everything becomes 

possible, where dreams 

and fantasies can come 

true, but on the other 

hand, it can be harmful 

because, at the same 

time, it takes us away 

from reality. 

Miso: Your look is that of 

the designer who creates: 

do you think that the 

models who now show 

your new clothes can 

convey what you want to 

say with your creation? 

(I ask you this because, 

in my opinion, the model 

must represent who has 

created leaving aside 

the beauty of the avatar 

(necessary), but that must 

not excel. It is a question 

that does not ask for 

names, but a general 

opinion. 

Elisea: Often not; they 

can’t convey what that 

particular garment 

means to me. The outfit 

is fundamental, as 

well as the poses and 

movements, and it is not 

enough to be good at 

editing accessories or 

using poses. Many people 

lack imagination and 

good taste. It is very well 

perceived that they often 

have the basis for the 

“history of the costume” 

and, therefore, the 

various periods classified 

a particular “style.” 

Miso: What do you 

suggest to those who are 

thinking of becoming a 

stylist in SL? 

Elisea: Even if we are 

not in reality, you should 

always be updated on the 

fashion of real designers, 

always look not only at 

their creations but all the 

outfit that composes and 

gives style to the dress. 

We are history, and only 

knowing the past can we 

think of a future. 

Miso: Think about the 

models when they show 


your creations. 

Elisea: Listen to Jazz and 

let yourself be captured 

by the emotion that 

the notes, one after the 

other, transmit and then 

immerse yourself in that 

atmosphere. You will find 

the inspiration to wear 

my clothes! 

Miso: They say that 

Fashion in SL is losing 

charm. What do you 

think? 

Elisea: It’s true! And I 

think I also know why! 

In reality, imagine the 

Italian fashion and 

not invaded and then 

overwhelmed and 

imitated by the many 

Chinese clothing stores. 

This one is more or less 

what happened in Second 

Life. 

Hundreds of kids who 

know how to use the 

various 3D software, 

coming out of college 

they decide that until 

they find a job; in reality, 

they use their knowledge 

to glean some linden. 

They skillfully and very 

skillfully copy everything 

that the real world’s 

casual clothing offers and 

sell on Second Life, often 

with low and competitive 

costs. 

This factor has destroyed 

haute couture and forces 

designers who are still 

trying to create new and 

classy clothes to sell at 

low prices and affordable 

to all. Otherwise, nobody 

buys them. Unfortunately, 

this is a sad reality! 

Miso: Thank you, Elisea, 

for your kindness; the 

readers of this new 

magazine will also know 

you as a woman and not 

only as a designer. It will 

serve to look with other 

eyes at your creations. 

Elisea: Thank you for the 

honor you have given me 

with this interview. I hope 

to be clear and heartfelt; 

also that my speech can 

reach all the women who 

live in this world so that 

the charm of fashion will 

be reassessed again. 

Elisea Carter Mainstore 


89

JARLA CAPALINI 

Jarla Capalini, 

PHOTOGRAPHY 

Head Column 

Writing with light, from the Greek φῶς, φωτός, “light” and 

γραϕία, “writing”, this is “photography”. 

Now I know that talking about photography in Second 

Life will surely make purists curl their noses or smile at 

the most benevolent professionals and enthusiasts. Still, 

once there were film and exposure meter, then came 

digital cameras and files today. We also use phones to take 

pictures, and thanks (maybe) to them, photography is now 

within everyone’s reach. 

Here then is that a “viewer,” with all its peculiarities 

techniques can become a perfect means to “write” with the 

virtual “light” the encounter between the subject and the 

eye of the photographer, from which a new possible vision 

is born. 

The imagination of reality, albeit virtual. 

This one we will do in our journey among the 

photographers of Second Life: we will talk about 

technique, composition, inspiration and 

passion, hoping to convince skeptics that our images, 

although depicting a world of pixels, 

can rightly be considered “photography.” 

Jarla 



91

SKIP STAH 

PHOT 

Skip Staheli’s photographs have become an icon of 

beauty in the scenario of virtual photography. 


Photography by SKIP STAHELI. 


ELI 

OGRAPHER 


93

SKIP 

STAHELI 

Skip Staheli’s images are compositions. 

It is a complex creative mode, in which 

several different elements blend into 

the scene. 

I remember the first time I saw 

Skip Staheli’s image: I think 

that was the moment when 

I realized how fascinating 

photography could be in Second 

Life. I’ve always had to deal 

with photography because, as 

a blogger, I believed in making 

the most of the art galleries I 

visited. 

However, Skip Staheli’s images 

were quite different: first of 

all, they are compositions, so 

he assembled several other 

elements to create a single 

scene. It is a complex creative 

mode: I worked on photographic 

compositions (real-life and 

virtual images), so I know 

the difficulty in creating an 

image that convinces that it is 

not a jumble of elements put 

together. 

In addition to creating credible 

images (in the sense that the 

viewer does not realize that 

it is a composition, because 

the elements harmoniously 

blend into the scene), Staheli 

has the talent to excite the 

viewer. I honestly believe that 

this last aspect is the secret 


I remember the first time I saw 

Skip Staheli’s image: I think 

that was the moment when 

I realized how fascinating 

photography could be in 

Second Life. 


95

of his success. If his 

creative ability and skill 

in Photoshop are not 

in question, it is also 

true that there are now 

several photographers 

who take care of their 

talent in creating 

breathtaking images but 

do not have the same 

ability to involve the 

viewer emotionally. 

Beyond my thoughts 

on this professional 

photographer, I wanted 

the reader to have the 

opportunity to get to 

know Skip Staheli better 

by hearing directly from 

him the narration of his 

experience. I asked him 

some questions, probably 

the most immediate ones 

that anyone would ask 

him. From his answers 

shines a person who tells 

himself with simplicity 

and who does not give 

importance to success 

in the virtual world 

of Second Life (in my 

opinion, rightly so). 

Moreover, it points the 

attention on an important 

aspect: nowadays, 

many photographers 

professionally realize 

images, just because 

photography is one of the 

most appreciated activity. 

We know Skip Staheli 

better in this exclusive 

interview for 360 GRADI 

Magazine. 

“ I am 100% selftaught 

in photo 

editing and using 

Photoshop.” 

Skip Staheli 

Oema: Did you already 

know how to work on a 

picture before joining 

SL or learned because 

of your photographer 

activity inworld? 

Skip: No, I didn’t know at 

all.. the first year, I didn’t 

work with photoshop, 

but just messed around; 

a bit later, I had a very 

old version of photoshop, 

and had a laptop from 

work, with a lousy 

graphics card.. and did 

all the painting with my 

finger on a mousepad... 

I’m 100 % autodidact 

in photo editing and 

photoshop. 

Oema: Why choose to be 

a photographer in SL, and 

when you understood, 

you became famous? 

Skip: One of the 

questions most asked, I 

think, I never choose to 

be a photographer in SL, 

it just happened.. one 

day, I found out about 

making snaps inworld, 

and saw some cool 

talents on Flickr with SL 

work.. I was inspired to 

also do nice jobs, just 

for myself and later 

for friends.. but soon 

friends of friends asked 

for photo’s, and at some 

point, it seemed I was a 

photographer.. so then 

I just decided to own 

a photo studio “Photo 

Studio Purple Cows” 

since 2008. 

Famous, lol.. that’s a bit 

funny, I think.. how much 

famous can you be in SL, 

and what’s the worth of 

it? 

Maybe I was lucky that in 

my beginning SL time, not 

so many photographers 

were around, and working 

with the right designers 

and loads of models 

for their model contest 

pictures put me on the 

map... I don’t think it’s 

still happening at this 

time, those many photo 

contests for models. 

Also, by now, all avatars 

are mesh, so making 

lovely pictures isn’t that 

difficult anymore... So 

it’s hard to stand out in 

such a huge amount of 

photographers. 

But I certainly don’t 

feel “famous” lol. When 

people act like I am, I’m 


like, please.... it’s just 

meeeeeeeeeh! 

Oema: Which is the most 

exciting part of your SL 

work? 

Skip: Still the photoshoot, 

the contact with my 

clients... old clients (some 

visit since 2008! and still 

come) and also the new 

clients, getting to know 

them, to talk with them... 

Find out about their 

wishes and a bit about 

how they are... 

Just as exciting is their 

reaction when I deliver 

the photo, mostly they 

have to wait long, cause 

I never rush work, and 

when RL is a lot, that 

always goes first, so I 

always tell upfront it 

can take a long time 

before turn back time of 

the photo... I am not a 

factory; I cannot create 

when my head is not right 

for it.. It can really touch 

me when the photo’s 

outcome makes my client 

happy and how they react 

to it. Feedback is very 

important! 

Also exciting is that 

during the shoot, often 

many ideas pop up... I like 

to share my ideas with 

my client, and it’s great 

when they are just as full 

with enthusiasm as I am.. 

And when I start editing, 

what I feel with work, and 

how it slowly becomes 

a true piece, with the 

feeling I was going for... I 

can feel a true rush goes 

through me when I’m on 

the roll with editing, pure 

excitement.. and can be 

so pleased with a newly 

created piece, that I keep 

looking at it for a long 

time, and enjoy a lot.. lol 

It can make me feel super 

satisfied, I think it’s an 

addiction... 

Oema: Would you like 

to thank someone who 

helped you during your 

path? 

Skip: My clients!!! It all 

wouldn’t be so much fun 

without them, and then 

my photo studio wouldn’t 

be here anymore, I think, 

after so many years. 

Oema: What are your 

programs for the future? 

Skip: What programs?You 

mean programs I work 

with, or how I think my sl 

photo work will be in the 

future? 

I work with PS cs6, with 

my Wacom drawing 

tablet, some plugins 

like Filter Forge, NIK 

collection, Alien Ware, 

PS lightroom. I’m a green 


97

screen photographer, 

so I don’t shoot in 

scenes inworld, but 

only in my studio on 

the green screen, and 

create the whole piece in 

Photoshop... I don’t see 

myself change this in the 

future.. 

Also, the way I’m working, 

I don’t see that change a 

lot, as long clients keep 

coming, and I can do it 

RL wise, I keep going 

on... There were years I 

was’n active, or much less 

active, depends a lot of 

RL. So that might change 

now and then, but I’m not 

planning to quit yet... ;) 

“...when I start editing, 

what I feel with work, 

and how it slowly 

becomes a true piece, 

with the feeling I was 

going for... I can feel a 

true rush goes through 

me when I’m on the 

roll with editing, pure 

excitement.. .” 

Skip Staheli 

Oema: Thank you, Skip, 

for your sincerity and 

for being so helpful in 

responding. The staff 

of 360 GRADI Magazine 

wishes you to go on for 

as long as editing the 

images will make you 

happy. 

Skip Staheli su Flickr 



99



101



103

NOIR’WEN 

CITY F 

Noir’Wen is a unique destination, a giant festival 

of art and shopping, where the visitor gets lost 

between culture and stores, between sacred and 

profane. 

Written by NIEU. 



ESTIVAL 


105

NOIR’WEN 

CITY FESTIVA 

Noir’Wen is a unique destination, a 

giant festival of art and shopping, where 

the visitor gets lost between culture and 

stores, between sacred and profane. 

Less than 10 nautical 

miles from Noir’York City, 

Noir’Wen City was born 

out of the forced exile 

of two young people 

at the end of the 18th 

century whose families 

had refused to marry 

for obscure reasons of 

social prudishness and 

conflicts and who had 

been expelled. They 

had disembarked in a 

makeshift boat on this 

inhospitable and sparsely 

inhabited small island 

and they settled there. 

They then founded a 

family out of wedlock 

and became the emblem 

of one of the first “free 

union” assumed and 

claimed. 


L 

The first half of the 

19th century saw 

the beginning of the 

development of the city 

and its small harbor with 

the development of a 

sex toy industry whose 

reputation quickly spread 

around the world. The 

number of people living 

in Noir’Wen city grew 

rapidly early in the 19th 

century. 

Fervent in the Second 

Life cause, the city of 

Noir-Wen played a major 

role in supplying all kind 

of very creative sex toys 

among which the famous 

“pink dildo”. Then, with 

the development of 

the digital and virtual 

economy, the workshops 

and factories closed 

one after the other and 

the small city fell into 

oblivion. 

It is only in the first 

decades of the 21st 

century that two 

descendants of the 

young immigrant mythic 

couple, Belice Benoir and 

Nieuwenhove, decided 

to launch with a group 

of friends and artists 

the regeneration of the 

city and bring it back 

to life and to desire. 

They have experienced 

a renaissance as an 

exceptional destination, 

attracting creators 

and artists, and they 

offer visitors into an 

exceptional postindustrial 

urban 

aesthetic, a free city, 

open to creativity, to 

fantasy and to freedom 

around a new form of 

“permanent fetish fair” 

with more than fifty 

stores, galleries and 

workshops of young and 

renowned creators with 

its spaces for shopping, 


107

leisure, culture, exchanges 

and relaxation. 

Teleport to Noir’Wen City 

Festival. 



109



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113



115



117



119

FURNITURE A 

Furniture in Second Life is one of the most popular 

activities and generates attractive earnings for 

decor designers. 

S 


Photography by KELLY DARK. 


ND DECOR 

L STYLE 


121

FURNITURE AND D 

SL STYLE 

Furniture in Second Life is one of the 

most exciting activities to the point that 

it has become a business. 

Furniture in Second 

Life is one of the most 

exciting activities to the 

point that it has become 

a business. 

I am referring to the 

creation of furniture and 

the related bloggers or 

magazines that deal with 

them and a multitude 

of people who offer 

their services as interior 

decorators. 

The group Elite 

Decorators & 

Landscapers 4 Hire (SL) 

connects people who 

need decorators with 

people who do this 

activity on Facebook. 

Not everyone earns 

money, but some are so 

professional that they are 

in great demand. 

Besides, the site Love to 

Decorate offers excellent 

ideas for all those who 

love the decorating 

inworld. 


ECOR 

In this article, I wanted 

to highlight a blogger 

on Flickr, Kelly Dark, 

who mainly deals with 

furniture professionally. 

The refined taste and 

the high quality of the 

images proposed to 

make this Flickr account 

exciting to follow. 

Moreover, each image 

offers detailed credits, so 

it’s easy for the reader to 

find the objects he likes. 

For all those interested in 

furniture and decoration 

and have a Flickr account, 

I also recommend 

joining the Second Life 

Home & Garden Decor 

group, which offers new 

images of environmental 

bloggers every day. 


123



125



127

CHOSEN ON 

SL PHOTO 


FLICKR 

GRAPHERS 

Chosen by 

the publisher. 

Awesome 

images seen 

on 360 GRADI 

Magazine Flickr 

group. 


129


“Come away 

with Me...” 

Simply Jana 


131


“That Autumn 

Feeling” 

Shocking 

Wonder 


133


“Hello” 

Melania Avro 


135


“Butterfly 

woman” 

MIna Arcana 


137


“Souls of 

Dreams” 

Skinny Nilla 


139

“Untitled” 

Dido Haas 


“Untitled” 

Anto Haiku 


141


“Dragon” 

Lorys Laine 


143


“Sunset @Lost 

Dream” 

Lam Erin 


145

{EB} GLORIA @ 

the darkness 

event 

Erika 


[ wake me up... ] 

Quinnsley 

Abbiamo selezionato 

alcune splendide 

immagini realizzate 

da eccellenti 

fotografi in SL. 

Le immagini sono 

pubblicate nel 

gruppo Flickr della 

rivista. 


147


“Mi fido di te” 

AshleyAlyson 

Yexil 


149


“autumn little 

bride ...” 

Isis SecretSpy 


151


“Midsummer” 

Adriana 

Perido 


153


“Ms. Francies 

Feline Fancies” 

Sienna Skye 

Foxdale 


155


“IONIC - Cocina 

de Meigas” 

Elaine Lectar 


157


“Soup, Tea, 

Cookies. A 

puppy and a 

kitten” 

Bambi 


159

“.” 

Lan 


“#763 /s o l i t u 

d e/” 

Y a s h i c a 


161


“Pray” 

Magnum 

Gunawan 


163

“La Darsena” 

Alessandro 

Livingstone 



165


“I will shine 

within your 

shade” 

Mogovtle 

Karnstein 


167


“Walsh County 

01” 

Vivena 


169

“Pure” 

lakaluka 


“Poésie 

Indécise” 

Amberly 


171

“Me & You” 

Shilenni 

Resident 



173


“#330 

Strawberry 

fields” 

Nuria Niven 


175

Thanks for reading, 

we hope you enjoyed 

this issue. 

Copyrighted. All rights 

reserved. 

We are not affiliated to 

Linden Lab. 


For advertising in 


Magazine, write to: 

360gradi.sl@gmail. 

com. 


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