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Praca Dyplomowa - Photogrammetry and Remote Sensing - AGH

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2 THEORETICAL BACKGROUND<br />

2.1 Review of similar projects<br />

THEORETICAL BACKGROUND<br />

Over the time, there were done similar projects concerning documentation of cultural<br />

heritage. Some of them were more precise <strong>and</strong> some were more generalized. For instance in<br />

paper 3D Color Imaging For Cultural Heritage Artefacts Hess <strong>and</strong> Robson (Hess <strong>and</strong><br />

Robson, 2010) are showing how to use 3D laser scanners <strong>and</strong> close range photogrammetry for<br />

this purpose, they also made some comparison. In the paper An Optical Three-dimensional<br />

Measuring Techniques for a Detailed Non-contact Data Acquisition…Floth <strong>and</strong> Breuer (Floth<br />

<strong>and</strong> Breuer, 2010) are showing mostly laser scanning techniques for data acquisition <strong>and</strong><br />

process chain. However, in the What is the Future of Metric Heritage Documentation <strong>and</strong> Its<br />

Skills? (Blake, 2010) Blake is focused on future software that could be used for cultural<br />

heritage preservation. He describes new methods <strong>and</strong> shows that online web – based software<br />

may be future.<br />

In some projects, referring to paper works, the same software has been used. For example<br />

speaking of ImageMaster – photogrammetry software, was used by (Wojtas, 2010) in Offthes-helf<br />

Close-range <strong>Photogrammetry</strong> Software for Cultural Heritage Documentation at<br />

Stonehenge. She also used PhotoModeler Scanner for this purpose <strong>and</strong> she also made camera<br />

calibration. Nevertheless, it must be mentioned, that she used PI-3000 which is previous<br />

version of Topcon ImageMaster. She tested this software on Stonehenge rock. Also, (Kochi et<br />

al.) in PC-based 3D Image Measuring Station With Digital Camera…, used PI – 3000<br />

software. Their case of study was historical ruins of Parthenon but also Hdriaphooroi –<br />

statues. What is more, (Chmielewski <strong>and</strong> Szulwic) in Niemetryczne zdjęcia cyfrowe w<br />

fotogrametrii bliskiego zasięgu w systemie Topcon PI-2000, Chmielewski <strong>and</strong> Szulwic also<br />

used the same software, however their test object was architectural building, but Kazanaa<br />

(Kazanaa, 2010) , used the software on the old fountains abbey stone (English heritage).<br />

These methods were applied for non-metric commercial cameras <strong>and</strong> make process automatic<br />

<strong>and</strong> easy to use. For the modelling of the telamon in the archaeological museum ImageMaster<br />

was also applied in connection to laser scanning data – using TOF ZScan system of Menic<br />

Software - (Brutto <strong>and</strong> Spera, 2011). In the same combination as in the project ImageMaster<br />

<strong>and</strong> the same scanner Konica Minolta is used by Barnett (Barnett et al.) while Recording<br />

Prehistoric Rock Art. PiCalib software for camera calibration from Topcon was also used in<br />

Master Theses supervised by Ph.D. Regina Tokarczyk at University of Science <strong>and</strong><br />

Technology (<strong>AGH</strong>, Kraków) (Pawlak <strong>and</strong> Pulchny, 2009), but also in (Jędrzejek <strong>and</strong> Łącka).<br />

Some experiments with PhotoModeler Scanner have made Alyilmaza with others (Alyilmaza<br />

et al., 2010) during Measurement of Petroglyphs (Rock of Arts…), where the objects of<br />

interest were drawings on the rock like Qobustan petroglyphs. From laser scanning,<br />

mentioned before, Konica Minolta was also used for a purpose by Barba (Barba et al., 2011).<br />

They used this scanner with Tele lens for documentation of artefact from the Roman period,<br />

found in Spanish city Merida. For modelling, visualisation <strong>and</strong> texture they used Geomagic<br />

<strong>and</strong> Photoshop.<br />

Geomagic, software that is able to h<strong>and</strong>le point clouds from laser scanning <strong>and</strong> make models<br />

was applied by (Akca et al.) in Recording <strong>and</strong> modeling of cultural heritage objects with<br />

coded structured light projection systems <strong>and</strong> other similar papers, done by the same persons,<br />

where objects: Weary Herakles, the Khmer Head, Herakles Farnese - sculptures , Lady<br />

6

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