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THE CLASSICIST<br />
7.30pm, Thursday 22 April<br />
Auckland Town Hall<br />
Conductor Giordano Bellincampi<br />
Beethoven Symphony No.1<br />
Beethoven Symphony No.2<br />
Beethoven Symphony No.3 ‘Eroica’<br />
Right from the very first note of his<br />
very first symphony, Beethoven does<br />
something new. No symphony had<br />
ever started on such an unexpected<br />
chord. Yet here’s the paradox: these<br />
first two symphonies fit quite happily<br />
within the classical mould Haydn and<br />
Mozart had created. Haydn, in<br />
particular, would have appreciated<br />
their quicksilver wit.<br />
With the colossal Third, though, the<br />
mould is shattered and cast aside.<br />
A symphony on such a gigantic<br />
scale was totally unprecedented.<br />
This is where Beethoven truly<br />
begins to reshape music.<br />
Supported by the Rua & Clarrie Stevens<br />
Charitable Trust<br />
ON THE DANUBE<br />
7.30pm, Thursday 8 July<br />
Auckland Town Hall<br />
Conductor Giordano Bellincampi<br />
Violin Benjamin Morrison<br />
J. Strauss II On the Beautiful Blue Danube<br />
Korngold Violin Concerto<br />
Mahler Blumine<br />
Brahms Symphony No.3<br />
This concert shows Vienna at the hinge<br />
of the nineteenth and twentieth century.<br />
Strauss’s waltzes are so familiar that it’s<br />
easy to overlook their golden, autumnal<br />
elegance. It’s also easy to forget that<br />
Brahms, a friend and admirer of<br />
Strauss, is the other side of the coin.<br />
His tempestuous Third Symphony is the<br />
high summer of Romanticism. Mahler’s<br />
lyrical Blumine was originally intended<br />
for his First Symphony, but he cut it, and<br />
it was rediscovered years after he died.<br />
Benjamin Morrison, the sole Kiwi<br />
member of the Vienna Philharmonic,<br />
makes his debut with the <strong>APO</strong> for<br />
Korngold’s utterly glorious Violin<br />
Concerto. Profoundly romantic, it<br />
looks back to a vanished world.<br />
20<br />
<strong>APO</strong>.CO.NZ