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AphroChic Magazine: Issue No. 5

This issue celebrates the things about Black culture that are enduring, and that can’t be altered by one bad year - our resilience, our creativity and our radical joy. In the pages of this issue we’ll be sharing with you the visionary work that is taking place every day in our Diaspora. We’ll introduce you to a growing community of Black home brewers who are creating their own space in craft brewing. Then we’re off for a photo tour of beautiful Tanzania. We’ll look at the modern work of South African artists Faatimah Mohamed-Luke and Al Luke, and for the holidays, we’ll share with you our modern take on the Pan-Africanist celebration of Kwanzaa. In issue 5 we are thrilled to take you to the hottest decor boutique in Germany, created and designed by our cover star Chris Glass. Then we’ll give you a sneak peek into our latest project - AphroFarmhouse. And our hot topic is an important discussion on the recession and how we can craft an economic plan that puts Black people first. While we are excited to show you all that’s beautiful around the Diaspora, we also want to share with you the reason why we do this work - to educate, uplift and give back. This holiday season we’re excited to let you know about our partnership with (RED) on an exclusive collection of pillows and tabletop to raise awareness and critical funds for the world’s most vulnerable communities impacted by HIV/AIDS and now COVID-19. And you’ll find more amazing products that support Black businesses in our expansive Mood gift guide.

This issue celebrates the things about Black culture that are enduring, and that can’t be altered by one bad year - our resilience, our creativity and our radical joy. In the pages of this issue we’ll be sharing with you the visionary work that is taking place every day in our Diaspora. We’ll introduce you to a growing community of Black home brewers who are creating their own space in craft brewing. Then we’re off for a photo tour of beautiful Tanzania. We’ll look at the modern work of South African artists Faatimah Mohamed-Luke and Al Luke, and for the holidays, we’ll share with you our modern take on the Pan-Africanist celebration of Kwanzaa.

In issue 5 we are thrilled to take you to the hottest decor boutique in Germany, created and designed by our cover star Chris Glass. Then we’ll give you a sneak peek into our latest project - AphroFarmhouse. And our hot topic is an important discussion on the recession and how we can craft an economic plan that puts Black people first.

While we are excited to show you all that’s beautiful around the Diaspora, we also want to share with you the reason why we do this work - to educate, uplift and give back. This holiday season we’re excited to let you know about our partnership with (RED) on an exclusive collection of pillows and tabletop to raise awareness and critical funds for the world’s most vulnerable communities impacted by HIV/AIDS and now COVID-19. And you’ll find more amazing products that support Black businesses in our expansive Mood gift guide.

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Interior Design<br />

The breakthrough moment came when<br />

the attention resulted in an eight-page spread<br />

for a major publication. “I started getting<br />

messages from friends saying 'Your space<br />

is amazing. Your taste is amazing.' And in<br />

that moment, I understood, maybe I've done<br />

something interesting with my space. Maybe<br />

I have a certain point of view or way that I do<br />

things that's interesting to someone beyond<br />

me.”<br />

With the acknowledgement of his own<br />

talent came the question of how best to express<br />

it. It was his first time telling a story that was<br />

completely his own, and naturally Glass felt<br />

protective of it. The point of view he was expressing<br />

in his home was gaining notice, but it<br />

was only one home. And working as a designer<br />

with clients would largely be about expressing<br />

the client’s aesthetic, not his own. He needed<br />

another canvas to paint on, another stage from<br />

which to tell, not just his own story, but all of the<br />

stories he had spent so many years collecting.<br />

The result was a space that is equal parts decor<br />

shop and interactive experience - aptm Berlin.<br />

Opened in 2017, in the Wedding neighborhood<br />

of Berlin’s Mitte district, aptm Berlin<br />

is as much an event space as it is a retail shop.<br />

At nearly 2,500 square feet, this one-of-a-kind<br />

boutique encompasses a large dining, library,<br />

and home office space. “The first response<br />

should be a sense of home, of belonging,” Glass<br />

says of guests visiting for the first time. “aptm<br />

Berlin is an abbreviation for apartment, but it<br />

also is an acronym for ‘a place to meet’. I wanted<br />

to create a space where people and things come<br />

together. A space where people can discover<br />

and be inspired.”<br />

With aptm Berlin, Glass has the best of<br />

both worlds — a place to present his vision<br />

without compromise and with the flexibility<br />

to be changed over and over again, turning one<br />

space into many. And in fact, it is this flexibility<br />

of concept, and the frequency with which<br />

Glass exercises his prerogative for change that<br />

have become the heart of the attraction. “It’s<br />

occasionally seasonal,” he says of the transitions,<br />

“But sometimes also in response to a<br />

recent trip, or a new product that’s been introduced.<br />

And sometimes it’s just because I fancy<br />

changing a wall color and then switching everything<br />

to suit that. This idea is also what<br />

keeps people coming back — the newness and<br />

the desire to discover something unseen.”<br />

From the beginning, Glass envisioned<br />

aptm Berlin as more than a retail shop. With his<br />

rotating designs at center stage, he has used the<br />

interest the space generates as a way to draw<br />

more people in, using this platform to create<br />

and share experiences of their own, while continually<br />

breathing new life into the store’s retail<br />

side. “The space has really morphed more<br />

into a living gallery. People book it for dinners,<br />

photo shoots, filming, meetings. And via these<br />

bookings, people experience the pieces we<br />

have for sale and inquire after to buy things.”<br />

While the space’s first display incarnation,<br />

the aptly titled Birth, conjured images of<br />

something new being brought into the world,<br />

the revision immediately following, called<br />

Dolce, stems from sources far closer to the designer’s<br />

own life and experiences. “I draw inspiration<br />

from so many different places and I<br />

wanted to have the flexibility to show different<br />

ideas,” Glass reveals. “Just before Dolce I’d<br />

begun seeing a therapist who focused on mindfulness.<br />

She really helped me to embrace this<br />

idea of living in the moment.”<br />

Glass extrapolates, drawing the universal<br />

out of the specific to create designed tableaus<br />

that resonate on a number of different levels.<br />

46 aphrochic issue five 47

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