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Concept. Anupama Kundoo 'Feel the Ground' Venice Biennale 2012

'Feel the Ground. Wall House: One to One' was an invited installation, as part of 'Common Ground' curated by David Chipperfield for the 13th international architecture exhibition of 'la Biennale di Venezia'. Anupama Kundoo's Wall House in Auroville was constructed in full scale, making the point that architecture is a collaborative act, and that we are more common than we are different across the globe, regardless of our diversity. The curators wrote: "Kundoo, has built an ambitious, 1:1 facsimili of the Wall House, a building she designed in Auroville in India in 2000. The common ground is in its making. A team of Indian craftsmen, some of whom had never left their home country, were brought to Venice to construct the project in collaboration with staff and students from the University of Queensland, and students from IUAV in Venice, creating skills exchange across 3 continents. The final piece embodies the dialogue between construct on cultures, and also is a showcase for Kundoo's architecture, a lyrical modernism at easy with the demands of its climate."

'Feel the Ground. Wall House: One to One' was an invited installation, as part of 'Common Ground' curated by David Chipperfield for the 13th international architecture exhibition of 'la Biennale di Venezia'. Anupama Kundoo's Wall House in Auroville was constructed in full scale, making the point that architecture is a collaborative act, and that we are more common than we are different across the globe, regardless of our diversity.
The curators wrote: "Kundoo, has built an ambitious, 1:1 facsimili of the Wall House, a building she designed in Auroville in India in 2000. The common ground is in its making. A team of Indian craftsmen, some of whom had never left their home country, were brought to Venice to construct the project in collaboration with staff and students from the University of Queensland, and students from IUAV in Venice, creating skills exchange across 3 continents. The final piece embodies the dialogue between construct on cultures, and also is a showcase for Kundoo's architecture, a lyrical modernism at easy with the demands of its climate."

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Dr <strong>Anupama</strong> <strong>Kundoo</strong> Born in Pune, graduated<br />

from <strong>the</strong> Sir J. J. College of Architecture, University<br />

of Bombay, and began her independent practice<br />

in 1990. Closely associated with Roger Anger in<br />

<strong>the</strong> planning of Auroville, she was responsible<br />

for <strong>the</strong> detail development of <strong>the</strong> Administrative<br />

Zone, its Habitat Areas, and Auroville’s City<br />

Centre. In 2008 she was awarded her doctorate<br />

at <strong>the</strong> TU Berlin. <strong>Anupama</strong> <strong>Kundoo</strong> has had <strong>the</strong><br />

experience of living, working, researching and<br />

teaching in a variety of cultural contexts: Mumbai,<br />

Auroville, Barcelona, Berlin, London and New<br />

York. She is currently teaching at <strong>the</strong> School of<br />

Architecture, University of Queensland, Brisbane,<br />

Australia.<br />

The University of Queensland<br />

School of Architecture<br />

Room 318 · Zelman Cowen Building,<br />

Brisbane QLD 4072 · Australia<br />

P +61 420 678436<br />

F +61 7 3365 3999<br />

www.anupamakundoo.com<br />

info@anupamakundoo.com<br />

Andreas Deffner lives and works as a photographer<br />

in Berlin and India. His art projects<br />

have made him explore more remote areas<br />

of both <strong>the</strong> Indian society as well as <strong>the</strong> subcontinent.<br />

White too White, <strong>the</strong> exhibition on<br />

Indians suffering from albinism has won him<br />

a Lead Award. His perspectives: Wall House.<br />

Making and Remaking 1996 to <strong>2012</strong>.<br />

Harun Farocki lives and works in Berlin. He is<br />

<strong>the</strong> author of more than 100 productions, for<br />

cinema, television, and in <strong>the</strong> last 15 years also<br />

for art spaces. He was a visiting professor at<br />

<strong>the</strong> UC Berkeley and Harvard and tought film<br />

at <strong>the</strong> Academy of Art in Vienna. In Comparison,<br />

diverse social realities across <strong>the</strong> world through<br />

<strong>the</strong> making of brick.<br />

Ray Meeker studied architecture and ceramics<br />

at <strong>the</strong> University of Sou<strong>the</strong>rn California. With<br />

his wife Deborah Smith, he founded <strong>the</strong> Golden<br />

Bridge Pottery, Pondicherry, South India in 1971.<br />

Through his experiments in fired buildings he<br />

has gained recognition from <strong>the</strong> architectural<br />

community in India. Agnijata, <strong>the</strong> making of a<br />

baked insitu mud building.<br />

<strong>Anupama</strong> <strong>Kundoo</strong>,<br />

<strong>Venice</strong>, <strong>2012</strong><br />

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