Scheidegger & Spiess International Autumn 2021
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Scheidegger & Spiess
Art I Photography I Architecture
International New Titles Autumn 2021
Content
3
Max Bill Global
4 / 5
Dear to Me
6 / 7
David Chipperfield Architects Berlin
and the Kunsthaus Zürich
8 / 9
Love, Fight, Feast
10 / 11
Aenne Biermann
12 / 13
Nicolas Party – Rovine
14 / 15
Luigi Pericle. Ad astra
16 / 17
Working & Living
18
Andrea Garbald
19
Henry Brand
20–21
Le Corbusier Ronchamp
26–27
Key Titles
28
Contacts
Distributors
Representatives and Agents
22
Migration of Form
23
Sur Papier. Su Carta
24–25
Raphael Ritz
Edited by Fabienne Eggelhöfer
and Nina Zimmer
Essays by Fabienne Eggelhöfer,
Heloísa Espada, María Amalia
García, Guitemie Maldonado,
Angela Thomas Schmid, and
Lynn Zelevansky
Book design by Sabine Hahn
In cooperation with
Zentrum Paul Klee, Bern
Paperback
approx. 232 pages, 140 color and
20 b/w illustrations
21 × 28 cm
978-3-85881-877-5 English
978-3-85881-697-9 German
sFr. 49.00 | € 48.00
£ 42.00 | $ 50.00
OCTOBER 2021 (Europe)
DECEMBER 2021 (US)
ISBN 978-3-85881-877-5
English
9 783858 818775
ISBN 978-3-85881-697-9
German
9 783858 816979
New monograph on Max Bill,
Swiss master of modernism and
true renaissance man
Offers a fresh look at and comprehensive
survey of his remarkable
achievements in all fields of his
creative activity
Investigates Bill’s engagement in
politics and as an activist as well
as the network of fellow artists
around the world, with whom he
maintained a lifelong artistic and
political dialogue
Exhibition: Max Bill Global,
Zentrum Paul Klee, Bern (September
16, 2021 to January 9, 2022)
A key figure of
modernism in
Europe and globally
connected
renaissance man
Max Bill Global
An Artist Building Bridges
Max Bill (1908–1994), a key figure of modernism in his native Switzerland and internationally,
was a true renaissance man. Equally accomplished as a painter, sculptor,
graphic and product designer, and architect, he was also an eminent theorist and educator,
curator, and prolific publicist. Moreover, he engaged in Swiss politics and was
an activist both in Switzerland and abroad. Throughout his career he connected with
fellow artists and other leading figures of modernism, maintaining a lifelong and
worldwide artistic and political dialogue.
This book, published in conjunction with a major exhibition at Zentrum Paul Klee in
Bern, Switzerland, takes a fresh look both at Bill’s remarkable achievements across his
diverse fields of creative activity and at his international network, highlighting his
contribution to art and society as a whole. Max Bill Global features some 80 of Bill’s
own works in all disciplines and a selection of his designed products that went into
industrial production, as well as work by some of his artist friends. It also includes
topical essays investigating Bill’s interaction and networking with fellow artists in
Dessau, Paris, Zurich, São Paulo, Buenos Aires, and New York.
Fabienne Eggelhöfer is chief curator and head of collection exhibitions
research at Zentrum Paul Klee in Bern.
Nina Zimmer is a scholar of art history and Director of Kunstmuseum Bern
and Zentrum Paul Klee.
Scheidegger & Spiess
Autumn 2021 3
In conversation,
Peter Zumthor explores
his own and his
guests’ passions
Edited by Peter Zumthor
Conversations with Anita Albus,
Aleida Assmann, Marcel Beyer,
Hélène Binet, Hannes Böhringer,
Renate Breuss, Claudia Comte,
Bice Curiger, Esther Kinsky,
Ralf Konersmann, Walter Lietha,
Olga Neuwirth, Rebecca Saunders,
Karl Schlögel, Martin Seel,
Rudolf Walli, and Wim Wenders
Book design by Kambiz Shafei
17 booklets and concertina folder
in slipcase
approx. 480 pages, 30 color and
10 b/w illustrations
12.5 × 21 cm
978-3-03942-010-0 English
978-3-03942-009-4 German
sFr. 160.00 | € 150.00
£ 140.00 | $ 180.00
USPs A collection of seventeen
conversations of Swiss architect
Peter Zumthor with seventeen
philosophers, curators, historians,
composers, writers, photographers,
collectors, and craftsmen
An inspirational reader that invites
to delve into the intellectual world
of Peter Zumthor and his guests
A set of seventeen beautifully
designed booklets and a concertina
folder in an exquisitely manufactured
box
SEPTEMBER 2021 (Europe)
NOVEMBER 2021 (US)
ISBN 978-3-03942-010-0
English
ISBN 978-3-03942-009-4
German
9 783039 420100
9 783039 420094
Dear to Me
Peter Zumthor in Conversation
In summer 2017, celebrated Swiss architect Peter Zumthor curated the exhibition
Dear to Me at the Kunsthaus Bregenz, marking the twentieth anniversary of one of his
most famous designs. Part of the program were conversations with philosophers, curators,
historians, composers, writers, photographers, collectors, and craftsmen that
Zumthor had invited to contribute to the exhibition. His dialogues with them offer
insights into the thoughts and practice of fascinating personalities. Together with his
counterparts, he explores artistic preferences and practices, reasonings, as well as
practical knowledge from artisanal experience. Always charming and affectionate, he
follows up persistently, and with gentle determination takes his guests on mutual intellectual
strolls.
In Dear to Me: Peter Zumthor in Conversation, Zumthor’s equally serious and serene
conversations with Anita Albus, Aleida Assmann, Marcel Beyer, Hélène Binet, Hannes
Böhringer, Renate Breuss, Claudia Comte, Bice Curiger, Esther Kinsky, Ralf Konersmann,
Walter Lietha, Olga Neuwirth, Rebecca Saunders, Karl Schlögel, Martin Seel,
Ruedi Walli, and Wim Wenders are collected in seventeen booklets held together in an
exquisitely manufactured box. An eighteenth complementary booklet documents the
Dear to Me exhibition in Bregenz through concise texts and images.
Peter Zumthor works with his Atelier of around thirty people in the alpine
setting of Haldenstein, Switzerland, producing architectural originals like
Kunsthaus Bregenz, Therme Vals, Museum Kolumba Köln, the Steilneset
Memorial in Vardø, and currently the new building for the Los Angeles
Museum of Art (LACMA).
Scheidegger & Spiess
Autumn 2021 5
Completed: the extension
of the Kunsthaus Zürich
Also available:
The Architectural History of the
Kunsthaus Zürich 1910–2020
978-3-85881-859-1 English
978-3-85881-860-7 French
978-3-85881-676-4 German
sFr. 19.00 | € 19.00 | £ 20.00 | $ 25.00
ISBN 978-3-85881-859-1
ISBN 978-3-85881-860-7
The New Kunsthaus Zürich
Museum for Art and Public
978-3-85881-875-1 English
978-3-85881-876-8 French
978-3-85881-696-2 German
sFr. 15.00 | € 15.00 | £ 18.00 | $ 20.00
ISBN 978-3-85881-875-1
ISBN 978-3-85881-876-8
English
French
English
French
ISBN 978-3-85881-676-4
9 783858 818591
German
9 783858 818607
ISBN 978-3-85881-696-2
9 783858 818751
German
9 783858 818768
9 783858 816764
9 783858 816962
6
Edited by Kunsthaus Zürich
In cooperation with Einfache Gesellschaft
Kunsthaus-Erweiterung
Book design by Stefan Hunziker
Corti, Büro4
Paperback
approx. 72 pages, 60 color and
20 b/w illustrations
19 × 23 cm
978-3-03942-027-8 English
978-3-03942-028-5 French
978-3-03942-026-1 German
sFr. 19.00 | € 19.00
£ 20.00 | $ 25.00
Traces the genesis of
David Chipperfield’s extension
for the Kunsthaus Zürich
Published to coincide with
the opening of the extension in
October 2021
Completes the three-part series
on the Kunsthaus Zürich’s
architectural history
OCTOBER 2021 (Europe)
FEBRUARY 2022 (US)
ISBN 978-3-03942-027-8
English
ISBN 978-3-03942-028-5
French
9 783039 420278
ISBN 978-3-03942-026-1
German
9 783039 420285
9 783039 420261
David Chipperfield Architects Berlin
and the Kunsthaus Zürich
David Chipperfield’s new building for the Kunsthaus Zürich now stands in all its
splendor on Zurich’s Heimplatz, opposite the old museum building of 1910 designed
by Karl Moser. Its opening to the public in October 2021 will make the Kunsthaus
Zürich Switzerland’s largest art museum.
Following the two previous volumes on Kunsthaus Zürich’s architectural history and
the design for turning it into an art museum for the twenty-first century, this book
documents the genesis of David Chipperfield’s extension from proposal through political
debates about the entire project to completed structure. It features a foreword by
David Chipperfield and an essay by Christoph Felger, executive architect for the project
at David Chipperfield Architects Berlin, that discusses the design concept, the promise
made with it, and its fulfilment. A conversation between Christoph Felger, the director
of the City of Zurich’s Building Surveyor’s Office Wiebke Rösler, and Kunst haus
Zürich’s director Christoph Becker, and architecture critic Sabine von Fischer, as well
as numerous illustrations and plans sound out this new volume.
Kunsthaus Zürich is one of Europe’s leading art museums and Switzerland’s
largest art institution. Its permanent collection comprises masterpieces ranging
from medieval to contemporary art, with a focus on French impressionism,
postimpressionism, and classical modernism.
Scheidegger & Spiess
Autumn 2021 7
Telling stories through images:
Japan’s multifaceted narrative art
across eight centuries
Edited by Khanh Trinh
Essays by Sebastian Balmes,
Estelle Bauer, Jaqueline Berndt,
Melanie Trede, and Khanh Trinh
In cooperation with
Museum Rietberg, Zürich
Book design by Studio Marie Lusa
Flexicover (Paperback)
approx. 328 pages,
170 color illustrations
23 × 28 cm
978-3-03942-024-7 English
978-3-03942-023-0 German
sFr. 49.00 | € 48.00
£ 45.00 | $ 50.00
OCTOBER 2021 (Europe)
DECEMBER 2021 (US)
A uniquely comprehensive survey
of Japanese narrative art across
eight centuries
Highlights the vast variety of
picture worlds and of stories told
in Monogatari-e, or story pictures
Demonstrates the entire range of
artistic media and techniques used
for this type of Japanese art
Features some 100 rarely or never
before published art works, including
paintings, woodblock prints,
illustrated woodblock-printed
books, lacquer and metal objects,
porcelain, and textiles
Exhibition: Love, Fight, Feast:
The Multifaceted World of Japanese
Narrative Art, Museum Rietberg,
Zürich (September 10, 2021 to
December 5, 2021)
ISBN 978-3-03942-024-7
English
ISBN 978-3-03942-023-0
German
9 783039 420247
9 783039 420230
Love, Fight, Feast
The Multifaceted World of Japanese Narrative Art
The use of pictures to communicate a story has a long tradition in Japanese culture
that dates back more than a thousand years. Such narrative illustrations draw on
Buddhist texts, classic literature, poetry, and theatrical scenes to create rich visual
imagery realized in a wide range of media and formats. Quotations from and allusions
to heroic epics and romances were disseminated through exquisite paintings, woodblock
prints, and in pieces of applied arts such as lacquerware or ceramics, thus becoming
anchored in the collective consciousness. As story-telling art found expression
in a variety of materialities, it became an integral part of daily life. A fascinating
narrative space evolved that combined artistic excellence and aesthetic pleasure.
Love, Fight, Feast features some one hundred paintings, woodblock prints, illustrated
woodblock-printed books, as well as lacquer and metal objects, porcelain, and textiles
from the thirteenth to the twentieth century, alongside scholarly essays on a range of
aspects of Japanese narrative art. Published in conjunction with an exhibition at the
renowned Museum Rietberg in Zurich, the book offers a unique survey of the multifaceted,
colorful, and imaginative world of Japanese narrative art across eight centuries.
Khanh Trinh is curator of Japanese and Korean Art at Zurich’s Museum Rietberg
since 2015. Prior to this she worked as curator and lecturer in Japanese Art History
in Berlin (Museum für Ostasiatische Kunst, 1997–2004), Tokyo (Waseda University,
2006–07), and Sydney (Art Gallery of New South Wales, 2007–15).
Scheidegger & Spiess
Autumn 2021 9
102 103
62
78 79
84 85
63
60 61
54
90 91
55
Aenne Biermann: one of
the most significant European
avant-garde photographers
of the 20 th century
Edited by Raz Samira
Contributions by Simone Förster,
Bernhard Maaz, and Raz Samira
In cooperation with Tel Aviv
Museum of Art
Book design by Ornan Rotem,
Sylph Editions
Paperback
approx. 144 pages, 100 color and
duotone illustrations
22 × 30.5 cm
978-3-85881-882-9
English / Hebrew
sFr. 49.00 | € 48.00
£ 42.00 | $ 50.00
First new monograph in English
on the legendary avant-garde
photographer Aenne Biermann
since the 1930s
Features some 100 of Biermann’s
works in best color and duotone
reproduction, several of which
published in this book for the first
time ever
New essays on Aenne Bierman’s
photography in art-historical
context and on selected aspects
of her oeuvre
Exhibition: Tel Aviv Museum of Art
(from August 5, 2021)
SEPTEMBER 2021 (Europe)
FEBRUARY 2022 (US)
ISBN 978-3-85881-882-9
9 783858 818829
Aenne Biermann
Up Close and Personal
Aenne Biermann (1898–1933) was one of the leading figures of photography in the
1920s and 1930s. Today, she is considered one of the most important avant-garde
photographers of the twentieth century. In just a few years of practice, the self-taught
artist became a well-known representative of German photography, participating in
almost all the important exhibitions of her time. She captured plants, objects, people,
and everyday situations in pictures that have to this day lost none of their allure and
poignancy. By means of clear structures, precise compositions of light and contrast, as
well as narrow framing, she drew a special kind of poetry out of the motifs of her
personal environment and developed her own, distinctly modern pictorial style.
This is the first substantial new book in English on this exceptional artist since the
1930s, published to coincide with a major exhibition at the Tel Aviv Museum of Art in
fall 2021. The large-format volume features some 100 of Aenne Biermann’s photographs
in color and duotone reproduction, several of them published here for the first
time ever. This impressive selection is complemented by essays on Biremann’s photography
in art-historical context and on selected aspects of her oeuvre.
Raz Samira is curator of photography at the Tel Aviv Museum of Art.
Simone Förster is curator of Ann and Jürgen Wilde Foundation,
Pinakothek der Moderne, in Munich.
Bernhard Maaz is Director of the Bavarian State Art Collections
in Munich.
Scheidegger & Spiess
Autumn 2021 11
The first survey of New York-based
Swiss artist Nicolas Party’s work
Edited by MASI Lugano
Contributions by Tobia Bezzola,
Nicolas Party, and Michele Robecchi
Book design by Studio Marie Lusa
Hardback
approx. 176 pages, 70 color and
20 b/w illustrations
23 × 28.5 cm
978-3-03942-035-3
English / German / Italian
sFr. 49.00 | € 48.00
£ 45.00 | $ 50.00
First ever substantial monograph
on Nicolas Party, a leading representative
of Swiss and international
contemporary art
Features Party’s well-known key
works as well as numerous
previously unpublished pastels,
sculptures, and paintings
Exhibition: Nicolas Party—Rovine,
MASI Lugano (June 27, 2021 to
January 9, 2022)
AUGUST 2021 (Europe)
FEBRUARY 2022 (US)
ISBN 978-3-03942-035-3
9 783039 420353
Nicolas Party—Rovine
This book offers the first-ever survey of Swiss artist Nicolas Party’s entire body of
work. Born in 1980 in Lausanne, Party now lives and works in New York and has
established himself as one of the most important figures of international contemporary
art.
Nicolas Party—Rovine (Italian for ruins) features pastels and sculptures that Party
has created since 2013. The book focuses on the core genres of painting: still life,
landscape, and portrait. Party’s works stand out in these genres due to his use of wild,
anti-naturalistic colors, as well as through his extremely precise rendering of the subjects.
The artist explains his fascination for each of these genres in accompanying
texts. The book also shows a large-format wall painting and a sculpture created especially
for Party’s major solo exhibition at MASI Lugano in the summer 2021. Contributions
by the art critic and curator Michele Robecchi and by MASI Lugano’s director
Tobia Bezzola supplement this beautiful volume.
Nicolas Party, born 1980 in Lausanne, Switzerland, lives and works in New York.
His most recent solo exhibitions were at the FLAG Art Foundation (New York,
2020), M Woods (Beijing, 2018/19), and the Magritte Museum (Brussels, 2018).
Tobia Bezzola is an art historian and director of MASI Museo d’arte della
Svizzera italiana in Lugano since 2018. Prior that, he was director of Museum
Folkwang in Essen, Germany, 2013–17.
Michele Robecchi lives and works in London as a writer and curator.
He is the editor of the Contemporary Artists Series published by Phaidon.
Scheidegger & Spiess
Autumn 2021 13
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98
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99
137
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146
108
3 Schemadimeridiani energeticidella medicinacineseutilizzati ancheper l’agopuntura,
appuntatoamanodaLuigi Pericle/Schemader Meridiane aus derchinesischen Medizin,
diebei derAkupunkturzum Einsatzkommen,handschriftlich kommentiertvon LuigiPericle
1 EurythmicsexercisesonMonte Verità, MonteVerità
4 Luigi Pericle, Canone gotico/ Gothischer Kanon,s.d./o.J.,
matitasucarta/Bleistiftauf Papier,210×150 mm,ispiratoagli
studidiHansKayser, autore di AHarmonicDivisionCanon/
inspiriertvon denStudien Hans Kaysers, Autorvon
EinharmonikalerTeilungskanon.Zürich: Occident, 1946
ArchivioLuigi Pericle, Ascona
109
Luigi
Pericle
Ad astra
Museod’arte
dellaSvizzeraitaliana,
Lugano
Scheidegger &Spiess
Edizioni Casagrande
die auch die Werke der aktuellen Ausstellung durchdringen
(siehe etwa Kat.-Nr. 33, 34und 36) –sowie
in seinen Schriften. Eine Untersuchung von Pericles
Werk kann nicht von seiner synkretistischen Herangehensweise
an die Welt abweichen, inder beispielweise
die Mechanik beziehungsweise Wirkweise des Motors
seines Ferraris, 3 des menschlichen Körpers (Abb.3)
und der künstlerischen Praxis (Abb.3–6) eine Einheit
ohne Hierarchie unter den verschiedenen Disziplinen
darstellt. So ist seine künstlerische Produktion inverschiedenen
Aspekten mit dem Konzept des Gesamtkunstwerks
identisch. Gemeint ist das Beseitigen der
Unterscheidung zwischen den Künsten zugunsten einer
Einheit von künstlerischen Ausdrucksweisen und dem
Leben und vor allem, was unseren Fall hier betrifft,
die perfekte Synthese der Künste und des Wissens.
Wenngleich dieses Konzept bereits im 19.Jahrhundert
in der deutschen Romantik bei Richard Wagner, Novalis
oder Friedrich Schlegel auftauchte, um nur einige der
Hauptvertreter zu nennen, breitete sich der Begriff
des Gesamtkunstwerks inder Avantgarde des 20. Jahrhunderts
4 aus und war auch noch inder Anfangszeit
des Bauhauses in Weimar (1919–1925) wie auch im Programm
des Black Mountain College in North Carolina
(1933–1957) zufinden. Diese Begrifflichkeit war
ohne Zweifel auch Luigi Pericle präsent, dessen Bezugspunkte
unter anderen Novalis, Paul Klee und die
Theosophie waren. 5 In diesem Zusammenhang kann
man auch die Entscheidung des Künstlers interpretieren,
abden 1960er Jahren sein Werk den «Matri
Dei d.d.d.» (Matri Dei dono dedit dedicavit) zu
widmen. Ineinem Dokument mit dem Titel Gebrauchsanweisung
für den Umgang mit dem Maler L.P., das
im Archiv in Ascona aufbewahrt wird, fordert Pericle
den amAnfang seiner Karriere stehenden Künstler
auf, auf das Signieren seines Werks zugunsten folgender
Widmung zuverzichten: «Dem ewigen und grössten
aller Künstler gewidmet» 6 .Inseinem Resümee betont
Pericle die Bedeutung einer Gesamtbetrachtung des
Werks, die eine Deutung ersten Grades überwindet:
«Es gibt nur einen Herkunftsort aller grossen Kunst:
das Überbewusstsein. Der Verstand kann weder Kunst
schaffen, noch beurteilen.» 7 Es taucht also erneut
der Begriff des Absoluten auf, der auch ein tragendes
Element der theosophischen Glaubenslehre ist. Das
Dokument liefert weitere Schlüsselelemente für das bessere
Verständnis von Pericles künstlerischem Schaffen.
ArchivioLuigi Pericle, Ascona 27
Cat. 5
Cat. 6
Senzatitolo, 1960
300×210 mm
PrimitiveCalligraphy (Matri Deid.d.d.),1961–1962
35×41cm
A new exploration
of Swiss artist Luigi Pericle’s
engagement with spirituality
and Zen philosophy
Cat. 24
Cat. 25
Cat. 34
Cat. 35
Creation Penetrating InertiaIV(MatriDei d.d.d.),1963–1964
51×65cm
Creation Penetrating InertiaVI(MatriDei d.d.d.),1964
51×65cm
Il segnodello Zen(MatriDei d.d.d.),1966
35×44cm
Senzatitolo (Matri Deid.d.d.),1964
600×420 mm
Cat. 59
Senzatitolo, s.d.
80×130 cm
What We Talk About When
We Talk About Art
Andrea and Greta Biasca-Caroni
The title of this essay isinreference to that of afamous
short story by American writer Raymond Carver, the
subject ofwhich is “love” instead of“art.” 1
The ideal universe of Luigi Pericle (Basel, 1916–
Ascona, 2001) is founded onaset of values that
he believed should govern the world; values that include
love and art, which in some cases are synonymous.
Pericle’s works exert aprofound impact on the viewer
who, in contemplating them, becomes fully immersed
in the loving embrace of art.
When, inDecember 2016,webought the house
where Pericle had lived with his beloved wife Orsolina,
we had noidea ofthe marvelous adventure that
awaited us, which would open up awhole new world.
We had wanted topurchase the house—named Casa
San Tomaso byPericle as atribute to St Thomas
Aquinas—for the fifteen long years during which it
remained uninhabited, abandoned todecay. When we
bought the property, we also acquired the artist’s paintings,
drawings, documents, and books found onthe
premises (ill.3). Itwas literally love atfirst sight, and our
passion for Pericle’s art has never faded—on the contrary,
it has grown day byday, fueled bythe amazing
discoveries weconstantly make about him and his work.
In 2019,the Associazione Archivio Luigi Pericle
was founded in Ascona and was entrusted with the
task of studying and giving due recognition toPericle’s
oeuvre.
The first retrospective, Luigi Pericle. Beyond the
Visible, was held in the Area Carlo Scarpa of the
Fondazione Querini Stampalia during the 58th Venice
Art Biennale. It was organized under the auspices
of several cultural institutions, including the Council
of State ofthe Republic and Canton ofTicino, the its curation. We also owe adebt of gratitude tothe entire
Fondazione Monte Verità, and the Fondazione Eranos museum staff for the extraordinary work they have done,
(with which Pericle was associated and weourselves which will enable the public toexplore new facets of
collaborate). This exhibition also provided anopportunity
to establish various relationships with international The first scholarly catalog, published inconjunction
Pericle’s work and learn about the artist ingreater depth.
cultural institutions the artist came into contact with, with the exhibition held in parallel with the Venice Art
such as the British museums where he exhibited, which, Biennale, was an initial step in the broad-scope investigation
on Luigi Pericle’s art and thought, but it also left
like other museum in Switzerland, Italy, and the US,
own anumber ofhis paintings.
several questions unanswered.
This second retrospective, which coincides with This publication has been superbly edited byCarole
the celebrations for the twentieth anniversary of Haensler and enriched by her essay, which masterfully
Luigi Pericle’s death, will bring with itimportant new and rigorously sheds light onseveral aspects of Luigi
developments in the study of this artist’s work. Pericle’s poetics. Thanks to the renewed collaboration
Our thanks go to Museo d’Arte della Svizzera of Michele Tavola, Curator atGallerie dell’Accademia
Italiana (MASI), its Director Tobia Bezzola, the curator in Venice, italso offers amore in-depth analysis of
of the exhibition, Carole Haensler (Director of Pericle’s India ink drawings, which were first studied in
Bellinzona Musei and curator at Museo Villa dei Cedri), the catalog of the Querini Stampalia exhibition. The
who has created acompelling show with apowerful artist’s thought isanalyzed byAndreas Kilcher, Professor
ofLiterature and Cultural Studies atthe ETH in
impact, and Laura Pomari ofMASI for collaborating on
Zurich and Chair of the European Society for the Study
of Western Esotericism (ESSWE); his essay focuses on
Pericle’s novel, Bis ans Ende der Zeiten –Morgendämmerung
und Neuanfang statt Weltuntergang (Until
the end of times—dawn and new beginning, instead
of the end of the world), which, for anumber ofreasons,
is to be considered his spiritual legacy.
When Luigi Pericle made his entrance onthe international
art scene, hedisplayed his works alongside Karel
Appel, Antoni Tàpies, Jean Dubuffet, Pablo Picasso,
Asger Jorn, and Sam Francis; the success he enjoyed included
him among the most interesting artists of his day.
His art was bought by well-known collectors,
including British Member of Parliament Sir Basil de
Ferranti; Bennett Korn, achief executive ofMetromedia
Corporation, later bought by MGM; Brigitte Helm,
the female lead inthe cult movie Metropolis; and many
others. Hewas appreciated byleading figures in the
art world, such asSir Herbert Read, art consultant for
Peggy Guggenheim and trustee ofthe Tate Gallery;
the collector Peter G.Staechelin, who became his friend
and patron; and Peter Cochrane and Martin Summers
from the Arthur Tooth &Sons gallery inLondon.
In 1965, the renowned museologist and curator
of the York Art Gallery, Hans Hess, organized anexhibition
on Luigi Pericle with the support ofthe British
Arts Council—of which Read was the commissioner at
the time—that traveled toseveral British museums.
Foundation,HaraldSzeemann Fund 147
Edited by Carole Haensler
Contributions by Andrea and
Greta Biasca-Caroni, Carole
Haensler, Andreas Kilcher
and Michele Tavola. Preface by
Tobia Bezzola
In cooperation with MASI Lugano
Book design by Iza Hren
Hardback
192 pages, 120 color and
7 b/w illustrations
24.5 × 28.5 cm
978-3-03942-022-3
English / German / Italian
sFr. 39.00 | € 38.00
£ 35.00 | $ 45.00
The first book to explore Swiss
artist Luigi Pericle’s engagement
with spirituality and Zen philosophy,
and his understanding of abstraction
in art
Luigi Pericle’s fascinating work in
painting and drawing has recently
been rediscovered and is enjoying
increasing interest internationally
Luigi Pericle was a universally
interested and gifted personality,
self-taught illustrator and painter,
man of letters, mystic, theosophist,
and intellectual
Exhibition: Luigi Pericle: Ad astra,
MASI Museo d’arte della Svizzera
italiana, Lugano (until September 5,
2021)
AVAILABLE (Europe)
AUGUST (US)
ISBN 978-3-03942-022-3
9 783039 420223
Luigi Pericle. Ad astra
Luigi Pericle (1916–2001) was a rare talent—a self-taught illustrator and painter, a
man of letters, mystic, theosophist, and intellectual whose work and legacy eludes any
categorization. Under his proper name Pericle Luigi Giovanetti he had great success as
an illustrator and cartoonist in the 1950s. His cartoons were published worldwide in
daily newspapers, such as the Washington Post or Herald Tribune, as well as in satirical
magazines like Punch. His comic strip Max the Marmot, published in newspapers
and books, was hugely popular across Europe, the United States, and Japan.
In 1958, he turned to explore abstract expression through painting and ink drawing.
He quickly gained international recognition as an artist and his paintings were exhibited
in gallery and museum shows in Britain and Switzerland during the 1960s. Yet recognition
was not what he was looking for, and he disappeared voluntarily from the art
world to lead an increasingly secluded life dedicated entirely to his art and writing. His
home Casa San Tomaso on the legendary Monte Verità in Ascona, in southern Switzerland,
offered ideal surroundings for an artist so strongly drawn to spirituality.
Luigi Pericle. Ad astra, published to coincide with a major exhibition at the MASI
Museo d’arte della Svizzera italiana in Lugano, offers a fresh look at how the spiritual
environment and tradition of Monte Verità influenced Pericle as an artist and how
Asian calligraphy and Zen Buddhism were influential to his drawing practice. Moreover,
the book investigates Pericle’s understanding of abstraction in art and his own
syncretism of modern mysticism.
Carole Haensler is an art historian and director of
Museo Villa dei Cedri in Bellinzona, Switzerland.
Scheidegger & Spiess
Autumn 2021 15
Genossenschaft kurz nach Fertigstellung, Juni 1953. Genossenschaft kurz nach Fertigstellung, Juni 1953.
6 7 8 9
2
0
2
1
Studio House Wuhrstrasse 8/10
in Zurich: a unique working
and living space for artists
With art inserts by:
Georg Aerni
Marieta Chirulescu
Stephan Janitzky
Verena Kathrein / Ariane Müller
Adriana Lara
Christian Philipp Müller
Manfred Pernice
Zara Pfeifer
Erik Steinbrecher
Constantin Thun
Georg Winter
Edited by Painters & Sculptors
Building Cooperative Zurich
Contributions by Adam Jasper,
Caroline Kesser, Bruno Maurer,
Burkhard Meltzer, Gabrielle
Schaad, and Stefan Zweifel
Book designs by Teo Schifferli
Hardback
approx. 256 pages, 130 color and
115 b/w illustrations
23 × 31 cm
978-3-03942-031-5 English
978-3-03942-030-8 German
sFr. 65.00 | € 58.00
£ 55.00 | $ 70.00
NOVEMBER 2021 (Europe)
FEBRUARY 2022 (US)
ISBN 978-3-03942-031-5
English
ISBN 978-3-03942-030-8
German
The Atelierhaus Wuhrstrasse 8/10
in Zurich is a model example
of a living and working community
of artists that has been thriving
for almost seventy years
Swiss architect Ernst Gisel’s design
of 1953 has remained virtually
unchanged and its outstanding
qualities still meet the demands
of today’s inhabitants
Documents the building and its
history through texts and largely
previously unpublished archival
plans and documents as well as
historical and new photographs
Portrays the lives and works of the
artists who live and have lived in
the house and sheds light on the
philosophical, cultural, and social
aspects of this unique world
9 783039 420315
9 783039 420308
Working & Living
History and Presence of Studio House Wuhrstrasse 8/10
The studio and residential building at Wuhrstrasse 8/10 in Zurich is a unique place:
Commissioned by the Painters & Sculptors Building Cooperative Zurich, founded in
1948, eminent Swiss architect Ernst Gisel (1922–2021) designed this ensemble of
buildings comprising eight apartments and twelve artist studios in 1953. Thus, a utopia
of self-organized working and living space became reality. Since then, fifty-four artists
have left their mark on the artistic and cultural life of Zurich and Switzerland from
their home on Wuhrstrasse 8/10.
This book recounts the history of this extraordinary structure, illustrated with archival
plans and documents as well as new and historic photographs. It also examines the
political and social dimension of the Wuhrstrasse model and its international impact.
Further essays explore how the lives and works of the resident artists are interwoven
with contemporary events, and address the artist studio as both an idealized myth and
as a real place of work. In inserts created especially for the book, eleven Zurich-based
artists, all not members of the cooperative themselves, respond to the exemplary
model that is the “Atelierhaus.”
Adam Jasper is a postdoctoral researcher at ETH Zurich’s Institute
for the History and Theory of Architecture (gta Institute).
Caroline Kesser lives and works in Zurich as an art historian and critic.
Bruno Maurer is director of archives at ETH Zurich’s Institute for the
History and Theory of Architecture (gta Institute).
Burkhard Meltzer is a Zurich-based author, researcher, and curator.
Gabrielle Schaad is a lecturer and research associate at Zurich University
of the Arts (ZHdK) and the Technical University of Munich.
Stefan Zweifel is Zurich-based a philosopher who also works as
a writer and curator.
Scheidegger & Spiess
Autumn 2021 17
Edited and with a text by
Stephan Kunz
In cooperation with
Fondazione Garbald
Book design by Thomas Rhyner
Hardback
180 pages, 93 color illustrations
16.5 × 22 cm
978-3-03942-025-4
German / Italian
sFr. 35.00 | € 29.00
£ 25.00 | $ 40.00
ISBN 978-3-03942-025-4
AVAILABLE (Europe)
Features a selection of portraits
of women from Val Bregaglia in the
Swiss canton of Grisons by photographer
Andrea Garbald (1877–
1958) in the manner of a personal
album
Shows a little-known part of
Andrea Garbald’s oeuvre and
presents his own view of his native
Val Bregaglia through portraits
of the valley’s women
Garbald’s artistic work, redis covered
in the 1980s, continues to attract
much interest
9 783039 420254
Andrea Garbald’s
portraits of women
from the
Val Bregaglia
Andrea Garbald
Album
Photographer and artist Andrea Garbald (1877–1958) dedicated an important part of
his oeuvre to the women of his native Val Bregaglia, in the Swiss canton of Grisons.
As the first and, for a long time, the only photographer in the valley, he ran his own
photo studio in addition to an optician’s store in the village of Castasegna. Yet instead
of making his artistic work public, Garbald kept it in his attic. His estate was only
discovered in the mid-1980s and displayed in public for the first time in 2014 in a
major exhibition.
Andrea Garbald’s portraits collected in this volume show women of different ages and
social classes and go far beyond the stiff official portraits that were common at the
time. The sitters’ posture, clothes, faces, and their eyes speak volumes: the photographs
demonstrate a special intimacy and empathy towards the people portrayed. At
the same time, they reveal the development of the medium and its visual language.
This new book provides an in-depth look at Garbald’s unusual oeuvre and offers an
insight into the subtle creativity of this local pioneer.
Stephan Kunz is artistic director of Bündner Kunstmuseum Chur and a
member of the board of trustees of Fondazione Garbald in Castasegna,
Switzerland.
Scheidegger & Spiess
Autumn 2021 18
Edited by Pierre-Emmanuel Jaques
and Olivier Lugon
Essays by Christophe Brandt,
Faye Corthésy, Roland Cosandey,
Caroline Fournier, Pierre-
Emmanuel Jaques, Aude Joseph,
Olivier Lugon, and Grégoire Mayor
Book design by Onlab
Paperback
approx. 336 pages, 62 color and
188 b/w illustrations
19.5 × 26.5 cm
978-3-03942-049-0 French
sFr. 59.00 | € 58.00
£ 55.00 | $ 65.00
First monograph on the eminent
Swiss cinematographer and
photographer Henry Brandt
Presents the work of an important
figure in Swiss filmmaking through
essays by leading specialists and
numerous illustrations, many of
which published here for the first
time
Exhibition: Henry Brandt: Cinéma
et photographie, Musée d’art et
d’histoire, Neuchâtel (November 14,
2021 to May 29, 2022)
NOVEMBER 2021 (Europe)
ISBN 978-3-03942-049-0
9 783039 420490
Henry Brandt,
pioneer of
the “nouveau
cinéma suisse”
Henry Brandt
Cinéma et photographie
Henry Brandt (1921–1998) was a legendary figure in Swiss postwar filmmaking, a
photographer and a pioneer of the “nouveau cinéma suisse.” His second film Les
Nomades du soleil, an ethnographic documentary shot in 1953–54 about a nomadic
people in Niger, earned him international renown. At the 1964 Swiss national exhibition
Expo 64 in Lausanne, Brandt left his mark on the memory of an entire generation: his
five short films La Suisse s’interroge questioned the countries affluent Swiss society in
a hitherto unknown form and were the initial spark for the sociologically incisive
filmmaking in francophone Switzerland that later gave rise to masterpieces by Alain
Tanner and Claude Goretta.
This first monograph on Henry Brandt spans the entire oeuvre of this versatile cinematographer,
which includes numerous documentaries, photo reportages, and TV productions.
The essays investigate Brandt’s works and provide insights into his efforts to
combine the description of the local with the exploration of the distant. The book
highlights that Henry Brandt’s commissioned work as well as his own independent
productions are critical testimonies to global inequality and thus more relevant today
than ever.
Pierre-Emmanuel Jaques is a lecturer at the University of Lausanne,
where he is researching film history, particularly in Switzerland, as part
of a joint research project with the Lausanne-based Cinémathèque Suisse.
Olivier Lugon is a historian of photography, a professor at the University
of Lausanne, and co-editor of the journal Transbordeur: photographie,
histoire, société.
Scheidegger & Spiess
Autumn 2021 19
An entirely new artistic
approach to Le Corbusier’s
iconic chapel of Notre-Damedu-Haut
in Ronchamp
Text by Otto Kapfinger and
Claudia Kromrei
Book design by Bänziger Hug
Hardback
approx. 120 pages, 80 color and
10 b/w illustrations
19.5 × 25.5 cm
978-3-85881-695-5
English / German
sFr. 39.00 | € 38.00
£ 35.00 | $ 40.00
First-ever publication of Siegrun
Appelt’s Le Corbusier Ronchamp
series
Siegrun Appelt’s images highlight
Le Corbusier’s ingenious direction
of light as well as the spatial
structure, lines, and the passages
between materiel and immaterial
elements of his iconic chapel
NOVEMBER 2021 (Europe)
JANUARY 2022 (US)
ISBN 978-3-85881-695-5
9 783858 816955
Le Corbusier Ronchamp
Photographs by Siegrun Appelt
Le Corbusier‘s chapel Notre-Dame-du-Haut in Ronchamp is arguably the most famous
modern religious building and a UNESCO world heritage site. It has been photographed
by millions of people, including some of the most distinguished architectural
photographers. In this book, Austrian artist Siegrun Appelt takes an entirely new
approach to looking at the iconic structure, distinct from all her famous predecessors.
Appelt focuses with an utter concentration on details, creating compositions of the
highest sensitivity and precision. Her images highlight the place’s spatial structure and
lines, Le Corbusier’s ingenious direction of light, as well as surfaces and passages. The
images can be read as hints to these details and at the same time invite a conclusion
from detail to the whole.
Published alongside the images is a dialogue between Claudia Kromrei and Otto Kapfinger,
in which they investigate the potential of photography to show Le Corbusier’s
means of expression and discuss the visualization and perception of material and immaterial
elements of this icon of twentieth-century architecture.
Siegrun Appelt is a Vienna-based artist whose work encompasses electronic
media, photography, light art, and objects.
Claudia Kromrei is an architect and professor of architectural history and
construction theory at Bremen’s City University of Applied Sciences.
Otto Kapfinger lives and works in Vienna as a scholar of architectural
history and theory and freelance publicist.
Scheidegger & Spiess
Autumn 2021 21
In cooperation with
Johann Jacobs Museum, Zurich
Book design by Bijan Dawallu
Paperback
approx. 288 pages, 82 color and
24 b/w illustrations
23.5 × 29.5 cm
978-3-03942-003-2
English / German
sFr. 49.00 | € 48.00
£ 45.00 | $ 50.00
DECEMBER 2021 (Europe)
JANUARY 2022 (US)
ISBN 978-3-03942-003-2
9 783039 420032
A new study on migration of form
as curatorial method, based on the
practice at Zurich’s Johann Jacobs
Museum
Explores how exhibitions can contribute
to a broader understanding
of the complex global interdependencies
that shape our world
and life
Offers a topical and broadened,
and topical view of art and cultural
history
How can exhibitions
contribute to a
broader understanding
of the complex
global entanglements
that shape
our world and life?
Roger M. Buergel, Sophia Prinz
Migration of Form
Exhibitions for the Global Present
The term “migration of form” describes a curatorial method that takes aim at the
contradictions of the Western museum traditions and the ways exhibitions have been
conceived and designed. The method addresses transcultural entanglements in the
past and present from which objects emerge, rather than working with distinctions
such as art and non-art or cultural identities and concepts such as “Africa” or “Renaissance.”
It proposes a new type of museum for global audiences that serves as a
platform for discourses on urgent sociopolitical topics and as a space of experimentation
with new ideas and forms of display.
This book explains and applies the “migration of form” by offering insights into the
curatorial method Roger M. Buergel has experimented with at Zurich’s Johann Jacobs
Museum and other venues in Europe and Asia. Descriptions of single exhibitions on
global trade, raw materials, or artists such as Maya Deren and Allan Sekula are complemented
by concise texts which illuminate the theoretical foundations of the curatorial
process. Richly illustrated, the volume invites a timely and broadened view of art
and cultural history.
Roger M. Buergel is a curator and has staged and directed numerous
major exhibitions around the world, such as the documenta 12 (2007) in
Kassel, the Busan Biennale in 2012 and the Suzhou Biennale in 2016.
He has been director of the Johann Jacobs Museum in Zurich 2012–21.
Sophia Prinz is a scholar of cultural studies and cultural sociology.
She taught as a visiting professor of theory of design and gender studies at
Berlin’s University of the Arts 2018–20 and worked as a scientific advisor
at the Johann Jacobs Museum in Zurich 2013–21.
Scheidegger & Spiess
Autumn 2021 22
Edited by Antonia Nessi and
Marco Franciolli
Contributions by Marco Franciolli,
Madison Greenstone, Cecilia
Hurley, Domenico Lucchini, and
Antonia Nessi
In cooperation with the Musée d’art
et d’histoire, Neuchâtel, and the
Museo delle Culture, Lugano
Book design by Onlab
Hardback
approx. 136 Seiten, 55 color and
5 b/w illustrations
24.5 × 32.5 cm
978-3-03942-040-7
French / Italian
sFr. 49.00 | € 48.00
£ 45.00 | $ 55.00
AUGUST 2021 (Europe)
ISBN 978-3-03942-040-7
9 783039 420407
Features new art works made
on and out of paper by Chinese,
European, and American female
artists
The previously unpublished works
illustrate the versatility of paper
as a medium and a material for
contemporary art
Images of the setting-up of in-situ
installations at the museum offer
insight into creative processes
Exhibitions: Sur Papier. Su Carta,
Musée d’art et d’histoire, Neuchâtel,
Switzerland (until September 5,
2021), Museo delle Culture, Lugano,
Switzerland (October 29, 2021 to
March 10, 2022).
Paper as a medium
of cross-cultural
exchange
Sur Papier. Su Carta
Mingjun Luo, Francine Mury, Jiang Zuqing, Sivan Eldar
Paper has been irreplaceable for centuries in the communication and transmission of
knowledge. In spite of the digital revolution, paper remains an essential vehicle for the
production of art, whether in drawings, painting, the creation of objects, or in the
context of site-specific installations. In the urgent need to give material substance to
our ideas and experiences, we capture them on paper. In the artistic treatment of this
medium, our cultural practices are transcribed onto the paper along with the intended
messages.
Sur Papier. Su Carta explores paper as a unifying element in the encounter and confrontation
of artistic practices with different cultural origins. It opens up a dialogue in
which hybrid identities and the cultural spaces between East and West are negotiated,
as illustrated by working processes and works on and with paper by Sivan Eldar
(USA), Mingjun Luo (Switzerland/China), Francine Mury (Switzerland), and Jiang
Zuqing (China).
Antonia Nessi is an art historian and co-director of the Musée d’art
et d’histoire, Neuchâtel (MahN).
Marco Franciolli is the former director of MASI Museo d’arte della
Svizzera italiana in Lugano and has been a freelance curator since 2018.
Scheidegger & Spiess
Autumn 2021 23
“Raphael of the Alps”:
the Swiss genre painter
Raphael Ritz
Edited by Céline Eidenbenz
Contributions by Alain Dubois,
Patrick Elsig, Marco Jalla, Laurent
Langer, Pascal Ruedin, Martina Sitt,
Maelle Tappy, and Sabine Zaalene.
Preface by Céline Eidenbenz
In cooperation with the
Musée d’art du Valais, Sion
Book design by Bonbon
Paperback
approx. 216 pages, 110 color and
10 b/w illustrations
21 × 30 cm
978-3-03942-033-9
French / German
sFr. 49.00 | € 48.00
£ 45.00 | $ 55.00
First new monograph in decades
on Swiss genre painter Raphael
Ritz (1829–1894), who became
famous as the “Raphael of the Alps”
Explores the Ritz’s work in the
context of nineteenth-century
European art
Exhibition: Raphael Ritz: Fabrique
d’un Valais éxotique, Musée
d’art du Valais, Sion, Switzerland
(October 16, 2021 to June 5, 2022)
NOVEMBER 2021 (Europe)
ISBN 978-3-03942-033-9
9 783039 420339
Raphael Ritz
Fabrique d’un Valais éxotique
Raphael Ritz (1829–1894) is one of the most important artists to have emerged from
the Swiss canton of Valais. In the 1850s, Ritz, who later became famous as the
“Raphael of the Alps,” studied at the renowned Academy of Art in Düsseldorf,
Germany, and perfected his technique in the genre of mountain painting, which focuses
on the relationship between landscape and man. Ritz, who felt a strong connection to
his roots, created landscape idylls in faraway Düsseldorf for an audience that appreciated
regional peculiarities. At times with a touch of irony, he put his works at the
service of a modern effort to illustrate the timeless character of everyday life.
This new monograph looks at the work of the Valais-born artist beyond national
borders and frames it in both the Swiss and international artistic contexts of the time.
Ritz’s correspondence with his father, Lorenz Justin Ritz, who was a painter as well,
is also comprehensively examined for the first time: it constitutes an important testimony
to his artistic self-discovery. Selected photographs by Swiss contemporary artists
from the museum’s collection show the Valais of today and establish a connection
between Ritz’s ethnographic view of his own origins and the present.
Céline Eidenbenz is director of the Musée d’art du Valais in Sion, Switzerland.
She has been curator of the Salon Suisse at the 2019 Biennale Art in
Venice.
Scheidegger & Spiess
Autumn 2021 25
A highly enjoyable history of the
Bauhaus from an unconventional
perspective
“A difficult defense of the Bauhaus
against its worshippers”
(Philipp Oswalt)
An authoritative survey of Max Bill’s
career and wide-ranging work,
situating him in the context of his
cultural milieu
ISBN 978-3-85881-856-0
ISBN 978-3-85881-620-7
Philipp Oswalt
The Bauhaus Brand 1919–2019
The Victory of Iconic Form over Use
978-3-85881-856-0 English
978-3-85881-620-7 German
sFr. 39.00 | € 38.00 | £ 35.00 | $ 39.00
ISBN 978-3-85881-578-1
Max Bill
No Beginning, No End
978-3-85881-578-1 English / German
sFr. 49.00 | € 48.00 | £ 45.00 | $ 55.00
English
German
9 783858 818560
9 783858 816207
9 783858 815781
Paul Klee’s studies on polyphonic
painting: the beginning of a
new period
Oskar Bätschmann
Paul Klee—Ad Parnassum
Landmarks of Swiss Art
Exploration of a friendship:
Costantino Nivola, Le Corbusier, and
the development of Le Corbusier‘s
visual art
Le Corbusier
Lessons in Modernism
978-3-03942-011-7 English / German
sFr. 29.00 | € 29.00 | £ 25.00 | $ 29.00
OCTOBER (Europe)
DECEMBER (US)
ISBN 978-3-03942-011-7
978-3-85881-848-5 English
978-3-85881-853-9 Italian
sFr. 39.00 | € 38.00 | £ 30.00 | $ 39.00
ISBN 978-3-85881-848-5
ISBN 978-3-85881-853-9
English
Italian
9 783039 420117
9 783858 818485
9 783858 818539
ISBN 978-3-85881-829-4
ISBN 978-3-85881-830-0
The first-ever comprehensive
monograph on New York-based artist
Joel Shapiro, covering his entire career
and all of his artistic media
Richard Shiff
Joel Shapiro
Sculpture and Works on Paper
1969–2019
978-3-85881-829-4 English
978-3-85881-830-0 French
sFr. 85.00 | € 77.00 | £ 70.00 | $ 85.00
ISBN 978-3-85881-820-1
An intellectual panorama of the
significance and lasting effect of
Learning from Las Vegas in architecture
and urban design as well as in the
visual arts
Eyes That Saw
Architecture after Las Vegas
978-3-85881-820-1 English
sFr. 49.00 | € 48.00 | £ 45.00 | $ 49.00
English
French
9 783858 818294
9 783858 818300
9 783858 818201
The first comprehensive survey of
modern design from the transnational
and multilingual Alpine region
Tyrol—South Tyrol—Trentino
Design from the Alps 1920–2020
Tyrol South Tyrol Trentino
978-3-85881-649-8
English / German / Italian
sFr. 49.00 | € 48.00 | £ 45.00 | $ 55.00
ISBN 978-3-85881-649-8
An insight into a vibrant scene:
portraits of around 50 innovative
modern Swiss fashion labels
Wild Thing
The Swiss Fashion Scene
978-3-03942-015-5 English / German
sFr. 29.00 | € 29.00 | £ 25.00 | $ 35.00
ISBN 978-3-03942-015-5
9 783858 816498
9 783039 420155
Scheidegger & Spiess
Key Titles 26
A unique insight into Marina
Abramovićs biography and art and
what connects the two
Jeannette Fischer
Psychoanalyst meets
Marina Abramović
Artist Meets Jeannette Fischer
978-3-85881-794-5 English
978-3-85881-546-0 German
sFr. 19.00 | € 19.00 | £ 18.00 | $ 20.00
The full scope of Sophie Taeuber-Arp’s
oeuvre in fine and applied art
Sophie Taeuber-Arp
Today Is Tomorrow
978-3-85881-757-0 English
978-3-85881-432-6 German
sFr. 59.00 | € 58.00 | £ 45.00 | $ 65.00
ISBN 978-3-85881-794-5
ISBN 978-3-85881-546-0
ISBN 978-3-85881-757-0
ISBN 978-3-85881-432-6
English
German
English
German
9 783858 817945
9 783858 815460
9 783858 817570
9 783858 814326
Equilibre: Sophie Taeuber-Arp’s
defining work as a painter
Walburga Krupp
Sophie Taeuber-Arp—Equilibre
Landmarks of Swiss Art
978-3-85881-662-7 English / German
sFr. 29.00 | € 29.00 | £ 25.00 | $ 29.00
An examination of not only the works
of American artist Kiki Smith, but of the
human body itself
Kiki Smith
Hearing You with My Eyes
978-3-85881-867-6 English / French
sFr. 39.00 | € 38.00 | £ 32.00 | $ 40.00
ISBN 978-3-85881-662-7
ISBN 978-3-85881-867-6
9 783858 816627
9 783858 818676
The first book ever to thoroughly
explore Sam Francis’s deep
involvement with Japan and Japanese
culture, and with Asian art in general
Richard Speer
The Space of Effusion
Sam Francis in Japan
978-3-85881-861-4 English
sFr. 75.00 | € 68.00 | £ 60.00 | $ 65.00
An artist to rediscover: the first
monograph to explore the entire body
of American photographer Jan
Groover’s highly original and
experimental work
Jan Groover, Photographer
Laboratory of Forms
978-3-85881-838-6 English
sFr. 49.00 | € 48.00 | £ 45.00 | $ 49.00
ISBN 978-3-85881-861-4
ISBN 978-3-85881-838-6
9 783858 818614
9 783858 818386
Charlie Koolhaas’s timely dialogue
between words and images about a
crucial moment in our recent history:
the apotheosis of globalization and its
current unraveling
From Constructivism to Art Deco and
back to avant-garde and the Bauhaus:
a unique survey of transformations
of Soviet interior design across six
decades
Charlie Koolhaas
City Lust
London Guangzhou Lagos
Dubai Houston
978-3-85881-804-1 English
sFr. 59.00 | € 58.00 | £ 50.00 | $ 59.00
ISBN 978-3-85881-804-1
Kristina Krasnyanskaya and
Alexander Semenov
Soviet Design
From Constructivism to Modernism
1920–1980
978-3-85881-846-1 English
sFr. 99.00 | € 77.00 | £ 65.00 | $ 85.00
ISBN 978-3-85881-846-1
9 783858 818461
9 783858 818041
Scheidegger & Spiess
Key Titles 27
Scheidegger & Spiess
Art I Photography I Architecture
Scheidegger & Spiess
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8001 Zürich
Switzerland
Tel. +41 442621662
www.scheidegger-spiess.ch
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Publisher
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Tel. +41 442536454
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Cover image
Nicolas Party, Still Life © Nicolas Party.
From the book Nicolas Party—Rovine
(see pages 12/13).
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