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Faces of the Goddess Magazine SGC 21

The Scottish Goddess Conference 2021 bring you the Magazine/Book the Faces of the Goddess, Editied by Ness Bosch, head of the Scota Goddess Temple.

The Scottish Goddess Conference 2021 bring you the Magazine/Book the Faces of the Goddess, Editied by Ness Bosch, head of the Scota Goddess Temple.

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The Origin of Inanna and the Birth of the Gods

Steffy Vonscott

“The first Gods were elemental beings. They

were Gods of air and sky and sea. They were

Gods of the natural elements that surround

us. They were Gods of the Heavenly bodies,

and of the celestial sphere. They were Gods

of the Sun and Moon, of the stars, and of the

Planet Venus. They were the humanization

and anthropomorphization of nature and

the natural world around us. They emerged

at a time when mankind took control of his

own habitat, and when the human race took

mastery of his own surroundings.”

Inanna stands as the dawn of history: a wild

woman; beautiful, passionate, ferocious and

untameable; a union of opposites. Mother

of love, lust, passion and warfare. She sits

astride a mighty lion, teeth-bared, her

roar resounding down through the ages, a

stark reminder of her immense power and

influence. She is a Goddess of Kingship and

dominion, of love and of passionate embraces,

of ambition and the attainment of great

victories: both in warfare and in personal

conflicts. She is a Goddess with the power to

raise the dead, and bring the sick, weak and

weary back to health, wealth and wellbeing.

She is a Goddess of women and children, of

great armies and mighty Kingdoms, of the

lost and those who wish to be found. She

is a Goddess of mothers and sons, of Kings

and Queens and High Priestesses, of tavern

keepers and prostitutes. She is a Goddess for

all of the people, no matter their position

or place in society, nor sexuality; all were

welcome in her Temple Cult, and the people

revered her for it.

Inanna’s worship dates back long before

recorded history. It dates back to before even

the Sumerian Era. It dates to a time when her

patron city of Uruk was still a small settlement

called Kullaba. This settlement first emerged

during the early Ubadian Period c.5300 BCE.

According to the Archaeology of the region,

this settlement merged with a neighbouring

settlement known as the Eanna. The two

distinct regions, Kulab and Eanna, would

go on to become two major Districts of the

City of Uruk. We find this captured in the

literature from the earliest myths from Sumer,

which come from Uruk itself.

We have this preserved IN the epic

‘Lugalbanda and the Anzu Bird’, the myth

which details Inanna’s place in the earliest

history of the city of Uruk. The myth tells how

Inanna once lived far off in the mountains;

the place where the people of Sumer once saw

the rising and setting of Inanna to the West in

her earliest form of the Goddess as the living

embodiment of the Planet Venus. The myth

then tells the tale of how Inanna moved from

the mountains to the settlements of Uruk, and

into the “brick-built Kullaba” at the earliest

history of the city, before both settlements

merged. The myth describes how these

settlements began as marshes; full of water

and thick reed thickets. In time, the reeds

were cut down, canals were dug, the ground

water drained, and the settlements merged,

and over time they grew into one of the

first cities in history, with Inanna its patron

Goddess.

At this time period, Inanna was venerated

as the tutelary Goddess of the storehouse,

and a guardian Goddess of dates, wool, meat

and grain, and foods that were stored there to

prevent them perishing. Inanna’s earliest role

as a guardian of the Harvest was an incredibly

important role when civilization first began,

as she ensured the protection of the food and

sustenance that would be later redistributed

by the temple to feed the city.

We see that role represented in the earliest

written form of Inanna’s name, where she was

first represented as a pictograph of the gate

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