02.02.2022 Views

SOUTH AFRICAN CULINARY HERITAGE

The book South African Culinary Heritage by Eunice Rakhale, is about local food history and traditions interlaced with family conversations. It illustrates the culinary diversity of Southern African cuisine and some neighbouring countries, comparing the similarities and unique palatable heritages thereof. Written in a conversational style, the book is a handy culinary compilation which will bestow the reader with explorations regarding local African lifestyles history, art, clothing, music and perhaps even some song and dance. For tourists visiting these African countries – possessing a diversity of ethnic cultures, it is a worthy read regarding heritage and of-course African cuisine. A guide which should be included in any tourist’s travel pack and families. It is about a genuine story told with an extraordinary ability that draws parallel between the author’s struggle in the restaurant industry and in her personal life. Ultimately, her passion for food is where she finds solace to learn, heal and grow. Mother Daughter relationships can be extremely complex and Eunice is no exception. In the book, besides a plethora of authentic recipes and history, she shares candidly about her strained relationship with her daughter Mothei Makhetha. Being estranged for seven years, Mothei writes her mother a letter, in a desperate cry for help, which she hopes will begin the healing process. After receiving the letter, circumstances of her life took Eunice back home to her mother in Moletsane, Soweto. This happens while she is researching her culinary book authenticating the recipes through the help of her mother. This handing down of recipes from her mother gets them connected on a very deep level, thus, creating compassion and trust they never had. In desperation Eunice seeks counselling from her own mother to try and mend the relationship with her daughter. Their journey is one of true and sincere conversations handed down from one generation to another, around family meals and prayerful family meetings.

The book South African Culinary Heritage by Eunice Rakhale, is about local food history and traditions interlaced with family conversations. It illustrates the culinary diversity of Southern African cuisine and some neighbouring countries, comparing the similarities and unique palatable heritages thereof. Written in a conversational style, the book is a handy culinary compilation which will bestow the reader with explorations regarding local African lifestyles history, art, clothing, music and perhaps even some song and dance. For tourists visiting these African countries – possessing a diversity of ethnic cultures, it is a worthy read regarding heritage and of-course African cuisine. A guide which should be included in any tourist’s travel pack and families.
It is about a genuine story told with an extraordinary ability that draws parallel between the author’s struggle in the restaurant industry and in her personal life. Ultimately, her passion for food is where she finds solace to learn, heal and grow.
Mother Daughter relationships can be extremely complex and Eunice is no exception. In the book, besides a plethora of authentic recipes and history, she shares candidly about her strained relationship with her daughter Mothei Makhetha. Being estranged for seven years, Mothei writes her mother a letter, in a desperate cry for help, which she hopes will begin the healing process. After receiving the letter, circumstances of her life took Eunice back home to her mother in Moletsane, Soweto. This happens while she is researching her culinary book authenticating the recipes through the help of her mother. This handing down of recipes from her mother gets them connected on a very deep level, thus, creating compassion and trust they never had. In desperation Eunice seeks counselling from her own mother to try and mend the relationship with her daughter.
Their journey is one of true and sincere conversations handed down from one generation to another, around family meals and prayerful family meetings.

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Eunice Rakhale-Molefe

Mabele, Sorghum IS South Africa’s indigenous grain.

Mabele is a staple food for breakfast, either as plain or

flavoured porridge, or a sour porridge, which is known in

Setswana as Ting ya Mabele. This staple could also be

prepared and served in a stiffer version, known as Pap, for

the main course. Mabele also serve as a livestock feed

component in the rural communities. The Mabele grain is

also the main ingredient for Umqombothi, Sorghum Beer.

Famous South African musician Vusi Mahlasela highlights

the importance of this grain in his celebrated song, Silang

Mabele, south Sotho for grinding the Mabele grain.

The song is a rallying call for unity to fight poverty. In the

song, Mahlasela sings in six different South African

languages, including the universally-common English

language, calling on the nation to get on with the job of

making the country work better for the benefit of all the

country’s people. Also in the song, the modest yet

outspoken artist says that we had celebrated when our

leaders returned from exile; and that, when conflict was

expected, we had applied the wisdom of forgiveness. But,

after the celebrations, and having yielded to the

overwhelming spirit of forgiveness, the time has come to

produce, and to unite, and to feed all the people the Mabele

grain, symbolising unity, goodwill and brotherhood.

Renowned novelist, the late Nadine Gordimer – whom I

had the pleasure of meeting, just before her passing, at the

African Century International African Writers Conference

held at the University of Free State in Bloemfontein in 2012

– had this to say about Mahlasela’s indigenous celebratory

music: “Vusi Mahlasela sings as a bird does: in total response to

being alive. He is a natural, and blessed with the gift of song. He has

the genuine artist’s highly intelligent application to develop his heavensent

talent; becoming a guitarist, a poet and composer of ever-growing

accomplishment. As music runs in his veins, so does strong awareness

of our times and place and the people, who, like him, give expression

to these. He generously brings new life to the work of other poets by

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