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Aroundtown Magazine March/April 2022 edition

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SPORT<br />

at Horbury. When it first opened, there were<br />

around 200 workers who made everything from<br />

crash helmets to shuttlecocks and hockey sticks.<br />

At Horbury, they made all the leather sporting<br />

equipment such as boxing gloves and the<br />

footballs used in the 1966 World Cup final.<br />

Down the line, Barnsley operations would shift<br />

so they focused primarily on tennis balls, with<br />

another 600 staff enlisted to cope with demand of<br />

the unique Wimbledon contact.<br />

Forget the Bryan brother, Williams sisters, or<br />

The Woodies; Slazenger and Wimbledon are<br />

tennis’ most iconic double act. The partnership<br />

‘‘Barnsley employees<br />

made all the balls for the<br />

Wimbledon tournament,<br />

which was often more than<br />

50,000 balls for the twoweek<br />

duration – and the<br />

company did it all for free’’<br />

is the longest running in sporting history, with<br />

Slazenger supplying the tennis balls to the<br />

tournament since 1902. Barnsley employees<br />

made all the balls for the Wimbledon tournament,<br />

which was often more than 50,000 balls for the<br />

two-week duration – and the company did it all<br />

for free. Slazenger’s directors knew having their<br />

brand name at the world’s most prestigious tennis<br />

tournament was the best marketing tool they could<br />

deploy and riding on Wimbledon’s coattails fuelled<br />

worldwide sales.<br />

Due to the high level of output, workers at the<br />

Barnsley Slazenger factory were mainly employed<br />

on piece work contracts, where staff would be paid<br />

a fixed rate per unit they made. This attracted lots<br />

of women to the job as they found they could earn<br />

more than the standard hourly rate for women at<br />

that time, which was substantially less than their<br />

male counterparts, giving them the freedom to<br />

earn enough to support themselves if they worked<br />

hard or fast enough. One woman was noted to<br />

have produced enough tennis balls to earn the<br />

equivalent of £10 per hour, or around £30 an hour<br />

at today’s rate.<br />

Work was hard and physical, with cuts, scuffs<br />

and blisters the norm, especially before the 1970s<br />

when every aspect was done by hand, from rolling<br />

the rubber, felting the ball, gluing on the white lines<br />

and cutting off the excess. The Slazenger panther<br />

was a hallmark of quality and their products<br />

were praised for their superiority; unlike other<br />

manufacturers, Slazenger used moulds to create<br />

a perfectly round ball and filled them with nitrogen<br />

gas so they’d last ten-times longer.<br />

When Wimbledon’s Open Era started in<br />

1968 and professional players were allowed<br />

to participate, tennis became a much more<br />

mainstream sport. The big hitters got bigger and<br />

the balls took greater punishment, meaning they<br />

had to withstand the improved quality of play.<br />

The factory made tens of thousands of<br />

tennis balls every day, and each one had to be<br />

perfect. The factory employed teams of testers<br />

whose job was to bounce each ball and record<br />

the measurements for the utmost accuracy.<br />

If just one ball was defective, it would cause<br />

serious problems for the brand. Some workers<br />

can remember the day when hordes of people<br />

swarmed the factory after a ball used by John<br />

McEnroe burst on court, with the big bosses<br />

coming to learn from the expertise of the Barnsley<br />

factory workers to find out what had gone wrong.<br />

But despite the high workload and pressure of<br />

perfection, conditions weren’t tough or sweatshoplike.<br />

Most workers loved their time at Slazenger<br />

because of the camaraderie. The workforce<br />

became like a big family and workers often spent<br />

more time with their colleagues than with their own<br />

families at home. If anyone had a problem, they all<br />

rallied round.<br />

The company also gave a lot back to its<br />

community. Management put on presentations<br />

and awards every year, paid for pensioners’<br />

parties at holidays like Easter and Christmas, gave<br />

equipment to schools, and donated to raffles and<br />

charities. And they always had the biggest float at<br />

the Mayor’s Parade.<br />

Each year, staff were chosen to go on an all<br />

expenses paid trip to Wimbledon and given £30<br />

spending money. Employees also had real routes<br />

for progression throughout the company via<br />

college courses. A worker could go from a ball<br />

tester to head engineer or works’ manager if they<br />

stayed with the company, which is why a lot of<br />

employees worked at Slazenger for decades.<br />

Sadly, globalisation and not reacting quick<br />

enough to technological advancements led to<br />

the downfall of Slazenger’s UK operations. The<br />

Horbury site closed in the late ‘80s, with the<br />

company shutting the doors to its Doncaster Road<br />

factory in 2002 when it was bought by Sports<br />

Direct. All production moved to a state-of-the-art<br />

factory in the Bataan region in the Philippines<br />

where labour was cheaper and the rubber<br />

plantations closer.<br />

While the Barnsley Serves the World exhibition<br />

focuses on the strong industrial heritage of<br />

Slazenger, it also gives a nod to the Filipino<br />

culture of its present. The team at Experience<br />

Barnsley have reached out to the current factory<br />

management to highlight the pride in their<br />

shared heritage. They have sent gifts including a<br />

photobook, letter from the Mayor of Barnsley and<br />

a poem written by Ian McMillan which have both<br />

been translated into Tagalog. Ian’s sonnet, called<br />

Over the Net and Over the Sea, has been inspired<br />

by the rhythm and sounds of his time spent<br />

working as a dipper at Slazenger and includes<br />

some Filipino slang.<br />

The poem and letter will also be on display<br />

at the exhibition in Barnsley where a host of ace<br />

activities are planned, such as juggling tennis<br />

balls, making musical instruments out of tennis<br />

equipment, and attempting to set some tennisthemed<br />

world records.<br />

At the launch day on Saturday 9th <strong>April</strong>, the<br />

Experience Barnsley team will be serving up<br />

some Wimbledon-inspired refreshments such<br />

as Pimm’s and lemonade and strawberries and<br />

cream. Ian McMillan will be giving a performance<br />

of his poem, and you may spot a few tennis star<br />

lookalikes walking round the museum. You cannot<br />

be serious?<br />

On Thursday 28th <strong>April</strong>, there will be a poetry<br />

workshop called Talking Balls with Ian McMillan<br />

where the Bard of Barnsley invites the public to<br />

make a racquet and bounce words around to<br />

make poems up about their memories of the<br />

Slazenger factory. The event is free but you need<br />

to book your place via Eventbrite.<br />

Barnsley Serves the World is a free,<br />

family-friendly exhibition that runs from<br />

Saturday 9 <strong>April</strong> to Saturday 8 October at<br />

Experience Barnsley Museum, based in the<br />

town hall. For more information, visit<br />

www.experience-barnsley.com<br />

aroundtownmagazine.co.uk 31

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