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Nineteen Fifty-Six Vol. 2 No. 5

This is the 2022 print edition of Nineteen Fifty-Six magazine. The theme "Movin' On Up" is inspired by the Black Panther Party.

This is the 2022 print edition of Nineteen Fifty-Six magazine. The theme "Movin' On Up" is inspired by the Black Panther Party.

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“But the defense did a good job of making sure there<br />

were no African American jurors in this trial,’” Rigoglioso<br />

wrote.<br />

That is one example of how speaking AAVE has caused<br />

prejudice in the lives of Black Americans.<br />

The origins of AAVE and the discrimination Black<br />

Americans have recieved for speaking it is why it is<br />

considered problematic that non-Black people profit from<br />

appropriating it. <strong>No</strong>n-Black singers, rappers, actors, social<br />

media stars and more have been accused of using AAVE to<br />

gain fame, as it makes them seem ‘cool’ or ‘funny.’ These<br />

people are often defended by those who claim they grew<br />

up around people who use AAVE, they are from New York,<br />

or by simply not seeing an issue. The problem with this<br />

is it ignores the history behind AAVE and does not give<br />

credit to the Black Americans it originated from.<br />

Kahlil Greene, a popular social media educator and Yale<br />

graduate, made videos discussing the history of AAVE,<br />

the problematic uses of it by non-Black people, and why<br />

the Black community often “gate-keeps” it and other<br />

aspects of Black culture.<br />

“Black people in America, specifically, have been racialized<br />

on the idea that we are inherently lazy, poor, uneducated,<br />

or criminal. <strong>No</strong>t all people of color are stereotyped in this<br />

way, and thus our use of AAVE has been stigmatized as<br />

sloppy, unprofessional or ignorant. And that is simply<br />

not the case for non-Black people who are seen as funny,<br />

sensational, or cool when they use it,” Greene said.<br />

Greene further talked about the issues that arise when<br />

these non-Black creators profit off of Black culture like<br />

using a ‘Blaccent,’ recreating Black creators work such<br />

as Tik Tok dances, and creating a Black caricature but<br />

do not credit or give back to the Black community that<br />

originated it.<br />

“When you inform yourself about Black American history,<br />

and you look at gatekeeping in context, you will find that<br />

the imitation of Black culture by non-Black people has<br />

more often led to erasure and exploitation than inclusion<br />

and reciprocation,” Greene said.<br />

“In countless cases, Black innovators and creatives<br />

are smudged out for the sake of rewarding non-Black<br />

performers of our culture to the point that if I even point<br />

out that one of these celebrities is using Black culture,<br />

that I get looked at as if I’m irrational even though I am<br />

100% right,” Greene said.<br />

Misconceptions of AAVE and people who do not<br />

understand the importance of it and its history will always<br />

exist as long as there continues to be no education on<br />

the subject. In 1996, the Oakland California school board<br />

passed a resolution that acknowledged the use of AAVE<br />

amongst its over half population of Black students and a<br />

plan to utilize it to aid the students with their struggle of<br />

learning standard English.<br />

According to Alexander Russo for The Grade, Oakland’s<br />

decision was supported by linguists and practices of<br />

using children’s home dialect to help them learn standard<br />

English which has been successful in the past. Despite<br />

this, Oakland’s resolution was disapproved of by average<br />

people, celebrities, and media publications. This included<br />

Black people as well, like Jesse Jackson and Maya Angelou.<br />

Most of the opposition was based on opinions rooted<br />

in racism or misinformation. Oakland carried out the<br />

resolution but did it under a different name for less media<br />

attention. This was the last time a large-scale attempt<br />

was made to incorporate AAVE into teaching standard<br />

English in schools.<br />

Education is a key factor missing in the conversation<br />

surrounding AAVE, as it is in many other aspects of Black<br />

culture that are undermined or misunderstood.<br />

Schools would need to be involved in order to allow the<br />

decades of research done by linguists on AAVE to become<br />

common knowledge. Until then, change can start with<br />

educating oneself on the matter and staying woke on the<br />

history of AAVE.<br />

37

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